{"title":"Architecture \u0026 Urbanism","description":"","products":[{"product_id":"hannes-meyers-new-bauhaus-pedagogy","title":"Hannes Meyer's New Bauhaus Pedagogy","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchitect \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHannes Meyer\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e made substantial changes to the Bauhaus educational programme, reshaping it in response to the crisis created by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWalter Gropius\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s concept of a new unity of art and technology. From 1928 to 1930, as director at the Dessau Bauhaus he brought in fresh disciplines backed by new appointments and guest instructors. He geared the design process to concrete social problems and incorporated the latest scientific methods. He successfully innovated the realization of building projects and industrial products together with his students. Building on new research, the book reveals both the intellectual background to his teaching concept and the specific classroom practice in individual subject areas, while also giving space to teachers and students to have their say. The book traces the evolution of this educational approach all the way to the Ulm School of Design and assesses the impact of Meyer’s teaching in the work of his students.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e504 pages, 15 x 23cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803886428231,"sku":null,"price":64.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0659_c3676525-a4e1-4428-b1fd-90866fd2b8c0.jpg?v=1752048578"},{"product_id":"seven-palms-the-thomas-mann-house-in-pacific-palisades","title":"Seven Palms: The Thomas Mann House in Pacific Palisades","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book of photos and texts is dedicated to the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThomas Mann House\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in the Pacific Palisades in Los Angeles. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFrancis Nenik\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s essay offers the first detailed description of the history of the house in which Thomas Mann lived with his family from 1942 to 1952 during his period of exile in the U.S. Basing his work on extensive archival research, Nenik not only recounts episodes from the family’s life but also introduces characters who have hitherto been largely unknown – the people who built the house and worked in it. Their experiences, some of them extremely colourful, create the panorama against which the story of the house unfolds. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eSebastian Stumpf\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s photographs act as a counterpoint to this. In January 2017 he gained access to the vacant property, which had recently been bought by the German government, and captured it in its in-between state in a series of distinctive pictures. They show a deserted house that has morphed and grown in on itself, leaving precious little to suggest that the Mann family had once lived there.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e320 pages, 23 x 17.5 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803889868871,"sku":null,"price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0957_c5d34ac3-e330-4f4b-aefc-41b0bc94b126.jpg?v=1752048818"},{"product_id":"co-machines-mobile-disruptive-architecture","title":"Co-Machines: Mobile Disruptive Architecture","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInspired by the recent tendency among architects and designers to opt out of traditional office work in favour of creating self-initiated interventions in public space, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCo-machines\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e maps out a new architectural movement motivated by practices of place-making, occupying and squatting, and alternative economies. Ecological or technological in scope, all the interventions are mobile and nearly all of them are performed without permission from city planners.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresenting a selection of international projects by emerging designers, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCo-machines: Mobile Disruptive Architecture\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e shows the life of the alternative, grassroots and DIY with an independent spirit. It seeks out approaches and strategies to complement established urban planning and city-building, and show the beauty and fun in initiative. In a range of ways, \u003cem\u003eCo-machines\u003c\/em\u003e raises questions about the function of architectural permanence, the opportunities for social, ecological, ethical or dynamics otherwise in urban planning and the scope of architecture at large.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e232 pages,14.8 x 21 cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803891277895,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1001_36d755ac-3b28-426b-ad72-ea3dd8b58227.jpg?v=1752048874"},{"product_id":"meeting-grounds-on-locality-community-connection-and-care","title":"Meeting Grounds: On Locality, Community, Connection and Care","description":"\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMeeting Grounds\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an artistic project that seeks to explore the formation of community and our changing perceptions towards publicness through the medium of public space. The project grew in resonance as global phenomena including the pandemic and divisive cultural politics increasingly determined our ability to access certain spaces, and urged us to rethink our relationships to space, place and community; alongside the values we assign to each.