{"title":"Aperture","description":"\u003cp\u003eNew York City, United States\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eAperture\u003c\/em\u003e magazine is an international quarterly journal specialising in photography. Founded in 1952, \u003cem\u003eAperture\u003c\/em\u003e magazine is the flagship publication of Aperture Foundation. It features photographs by established and emerging photographers, as well as artists experimenting with photo-related media. Each issue is usually themed and includes writings by critics, scholars, photography practitioners, and others involved in the field of photography.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"pre-order-aperture-248-70th-anniversary-issue","title":"Aperture 248: 70th Anniversary Issue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture 248: 70th Anniversary Issue \u003c\/i\u003ecelebrates seventy years with an issue that explores the magazine’s past while charting its future. Reflecting on the founding editors’ original mission and drawing on Aperture’s global community of photographers, writers, and thinkers, this issue features original commissions by seven artists and essays by seven of the most incisive writers working today—each engaging with their chosen decade from the magazine’s history.\u003c\/p\u003e\n\u003cp\u003e144 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803967103047,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5120_60da86e5-b1bc-44c8-b9e5-099872c056c0.jpg?v=1752053029"},{"product_id":"forthcoming-aperture-223-vision-justice","title":"Aperture 223: Vision \u0026 Justice","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eGuest edited by Sarah Elizabeth Lewis,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVision \u0026amp; Justice\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eaddresses the role of photography in the African American experience.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis award-winning issue of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine was released in summer 2016, in a political moment defined by the close of the Obama era and the steady rise of #BlackLivesMatter activism. As a racial reckoning continues in the United States, this powerful issue remains an essential resource for understanding the role of art in the movement for equity and social justice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRooted in the prescient thinking of Frederick Douglass, and his argument that social progress requires pictures, 'Vision \u0026amp; Justice' includes a wide span of photographic projects by such luminaries as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLyle Ashton Harris\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSally Mann\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJamel Shabazz\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLorna Simpson\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCarrie Mae Weems\u003c\/b\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeborah Willis\u003c\/b\u003e, as well as the brilliant voices of a younger generation – \u003cb data-mce-fragment=\"1\"\u003eDevin Allen\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAwol Erizku\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLaToya Ruby Frazier\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeana Lawson\u003c\/b\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHank Willis Thomas\u003c\/b\u003e, among many others. Their portfolios are complemented by essays from some of the most influential voices in American culture, including contributions by celebrated writers, historians, and artists such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eVince Aletti\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTeju Cole\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAva DuVernay\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHenry Louis Gates Jr.\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMargo Jefferson\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWynton Marsalis\u003c\/b\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eClaudia Rankine\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e128 pages, 23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803968512071,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5086_a46bc8dc-b2e8-4f06-b8ab-e3710c0ac25a.jpg?v=1752053296"},{"product_id":"forthcoming-aperture-238-house-home","title":"Aperture 238: House \u0026 Home","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eHow do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? 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Several contributors revisit or reconfigure photographic archives – from writer Rebecca Bengal’s look at the works of Richard Throssel and Horace Poolaw, to artist Duane Linklater’s intervention in a 1995 issue of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e, 'Strong Hearts', the magazine’s first volume devoted to Native American photographers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'I was thinking about young Native artists,' says Red Star, 'and what would be inspirational and important for them as a road map.'\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThat map spans a diverse array of intergenerational image-making, counting as lodestars the meditative assemblages of Kimowan Metchewais and installation works of Alan Michelson, the stylish self-portraits of Martine Gutierrez, and the speculative mythologies of Karen Miranda Rivadeneira and Guadalupe Maravilla. 