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMeeting Grounds\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e programme of online, participatory events that took place from March to June 2020, at the height of the first wave of the pandemic, sought to examine this limited access, whilst simultaneously exploring the new spaces of community we have produced in response. This resulting publication features the work of 35 selected artists, researchers, designers and writers who took part in the programme. The \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMeeting Grounds\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e publication therefore acts as a continuation of the ideas and conversations exchanged during this time period as well as an exploration into the social, political and cultural changes that have occurred since the beginning of 2020. In doing so, it hopes to unravel our evolving relationships with space and place, the effects these changes have had on our bodily behaviours, habitual practices and movements and the ways in which we recognise, form and maintain locality, community, connection and care.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e140 pages, 12 x 17 cm, softcover, Onomatopee (Eindhoven).\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803904122951,"sku":null,"price":32.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1613_da6a51c3-c87c-4947-b9fd-c04af15143c3.jpg?v=1752049232"},{"product_id":"a-concrete-for-the-other-half","title":"A Concrete for the “Other Half”?","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe sulphur concrete block came out of various experiments performed by the Minimum Cost Housing Group at McGill University in Montreal in the 1970s. 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Beginning with an understanding of how and why the block was made, its actual usage, and its afterlife and going on to examine its archival status and symbolic relevance within architectural historiography, shaped by a paradigm shift in our overall view of 'Habitat', the book shows how the block became both a vessel and vector for the projections and questions explored by the transdisciplinary group of the Bauhaus Lab 2020.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith texts by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMya Berger\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Curator, Switzerland and Morocco. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLeticia M. Brown\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Designer and Researcher, United States. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDavid Davalos\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Architect, Ecuador. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eInes Glowania\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Information Designer, Germany. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDenisa Kollarová\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Graphic Designer, Slovakia. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMaryia Rusak\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Architect, Belarus. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMartha Schwindling\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Product and Exhibition Designer, Germany. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLéonie Thiroux\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Design Historian, France.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e144 pages, 10.5 x 14.5cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803904778311,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1622_ec4d3c76-6d50-4e93-9e02-9366510a6e8d.jpg?v=1752049261"},{"product_id":"martin-kippenberger-metro-net","title":"Martin Kippenberger – METRO-Net","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the early 1990s, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMartin Kippenberger\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e developed the idea of a global underground network: \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMETRO-Net\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Although it is one of the artist’s most fascinating projects, his premature death in 1997 meant that it could only be implemented in rudimentary form. In 1993, a metro entrance was built on the Greek island of Syros, followed by two more: one in 1995 in Dawson City in Canada and the other in 1997 on the new Leipzig exhibition grounds. This created a means of travelling in the boundless space of the imagination. Its usability depends on the imagination: without the willingness to visualise tunnel tubes and moving underground trains, this project remains a 'nonsensical building plan'. But the moment we accept the artwork as a mode of transport for 'mind travellers', then its full power can unfold. Kippenberger’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMETRO-Net\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was intended to counter life’s predictable, rationally oriented parameters with a romantic sense of the world.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e144 pages, 17.6 × 23.1 cm, hardcover, Spector Books (Leipzig).\u003cb data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/b\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803909136455,"sku":null,"price":58.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1988_8bf3fca7-adf3-4c82-b33c-e2553623fff0.jpg?v=1752049372"},{"product_id":"notes-from-the-underdog-agriculture-for-subsistence-in-porto","title":"Notes from the Underdog: Agriculture for Subsistence in Porto","description":"\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eNotes from the Underdog\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/ \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAnotações sobre o Abaixo de Cão\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e looks at agricultural practices and the appropriation of space in the city of Porto, Portugal, and the different ways in which this phenomenon has manifested in the aftermath of the financial crisis 2011. The book recounts the stories of ten gardens and the people running them, who have resuscitated urban brownfield sites by growing fruit and vegetables on them as a source of food. To achieve this end, they have developed infrastructures like watering and irrigation systems and methods of cultivation, recycling, and composting, while also building storage structures and producing their own tools. Although the gardens are primarily about people providing for themselves, they also lend themselves to recreation and leisure activities.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e488 pages, 16 × 23 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803909398599,"sku":null,"price":84.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2003_ca43ebd9-1007-4c2d-8c8f-f153a49219e3.jpg?v=1752049393"},{"product_id":"ina-kwon-piles-of-earth-and-rubble","title":"Ina Kwon – Piles of Earth and Rubble","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn Gyeongju, South Korea, tumuli dating back to the Kingdom of Silla can be found all over the city. After years in oblivion, many of these burial mounds were reconstructed in the 1970s in a bid to link President Park Chung-Hee’s South Korea with the Kingdom of Silla (57 BC – AD 935), a period that was traditionally glorified as rich and powerful. For the 1972 Summer Olympics in Munich, the city’s Schuttberg, a great pile of rubble left behind by World War II, was recast as an essential element of a landscape park. The entire complex was laid out on it with the idea of showing West Germany as being open to the world. The debris of the buildings destroyed in the war is buried under the park’s manicured grass. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eIna Kwon\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e uses photographs and texts to depict her travels and describe the research she carried out in these two locations, in which artificial hills are deployed to bury, expose, construct and rewrite history. The book consists of two sections – Gyeongju and Munich – which are printed in juxtaposition at 180° to one another so that the book can be read from either direction.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e204 pages, 14.5 × 21 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803911888967,"sku":null,"price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2229_9ed9b737-30d0-4baf-8ad3-f42fc5612a03.jpg?v=1752049546"},{"product_id":"shay-raviv-a-place-to-stay-practising-embedded-design","title":"Shay Raviv – A Place to Stay: Practising Embedded Design","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEmbedded design gives fresh impetus to an area by exploring the unique character and life of a place through the eyes of designers on the ground. This book documents the work of designers who embedded themselves in and around the former penal colony in Veenhuizen, soon to become a UNESCO World Heritage Site. It reveals the experience gained and lessons learned, illustrating them with countless design projects and events. This initiative, a blueprint for creative research focused on a particular area, is intended to spur similar projects.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYoung designers, prisoners, policy-makers and others joined forces in Veenhuizen, inspired by the unique cultural, historical, landscape and architectural reality. This lengthy design collaboration was instigated by embedded design pioneer KETTER \u0026amp; Co, and was guided by Design Academy Eindhoven. With local authorities and prison management in Veenhuizen, they drew up an ambitious ‘Design Deal’. Together they examined the challenges of local development in a long-term process that explored the many perspectives on the past and present. Their efforts helped to define a revised vision for Veenhuizen, one that is local and social, that can be experienced, that is shaped in conjunction with stakeholders, and that has an impact on visibility and policy, with energy flowing in many directions. The work resulted in proposals aimed at boosting commercial opportunities and enhancing the sense of community, while also promoting sustainable heritage management and a dynamic awareness of history. In other words: a magnificent challenge to give renewed vitality to this remarkable cultural landscape.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThrough numerous interviews and conversations on projects, design researcher \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eShay Raviv\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e analyses the preconditions and tools that are needed to facilitate a successful and enduring collaboration between designers and local communities. She also looks ahead and asks: How can embedded design continue to be relevant, not only for the World Heritage Site of Veenhuizen but also for other places?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e136 pages, 17 x 24 cm, softcover, Onomatopee (Eindhoven).\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803913396295,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2415_10d6e811-5cf8-46ba-aea8-0a9af3dfa959.jpg?v=1752049621"},{"product_id":"pre-order-regional-bureaucracy","title":"Regional Bureaucracy","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eGuillermo Fernandez-Abascal and Hamish McIntosh with Jordan Bamford, Jack Cooper, Christopher Kerr, Billy McQueenie and Nyoah Rosmarin.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eEvery regional city and town has basic amenities of some description. A post office, a school, a town hall, a police station, and sometimes, a swimming pool. Across the Australian state of New South Wales (NSW), the majority of these buildings were designed by the NSW Government Architect’s Office (GAO), most prolifically over a period of thirty years from 1958 to 1988. These civic structures – equally recognisable and indistinguishable in their form and wider sensibilities – create an oeuvre of public architecture that is both statewide and specifically local. Yet, due to the fact that these buildings largely act in service of our daily lives and routines, they are often perceived as exceedingly ordinary and overlooked as serious architecture.