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Ashley James distills the surreal visions of Awol Erizku’s still lifes and tableaux; Casey Gerald contributes a sweeping ode to Baldwin Lee’s stirring 1980s portraits of Black Southern subjects; and Pico Iyer meditates on Tom Sandberg’s grayscales marked by both absence and reverence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout 'Cosmologies', artists cast their attention on the great mysteries of both personal and shared lineages, tracking their locations in space, time, and history, and reminding us of the elegant enigmas that can be unraveled close to home.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e144 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803969364039,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5129_4fc9d97a-22f7-4294-b586-333c0edc580f.jpg?v=1752053351"},{"product_id":"forthcoming-aperture-245-latinx","title":"Aperture 245: Latinx","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor winter 2021,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine presents an issue that celebrates the dynamic visions of Latinx photography across the United States. Guest edited by Pilar Tompkins Rivas, chief curator at the Lucas Museum of Narrative Art in Los Angeles, 'Latinx' spans a century of image making, connecting historical and contemporary photography, and covering the themes of political resistance, family and community, fashion and culture, and the complexity of identity in American life.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 'Latinx', Carribean Fragoza traces Laura Aguilar’s influence on queer artmaking. Joiri Minaya remixes postcards from the Dominican Republic to unveil the fantasy of tourism. Christina Catherine Martinez profiles Reynaldo Rivera, who chronicled 1990s-era Los Angeles nightlife. Yxta Maya Murry considers three Latina curators and writers influencing how photography canons are made today.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'Collectively, their images cast a greater net for the multiple ways of seeing Latinx people,' Tompkins Rivas notes of the issue’s photographers, 'creating a visual archive whose edges are yet to be defined.'\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e136 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803969396807,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5054_7de5d2e4-af0b-4514-9c65-106922ac9b52.jpg?v=1752053360"},{"product_id":"forthcoming-aperture-246-celebrations","title":"Aperture 246: Celebrations","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFind all available issues of \u003c\/i\u003eAperture\u003ci data-mce-fragment=\"1\"\u003e \u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\" title=\"Aperture Magazine\"\u003ehere\u003c\/a\u003e.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine presents 'Celebrations', an issue that considers how photographs envision ceremonies, festivities‚ and allow us to discover euphoria in the everyday.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout the issue, photographers portray exuberance against a backdrop of political strife in Beirut, pursue the thrill of wanderlust, excavate family histories, and respond to the powerful, constant urge to gather. Whether in Kinshasa’s vibrant nightlife of the 1950s and ’60s or London’s sweaty dance floors of our era, jubilation carries on, despite an ongoing, and unpredictable, pandemic.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 'Celebrations', Lynne Tillman contributes a survey of landmark images of celebration through the years, by artists from Malick Sidibé and Peter Hujar to LaToya Ruby Frazier. Several profiles and essays – including Alistair O’Neill on Jamie Hawkesworth, Moeko Fuiji on Rinko Kawauchi, Tiana Reid on Shikeith, Mona El Tahawy on Miriam Boulos, and Anakwa Dwamena on Marilyn Nance’s views of Lagos, Nigeria during FESTAC ’77 – reveal the celebratory gestures embedded in vibrant portraiture, serene slants of light, unbound queer desire, and joyous cross-cultural exchange.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e140 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803969462343,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5046_9ee5955d-e997-440d-8e28-05d4489d8953.jpg?v=1752053370"},{"product_id":"forthcoming-aperture-247-sleepwalking","title":"Aperture 247: Sleepwalking","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFind all available issues of\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eAperture\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Aperture Magazine\" href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\" data-mce-href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\"\u003ehere\u003c\/a\u003e.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGuest edited by the acclaimed photographer Alec Soth, \u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e’s summer issue explores the dimensions and possibilities of dreams, journeys, and chance in photography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'Sleepwalking' covers a surprising array of images and stories from the Soviet-era Czech artist Emila Medová to Sophie Calle’s discovery of an abandoned Parisian hotel to Soth’s own photographs from his travels in the United States. In this issue, Jesse Dorris interviews Duane Michals about luck and fate, Marina Warner explores the enduring resonance of the figure of the sleepwalker, and artists including Etienne Courtois, Maja Daniels, and Elliott Jerome Brown Jr. present surreal and imaginative new series. The Summer 2022 issue also introduces The PhotoBook Review, a new section for lively engagement with photobooks, featuring reviews of recent titles by Nona Faustine, Samuel Fosso, Óscar Monzón, and others.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e148 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803969495111,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5094_b19f36d4-9f64-492e-928e-2cbe315d650a.jpg?v=1752053378"},{"product_id":"aperture-249-reference","title":"Aperture 249: Reference","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e magazine presents \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e'Reference'\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an issue that considers the role images play in the creation of something else.