\u003cbr\u003eLed by architect and academic Guillermo Fernandez-Abascal, photographer Hamish McIntosh and a team of contributors – including Jordan Bamford, Jack Cooper, Christopher Kerr, Billy McQueenie, Nyoah Rosmarin and others – \u003cem\u003eRegional Bureaucracy\u003c\/em\u003e corrals these buildings as a distinct, if not idiosyncratic, collection. Utilising new drawings, photographs and stories, the book outlines a body of work that stands as recent evidence of how modern architecture can construct a state – albeit a complicated and ambitious one.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is not a monograph of the GAO. The goal was not to capture an exhaustive or historical ‘truth’, nor to form a clear argument about the GAO’s output and production. Rather, \u003cem\u003eRegional Bureaucracy\u003c\/em\u003e – anecdotally, analytically and always critically – presents a selection of relevant regional works that reveal an architectural mode that is distinctly ‘good enough’. None of the GAO’s projects are presented in a comprehensive manner here. Instead, this book draws a looser fabric of observations and details, leaving the reader with the space to make their own interpretations and, perhaps, the inspiration to visit the buildings themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e224 pages, 27 x 20cm, section sewn bind, softcover with flaps, Perimeter Editions (Melbourne).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803922669639,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Regional_Bureaucracy_cover_7d4895d4-4a78-4bcd-b667-c3b8a9388354.jpg?v=1752824153"},{"product_id":"shallow-waters","title":"Shallow Waters","description":"\u003cp\u003e\u003cem\u003eOn ecological and social metabolisms, cohabitation, engineering and economy in urbanised shallow water territories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis magazine explores two extreme cases of urbanised shallow water territories – Markermeer\/IJsselmeer in the heart of the Netherlands and the Venetian Lagoon. One is probably the most technologically controlled water on Earth, while the other negotiates a balance of natural water cycles, extreme weather, and a robust tourist economy. Providing points of reflection for similar territories where prospective sea level rise in the near future poses urgent questions about human and more-than human cohabitation, engineering, economy, and both ecological and social metabolisms.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-converted-space\"\u003e\u003cmeta charset=\"utf-8\"\u003e142 pages, 24.5 x 18 cm, softcover, Onomatopee (Eindhoven).\u003c\/span\u003e\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803925127239,"sku":null,"price":42.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2806_9f45fe9c-bbfa-43c6-9482-d23cb8c78093.jpg?v=1752049762"},{"product_id":"rights-of-way-the-body-as-witness-in-public-space","title":"Rights of Way: The Body as Witness in Public Space","description":"\u003cp\u003eThe movements of our individual and collective bodies through cities and space have long, complex histories. Despite associations with the everyday, the seemingly obvious or even the mundane; when considered at length, our bodily movements, and our ability (or inability) to move through space and place transforms us from mere bystanders into activators and witnesses of our cities.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAgainst our current backdrop of shifting city borders, mass surveillance, tightening immigration controls, technological advancements, precarious citizenship rights, widespread gentrification, divisive body politics and limited access to public space, \u003c\/span\u003e\u003ci\u003eRights of Way\u003c\/i\u003e\u003cspan\u003e weaves together testimony, academic research, essay, fiction, analysis and interview to question who has the rights of way to gather the past, the present and the future of public space and to envision new forms of witnessing for the cities in which we reside.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e236 pages, 13 x 20cm, softcover, Onomatopee (Eindhoven).\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803942035527,"sku":null,"price":42.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1921_416d0bcc-0dc8-4504-82e2-bddf99ae47f5.jpg?v=1752050952"},{"product_id":"josh-plough-tales-from-a-technocratic-city-eindhoven-footnotes","title":"Josh Plough – Tales from a Technocratic City: Eindhoven Footnotes","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHow does a technocratic city listen? How does it feel? And what’s the relevance of a pile of horse shit in a city full of sensors? These were some of the questions posed during the year-long research project investigating the smart city of Eindhoven, a city symptomatic to the way in which data and technology are used to make cities civil in 'the West'.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThrough the lens of design, writing, researching, archeology and artistic practice, the city was dissected by an editorial board overseeing a group of participants from various backgrounds.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis publication has collected some of those works as well as commissioning additional essays and research. The topics covered, while local, tie into the wider global debate surrounding big data and citizenship. From branding to surveillance, this publication analyses the rhetorics behind the people and companies shaping our technocratic cities.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e236 pages, 11 x 15cm, softcover, Onomatopee (Eindhoven).