­ Spanning fashion design, architecture, film, and print, 'Reference' includes a conversation between renowned British author and curator \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEkow Eshun\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and rising fashion designer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGrace Wales Bonner\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e; an interview with South African artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWilliam Kentridge\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the images that undergird his sprawling output; critic \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMimi Zeiger\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the work of Los Angeles–based architectural studio \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJohnston Marklee\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e; an essay by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJesse Dorris\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the potential of handmade zines; and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDavid Campany\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the function and purpose of photographs today.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFurther, works by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJames Welling\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJojo Gronostay\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeborah Turbeville\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSheida Soleimani\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKatrien de Blauwer\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStephanie Syjuco\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e highlight each artist’s unique use of source material.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Photobook Review for this issue opens with a sweeping interview with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRamón Reverté\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e – the editor in chief and creative director at Editorial RM – and includes reviews of recent photobooks by Vince Aletti, Phyllis Christopher, Moe Suzuki, Nancy Holt, Richard Misrach, and N.V. Parekh.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e136 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/b\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803982536775,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/aperture249_1000px_cd4577d9-d36a-4ad6-8edc-d55e103da532.png?v=1753877757"},{"product_id":"aperture-250-we-make-pictures-in-order-to-live","title":"Aperture 250: We Make Pictures in Order to Live","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis spring, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAperture\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e magazine presents issue #250, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWe Make Pictures in Order to Live\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which explores the relationship between photography and storytelling across generations and geographies. Featuring visual stories that excite, surprise, and illuminate daily life, this issue’s title is a nod to the late, celebrated writer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJoan Didion\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who declared, 'We tell ourselves stories in order to live'. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e contributors explore the quiet poetry – or clamorous disorder – of the everyday, and attest that making photographs is a way of being alive\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a sweeping introductory essay, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBrian Dillon\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e asks how we might view Didion through photography, and what images come to mind when we think of her writing. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThessaly La Force\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e profiles \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBieke Depoorter\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who sees documentary photography both as a listening exercise and a form of investigation, blurring the lines between authorship, fiction, and truth. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlistair O’Neill\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e takes stock of ,b\u0026gt;Nick Waplington’s vibrant records of subcultures on both sides of the Atlantic. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLena Fritsch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e writes about the 'exquisite world-making' of photographer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEikoh Hosoe\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s collaborative practice. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTiana Reid\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reconsiders \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCharles 'Teenie' Harris\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s vivid, midcentury portraits of Black life in Pittsburgh, several of which are published for the first time in this issue.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmong the portfolios, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCasey Gerald\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e discusses \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAdraint Bereal\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s images depicting the agony and ecstasy of being a Black college student in the US today. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eYvonne Venegas\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e searches for family ghosts in the Mexican landscape, which poet and novelist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDaniel Saldaña París\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e describes as 'an exercise in freedom and intelligence'. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKamayani Sharma\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e looks at \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGauri Gill\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s images of a community masquerade in the Indian state of Maharashtra, and its potential to reverse power dynamics inherent in seeing and being seen.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDurga Chew-Bose\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e meditates on the photographs of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMary Manning\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e – also featured on the cover – and their poetic sensitivity toward story and the everyday. For Endnote, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e poses six questions for the painter \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJordan Casteel\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn The PhotoBook Review – included within every issue of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBruno Ceschel\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e speaks with photographer, bookmaker, and publisher \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlejandro Cartagena\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e about his work. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLou Stoppard\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews a trio of photobooks about domestic spaces, and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s editors review a range of recent publications.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e136 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/b\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41804056166471,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_7912_742a077e-bde3-4e6f-a7da-b0893023d330.jpg?v=1752055189"},{"product_id":"aperture-251-being-becoming-asian-in-america","title":"Aperture 251: Being \u0026 Becoming: Asian in America","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis summer, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e magazine presents \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBeing \u0026amp; Becoming: Asian in America\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a landmark issue that considers how artists use the medium of photography to grapple with questions of visibility, belonging, and what it means to be Asian American. Spanning photography from the nineteenth century to the present, and featuring the work of acclaimed figures such as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAn-My Lê\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eReagan Louie\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 'Being \u0026amp; Becoming' is guest edited by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStephanie Hueon Tung\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, curator of photography at the Peabody Essex Museum in Massachusetts.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'I hope this publication provides an opportunity to discover generative ways of seeing that are rooted in connection and empathy'” says Tung, who contributes a powerful essay to the magazine about the importance of envisioning Asian American lives. 'It is through the work of artists that we can change our perceptions of the past and heal generational wounds.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 'Being \u0026amp; Becoming', \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRyan Lee Wong\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e interviews An-My Lê and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePao Houa Her\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e about photography, fiction, and truth in the aftermath of war. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBakirathi Mani\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003elooks at artists engaging with collections and public archives shaped by colonial histories, while \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eXueli Wang\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e writes about those making work in domestic spaces as a way to push back against assimilation. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKen Chen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e discusses \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eToyo Miyatake\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s striking record of life inside the Manzanar prison camp in the central Californian desert. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSimon Wu\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reflects on performative conceptual photographer and documentarian of East Village life \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTseng Kwong Chi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and his downtown New York era. And \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAleesa Pitchamarn Alexander\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003espeaks with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eReagan Louie\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who has spent more than fifty years addressing issues of migration, cultural transformation, and intergenerational dialogue through photography.