\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803942461511,"sku":null,"price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1902_a676c2bc-d03a-4f8b-8d0b-5999a73275c5.jpg?v=1752050964"},{"product_id":"a-j-lode-janssens-1-47-mbar","title":"A. J. Lode Janssens – 1.47 mbar","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA. J. Lode Janssens (b. 1947) is one of Belgium’s most idiosyncratic architects and a radical educator. He was co-founder of the experimental studio Atelier Alpha and the Sint-Lucas Werkgemeenschap, a workshop linking architectural education, practice, and research, and operated in close collaboration with ILAUD, the International Laboratory of Architecture and Urban Design. The publication \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eA. J. Lode Janssens 1.47 mbar\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e presents 'The Balloon', an all-but-unknown temporary pneumatic home experiment, built in 1973 in Humbeek, where he lived with his family until 1986. Lode Janssens considered it an uncompromising ephemeral attempt at de-architecturalisation and living in harmony with nature: a cave-dwelling, a work-in-progress, an empirical residence.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e192 pages, 24.6 x 30cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803942821959,"sku":null,"price":54.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1940_aa3848c2-0dcd-447c-a022-1e301bb646bc.jpg?v=1752051006"},{"product_id":"a-section-of-now-social-norms-and-rituals-as-sites-for-architectural-intervention","title":"A Section of Now: Social Norms and Rituals as Sites for Architectural Intervention","description":"\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Section of Now\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e aims to re-establish a dialogue between architecture and society that would allow for architecture to begin to contend with and address our changed and changing social norms. The publication serves as a meditation on new behaviours, rituals, and values and their spatial implications and seeks to catalyse urban and architectural interventions that accommodate, influence, and, in some cases, pre-empt our new lived realities. Authors address topics ranging from the safety of digital spaces to how normative life trajectories affect the elderly and the many selves each of us puts forward, while architects present frameworks for spaces for blended families, thirty-year-old retirees, and contested monuments, among many others. Bringing together analytical essays about the contemporary moment and the direction in which society is moving, projective texts that describe new architectural types to address societal needs, alongside television series, photography, and architecture and design projects, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eA Section of Now\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e outlines a new relationship between the spaces in which we live and the ways we live within them.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e350 pages, 17 × 24 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803943182407,"sku":null,"price":74.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1975_8b109c18-7d04-4d56-ad98-3b037d69b228.jpg?v=1752051030"},{"product_id":"gego-the-architecture-of-an-artist","title":"Gego. The Architecture of an Artist","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom 1932 to 1938, before emigrating to Venezuela, the artist Gego studied architecture and engineering at the Technische Hochschule Stuttgart. In 1955 — at the time, that is, when she began to become active as an artist — she wrote to her former professor Paul Bonatz, 'Even if I have strayed from architecture and found myself unable to master life through it, it has nonetheless shaped me, to some degree at least. Even unhappy loves are of great value and have their effect.' A few years later, MoMA in New York bought one of the artist’s first works. Today, Gego ranks as one of the best-known artists in Latin America. Conceptual approaches and practical ideas about architecture and processes of space creation have remained a constant theme in her art and have been the perennial subject of creative debate.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book is published in conjunction with the exhibition \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGego: The Architecture of an Artist\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e at the Kunstmuseum Stuttgart. The Fundación Gego’s permanent loan to the museum of 100 works has made it possible to give visible expression to these connections, with special attention paid to the artist’s graphic work.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGertrud Louise Goldschmidt (1912, Hamburg, Germany – 1994, Caracas, Venezuela) better known as Gego, was a German Venezuelan sculptor, installation artist, architect, and draughtswoman. She is best known for the work she did in the 1960s and 1970s, comprising abstract drawings, three-dimensional works, and wire constructions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e220 pages, 20 x 27cm, hardcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803943346247,"sku":null,"price":92.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2021_059bc995-f753-488c-840c-dab1181c8180.jpg?v=1752051042"},{"product_id":"holger-schurk-project-without-form","title":"Project Without Form: OMA, Rem Koolhaas, and the Laboratory of 1989","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1989, the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eOffice for Metropolitan Architecture\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (OMA) developed a daring architectural typology—a 'project without form.' The setting is a laboratory headed by Rem Koolhaas, in which actors from different disciplines work on three competition challenges at the same time. In the process, the mechanisms of project development and knowledge acquisition merge into increasingly abstract systems and representations. The 'project without form' is not built in any of the three cases. The book not only follows the progress of the laboratory in 1989 but also reflects on its prehistory and aftermath, drawing on interviews with various actors at OMA conducted by \u003cstrong\u003eHolger Schurk\u003c\/strong\u003e. The publication focuses on the hybrid processes of production and representation in the OMA project 'Très Grande Bibliothèque' (TGB) in Paris: these are visualised by means of numerous hitherto unpublished sketches, drawings, and photographs as well as sequences of video stills.