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmong the artist portfolios in 'Being \u0026amp; Becoming', \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGina Osterloh\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e – whose work is featured on the cover – experiments with the legibility and illegibility of identity. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLeonard Suryajaya\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e constructs exuberant scenes of life in Indonesia and Chicago. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eArthur Ou\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e considers the act of seeing the world as a precursor to understanding his place in it. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGuanyu Xu\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e layers images of domestic spaces, filled with symbols of home, history, and affection. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePriya Suresh Kambli\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e mines family photographs to produce collages about migration and memory, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJarod Lew\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e composes 'deliberately uncluttered' images of his family in Detroit. This issue also features essays from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePhoebe Chen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTausif Noor\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMimi Wong\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAmy Sadao\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eXuan Juliana Wang\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAmitava Kumar\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSimon Han\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn The PhotoBook Review – included within every issue of Aperture as of summer 2022 – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTaous Dahmani\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e speaks with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCécile Poimboeuf-Koizumi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, bookmaker and co-founder of the Marseille-based independent publisher Chose Commune. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLena Fritsch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews an expansive new book that charts Japan’s unparalleled history of photography in print publications. In addition, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s editors review new and notable photobooks.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e144 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/b\u003e\u003cbr\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41804057378887,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_7921_7af1c820-d0d5-4743-b036-5cf6505a5b4e.jpg?v=1752055201"},{"product_id":"aperture-253-desire","title":"Aperture 253: Desire","description":"\u003ci\u003eAperture\u003c\/i\u003e magazine presents 'Desire', an edition that considers desire as both an impulse and a state of mind. The issue features an expansive interview with Juergen Teller, whose photographs upend fashion’s vocabulary of glamour and aspiration, on the occasion of his major exhibition \u003ci\u003eJuergen Teller: i need to live\u003c\/i\u003e, opening at the Grand Palais Éphémère in Paris on December 16, 2023.\u003cbr\u003e\u003cbr\u003ePhotographers are natural voyeurs. The compulsion to want – or, in today’s parlance, to manifest – emerges throughout the work in this issue. Artists such as Nakeya Brown, Nabil Harb, Oto Gillen, Marcelo Gomes, and Jonathas de Andrade consider the body, the natural world, beguiling objects, and direct physical expressions of desire as the material for indelible images.\u003cbr\u003e\u003cbr\u003eAndrew Maerkle profiles the celebrated Japanese photographer Ishiuchi Miyako, who for decades has conjured history through evocative personal objects, creating magnetic images that are at once surreal and surprisingly physical. Amanda Maddox considers a generation of women photographers whose work probes the feminist dynamics of seeing – and being seen. Moeko Fujii revisits Hisae Imai, an ascendent figure in Tokyo’s art and fashion scenes of the 1960s, and Lucy McKeon finds new resonance in the sensual self-portraits Melissa Shook made as a young woman and mother. In 'Desire', photographers render reality as unearthly – and take the viewer somewhere else altogether.\u003cbr\u003e\u003cbr\u003e23.5 x 30.5 cm, softcover, Aperture (New York).","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41804262506567,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/aperture253_1000px.jpg?v=1753877683"},{"product_id":"aperture-252-accra","title":"Aperture 252: Accra","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e'Accra', guest edited by the New York–based artist Lyle Ashton Harris and the Accra-based photographer and educator Nii Obodai, considers the Ghanaian capital as a site of dynamic photographic voices and histories that connect visual culture in West Africa to the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41804262539335,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/aperture252_1000px.png?v=1753877670"},{"product_id":"aperture-254-counter-histories","title":"Aperture 254: Counter Histories","description":"\u003cp\u003eWhat creative possibilities are offered by the gaps, absences, and silences in historical records? This spring, \u003cem\u003eAperture\u003c\/em\u003e magazine presents 'Counter Histories', an issue produced in collaboration with Magnum Foundation and informed by their ongoing Counter Histories grant initiative, featuring photographers from around the world who tell powerful stories about complex social and political histories.\u003c\/p\u003e\n\u003cp\u003eIn the 'Counter Histories' issue, a global group \u003cspan\u003eof photographers questions dominant historical narratives to create layered portrayals of place, culture, and community. In Hong Kong, Billy \u003c\/span\u003e\u003cspan\u003eH.C. Kwok collaborates with a grieving mother desperately searching for her son. In Nepal, Prasiit Sthapit investigates the complex role of musicians in the country’s Maoist insurrection. Alice Proujansky looks at her parents’ past as New Left activists in the United States, while Christopher Gregory-Rivera examines how Puerto Rican independence activists were surveilled for decades. And, in the years before Poland ousted a far-right government last fall, Agata Szymanska-Medina exposed how a nationalist party worked steadily to undermine an independent judiciary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor these artists, family and community are as essential as politics and memory. Stories of migration from Haiti to Philadelphia inspire Naomieh Jovin’s vibrant collages honouring her elders. Cédrine Scheidig engages with legacies of the Black diaspora, tracing her relationship to Afro-Caribbean history and community in French Guiana. In the Eastern Cape of South Africa, Lindokuhle Sobekwa reflects on the movement of Black migrant labor and builds what he describes as a 'family tree' of the country. And Abdo Shanan, working in Algeria, builds a speculative archive for his own generation.\u003c\/p\u003e\n\u003cp\u003e23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41804262604871,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/aperture254_1000px.jpg?v=1753877657"},{"product_id":"aperture-255-the-design-issue","title":"Aperture 255: The Design Issue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eAperture\u003c\/i\u003e introduces a new look for the magazine with 'The Design Issue', featuring previously unpublished images by Luigi Ghirri, a profile of the artist and jewellery designer Coreen Simpson, interviews with the celebrated fashion designer Duro Olowu and the design writer Alice Rawsthorn, and dynamic portfolios that speak to the myriad ways in which the fields of photography and design are intertwined. 'The Design Issue' also features three unique covers with images by David Hartt, Luigi Ghirri, and Dayanita Singh.\u003cbr\u003e\u003cbr\u003eIn 'The Design Issue', Olowu speaks with the editor Dan Thawley about how his deep knowledge of photography has informed his fashion line. Thessaly La Force visits Coreen Simpson, who made portraits of New York City’s artistic and nightlife scenes and later found success as a jewelry designer. Alice Rawsthorn speaks with Billie Muraben about how designers respond to evolving technology and politics. And Mimi Zeiger considers David Hartt’s interventions with the built environment and iconic buildings, including Philip Johnson’s Glass House.\u003cbr\u003e\u003cbr\u003eIn elegant, spare images, Dayanita Singh presents her long-term engagement with the architects Geoffrey Bawa and Bijoy Jain. Luigi Ghirri’s 1980s images from the Ferrari factory, in Italy, demonstrate the photographer’s fascination with industrial design. New work by Daniel Shea, Paul Kooiker, and Nhu Xuan Hua show photography’s boundless potential to tell stories about urban change, identity, and sartorial politics. This issue also features Avion Pearce, the winner of the 2024 Aperture Portfolio Prize, whose work will be presented in June at Baxter St at the Camera Club of New York; columns feature Stefan Ruiz, Akihiko Okamura, and Olivia Laing; and features in The PhotoBook Review highlight Alexey Brodovitch’s iconic art direction and Polymode, a bicoastal, queer, and minority-owned studio who are rethinking design histories.\u003cbr\u003e\u003cbr\u003e160 pages, 23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41804312051783,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/aperture255_1000px.jpg?v=1753077511"},{"product_id":"aperture-256-arrhythmic-mythic-ra","title":"Aperture 256: Arrhythmic Mythic Ra","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis fall, \u003ci\u003eAperture\u003c\/i\u003e publishes \u003ci\u003eArrhythmic Mythic Ra\u003c\/i\u003e, an issue that refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.\u003cbr\u003e\u003cbr\u003e'The photographs that I’m most drawn to in my conscious looking life push against our preconceived notions of social and aesthetic norms,' Lawson says. 'A photograph, by its nature, can deliver more about the subject than even the photographer or the subject intend. With this in mind, I have arranged a constellation of images that operate like texts and texts that operate like pictures—fragmented, arrhythmic, mythic.'\u003cbr\u003e\u003cbr\u003e\u003ci\u003eAperture\u003c\/i\u003e issue 256 features the work of more than thirty photographers – including Berenice Abbott, Bruce Davidson, LaToya Ruby Frazier, Balarama Heller, Arthur Jafa, Kikuji Kawada, Sally Mann, Louis Mendes, Boris Mikhailov, and cover artist Lieko Shiga – alongside new poetry by renowned authors Ben Okri, Tracy K. Smith, and Simone White; an essay by economic anthropologist Jason Hickel; and a short story by artist Jeff Whetstone. 'Lawson’s approach to reading photographs is wholly distinct and fresh. She has organised a surprising and enigmatic collection of images and texts for this special issue. It is very much an artist’s project in magazine form,' says Michael Famighetti, \u003ci\u003eAperture\u003c\/i\u003e’s editor in chief.\u003cbr\u003e\u003cbr\u003e'I believe we all need to observe things we don’t understand,' Lawson says, regarding her approach to the issue. \u003ci\u003eArrhythmic Mythic Ra\u003c\/i\u003e invites readers to confront the unknowability of every photograph, offering a meditation on the mysterious relationship between the visible and invisible world.