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e450 pages, 18 x 27 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803943936071,"sku":null,"price":87.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2038_e0830fef-5449-4489-a8d2-2880438711a3.jpg?v=1752051074"},{"product_id":"making-futures","title":"Making Futures","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhat role might architecture – and the architect – play in the twenty-first century? What possibilities arise when we view architecture as a form of agency rather than as a collection of objects? What spatial dynamics emerge when we turn our practices away from the dictates of the neoliberal era with its obsession with growth and skimming off profit? Since 2018, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMaking Futures\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e has sought ways to answer these questions through practice-based research across disciplines, institutions, and territories. In schools, workshops, and other educational formats, Making Futures has explored modes of city-making based around diverse forms of knowledge exchange: assembling, constructing, baking, recycling, dancing and more. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Making Futures\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e publication lays outlines the experiences of this action research and the ideas it urges. It proposes a refreshed understanding of architectural practice as a collective process and as a resource.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMaking Futures\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a practice-based research project initiated in 2018 as a collaboration between raumlabor and the Berlin University of the Arts (UdK). Making Futures is: Markus Bader, Juan Chacón, George Kafka, Anna Kokalanova, Christof Mayer, Tatjana Schneider, Rosario Talevi.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e272 pages, 24 x 33cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803947311175,"sku":null,"price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2843_526cf24a-b153-48b8-b652-214393bf894f.jpg?v=1752051366"},{"product_id":"tom-paints-the-fence-re-negotiating-urban-design","title":"Tom Paints the Fence: Re-negotiating Urban Design","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Urban Design (UD) degree programme has been working on different types of urban research since 2008. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTom Paints the Fence\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a presentation of UD’s urban narrative: the city is not a given entity but is something we produce. The project thus combines forms of knowledge that deal seriously with the notion that the collective work of urban creation is an act of common agreement. The questions arise on the part of the actors — just as in Mark Twain’s novel, the neighbourhood kids first make fun of Tom Sawyer for having to paint the fence as a punishment, only to succumb later to his bargaining skills and take the brush off him to do the painting themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eTom Paints the Fence\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e refers to this process of social interaction. It incorporates a political understanding of the city that is always tied up with negotiation. This attitude to the city needs to be exercised and rehearsed. The \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eUniversität der Nachbarschaften\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Neighbourhood University) project provides an exemplary space for this, and its work is examined here from the perspective of research, theory, and practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e456 pages, 16 x 24 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803953012807,"sku":null,"price":77.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_3447_5870e13d-91e2-4c28-a99e-9af2c07cf8c0.jpg?v=1752051751"},{"product_id":"ideas-of-disorder-3-church-walk-by-cadbury-brown","title":"Ideas of Disorder: 3 Church Walk by Cadbury-Brown","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eIdeas of Disorder\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a detailed portrait of 3 Church Walk, the home of British modernist architects H.T. and E.R. Cadbury-Brown, which they jointly designed and built in 1962. Published to coincide with artist Emily Richardson’s film about the house, the book expands on the film’s script by Jonathan P. Watts by bringing together a rich array of archival material, much of it previously unpublished, with Richardson’s photographs of the house in its recent semi-abandoned state. The book is a long-overdue invitation to anyone interested in architectural history to consider the legacy of H.T. Cadbury-Brown and Partners, one of Britain’s few homegrown modernist architecture firms whose structures — from early work on the 1951 Festival of Britain to the iconic brutalist building for the Royal College of Art in London — await, and deserve, rediscovery.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by Emily Richardson and Jonathan P. 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Written and designed by graphic designer and writer Richard Hollis, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eHenry van de Velde: The Artist as Designer\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is lavishly illustrated with over 300 images.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book is the first major study of van de Velde’s work in English in 30 years. Hollis follows van de Velde from his beginnings as a painter in Belgium, through his conversion to English Arts and Crafts values and his connections with the literary and artistic avant-garde in Paris, to celebrity in pre-1914 Berlin. Hollis examines van de Velde’s life-long campaign for a ‘new style’ based on reason, and his role as a pioneer of the ‘new architecture’ between the two World Wars.