\u003cbr\u003e\u003cbr\u003eThe issue coincides with \u003ci\u003ePoetic Record: Photography in a Transformed World\u003c\/i\u003e, an exhibition and two-day symposium at Princeton University, where Lawson is the Dorothy Krauklis ’78 Professor of Visual Arts. The exhibition is curated by Lawson and Famighetti, and the symposium is organized by Lawson in collaboration with Princeton colleagues Jeff Whetstone and James Welling at the Hurley Gallery, Lewis Center for the Arts. The show, on view from October 1 to December 5, 2024, includes work by many photographers featured in “Arrhythmic Mythic Ra.” The symposium takes place from October 10 to 11.\u003cbr\u003e\u003cbr\u003eLawson is one of the most original artists of her generation, the recipient of numerous awards, including the Deutsche Börse Photography Foundation Prize in 2022 and the Hugo Boss Prize in 2020. In addition to many exhibitions at museums and galleries worldwide, her work is the subject of the acclaimed \u003ci\u003eDeana Lawson: An Aperture Monograph\u003c\/i\u003e, published in 2018.\u003cbr\u003e\u003cbr\u003e160 pages, 23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41804312084551,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/aperture256_1000px.jpg?v=1753077493"},{"product_id":"aperture-257-image-worlds-to-come-photography-ai","title":"Aperture 257: Image Worlds to Come: Photography \u0026 AI","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eAperture\u003c\/i\u003e presents \u003ci\u003eImage Worlds to Come: Photography \u0026amp; AI\u003c\/i\u003e, a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist portfolios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography’s relationship to creativity, authorship, and truth.\u003cbr\u003e\u003cbr\u003eTo weigh the risks and possibilities of this transformative change, \u003ci\u003eAperture\u003c\/i\u003e has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the 'intelligence' of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer’s role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography’s relationship to reality, exposing how the idea of a 'real photo' has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States.\u003cbr\u003e\u003cbr\u003e'The field of photography continually shifts due to emergent technologies, and AI is a big one,' says Michael Famighetti, \u003ci\u003eAperture\u003c\/i\u003e’s editor in chief. 'It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.'\u003cbr\u003e\u003cbr\u003e\u003ci\u003eImage Worlds to Come\u003c\/i\u003e looks at the past as much as the future. Art historian Noam M. Elcottand technologist Tim Trombley train their own AI model on the Farm Security Administration’s vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible 'cursed images' inspired by a feeling of being 'nostalgic for the present'.\u003cbr\u003e\u003cbr\u003eThe cover of \u003ci\u003eAperture\u003c\/i\u003e issue 257 features a work by Trevor Paglen from his 2017 series \u003ci\u003eIt Began as a Military Experiment\u003c\/i\u003e. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life.\u003cbr\u003e\u003cbr\u003e'Photography is the paradigm of human-technology interfaces,' Paglen tells art historian Sarah M. Miller in an extensive interview. 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This spring,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAperture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epresents “Photography \u0026amp; Painting,” featuring artists from around the world who draw inspiration from both mediums in their work, illuminating how the dialogue between camera and canvas continues to unfold today in fascinating, unexpected ways.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAperture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eNo. 258 is anchored by three in-depth conversations with Njideka Akunyili Crosby, Vija Celmins, and Christopher Wool—three of the most significant painters of their generations. Through different strategies, these artists integrate photographic surfaces into their work, collapsing mediums to find new ways of marking time and space and of expanding our sense of how memories can be represented, from Akunyili Crosby’s spellbinding meditations on Nigerian culture incorporating family and found photographs; to Christopher Wool’s conceptual images of urban decay, talismanic objects, and his own abstract paintings; to Vija Celmins’s painstaking renderings of ocean waves and galaxies. As Celmins tells the photographer Richard Learoyd, “My tools are like hours.” \u003c\/p\u003e\n\u003cp\u003eRather than treat painting and photography as rivals, this issue frames them as sources of mutual inspiration. Brian Dillon examines photographers’ abiding fascination with the painter’s studio, drawing connections among Luigi Ghirri’s pictures of Giorgio Morandi’s atelier, Collier Schorr’s portraits of Nicole Eisenman, and Sally Mann’s tender trespass into Cy Twombly’s Virginia workspace. David Campany looks at the surprising resonances between gestural painting and photography in the 1950s, while Lucy Ives reflects on the misunderstood legacy of photorealism, showing how a movement long disparaged by critics continues to exert a powerful influence on younger artists. Elsewhere in the issue, Lynne Tillman rediscovers the photography of Pierre Bonnard, while Jarrett Earnest—looking at recent paintings of Britney Spears,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCasablanca\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003estills, and Judy Garland’s Dorothy—asks: Why are so many contemporary painters remaking famous images right now? 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