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe figure that emerges is strikingly contemporary. Devoted to balancing aesthetic freedom and market forces, a belief in the social power of art in an era of growing nationalism, van de Velde paved the way from Art Nouveau to Modernism.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e264 pages, 17 × 24 cm, softcover, Occasional Papers (London).","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41803963826247,"sku":null,"price":52.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_4082.jpg?v=1752052460"},{"product_id":"urtzi-grau-guillermo-fernandez-abascal-folk-costumes-indo-pacific-air","title":"Urtzi Grau \u0026 Guillermo Fernández-Abascal – Folk Costumes, Indo-Pacific Air","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the months that preceded the global spread of COVID-19, a series of airborne events transformed the atmosphere of the Indo-Pacific region; the bushfire smoke on the East coast of Australia, the tear gas used in the Santiago de Chile and Hong Kong protests, the Indian Supreme Court ruling on Delhi’s pollution failures, and activists covering iconic statues with respirators across Johannesburg and Pretoria. All these incidents map the political struggles taking place in the region’s air, triggering a proliferation of masked faces avant la lettre.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe publication \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFolk Costumes, Indo-Pacific Air\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an account of the region’s masked state. It brings together culturally and geographically diverse case studies exploring air’s effects on the body to describe the emergent wearable architectures it produces. Considered as folk costumes, these wearables are socio-technical constructions that mediate our relationship with the environment—they negotiate our daily struggles, emancipatory efforts, and emotional inner-lives. Discussing air as a political matter, the book collects contributions by scientists, writers, historians, architects, photographers, and dilettantes, encouraging readers to fly freely between visual and conceptual affinities to create a map of a region in the making.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by Urtzi Grau and Guillermo Fernández-Abascal with contributions by Dean Cross, Hamish McIntosh, Peter McNeil,Hélène Frichot,La Escuela Nunca y Otros Futuros,Lidia Morawska, Juan Elvira, Matthew Connors, Ricarda Bigolin, Peter Irga and Fraser Torpy, Sharbendu De, Enoch Cheng, Samaneh Moafi, Sumayya Vally,Matteo Dal Vera, and Achille Mbembe.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e192 pages, 17 × 24 cm, softcover, Art Paper Editions (Ghent).","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":41803964579911,"sku":null,"price":64.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_4176_faf0bb94-0688-457e-8f25-61fcab13997c.jpg?v=1752052610"},{"product_id":"ettore-sottsass-architetture-attenuate","title":"Ettore Sottsass – Architettura Attenuata","description":"\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eEttore Sottsass\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1917–2007) was an architect and designer, labeled the godfather of Italian design. Born in Austria and based in Milan, Sottsass studied architecture at the Politecnico di Torino in Turin. After spending most of World War II in a concentration camp in Yugoslavia, Sottsass returned to Italy, where he set up his studio.\u2028\u2028 In 1958, he was hired as a design consultant for the Olivetti company, a position he held for more than 20 years. While there, he produced many designs, including the Elea 9003 computer and the red plastic Valentine portable typewriter. His aim was to produce objects that went beyond typical consumerist products.\u2028\u2028\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs Sottsass distanced himself from pure functionalism, he started experimenting with designs that had social and historical components. During this time, Sottsass became a leading figure in the Radical-Design movement. In 1981, Sottsass led a group of designers who came to be known as the Memphis group. This group experimented with colors and materials, creating multifunctional pieces and breaking with convention. Their new materials included neon, unusual finishes, and patterned plastic laminates. After Memphis, Sottsass continued to produce provocative work, constantly challenging the accepted practices of the day. He also established the architectural firm Sottsass Associati, with the aim of producing large-scale designs.\u2028\u2028\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSottsass’s work has been the subject of retrospective exhibitions at the Centre Pompidou in Paris, the Los Angeles County Museum of Art, and the Design Museum in London, among others. His numerous awards included the title of Office of the Ordre des Arts et des Lettres of the French Republic in 1992, an honorary degree from the Rhode Island School of Design in 1993 an Honorary Doctor of the Royal College of Art in London in 1996, an Oribe Award in Japan in 1997, and a Sir Misha Black Award in 1999.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e16 pages, 19.5 x 25.5 cm, softcover, Nieves (Zurich).\u003c\/b\u003e\u003c\/p\u003e","brand":"Nieves","offers":[{"title":"Default Title","offer_id":41803966677063,"sku":null,"price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_4773_80957c2f-9391-471e-af9f-a3b50ffd66cc.jpg?v=1752052986"},{"product_id":"peggy-buth-the-uses-of-fear-the-politics-of-selection","title":"Peggy Buth – The Uses of Fear: The Politics of Selection","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Uses of Fear\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e recounts a political history of our cities and suburbs. For the artist urban space is a place where the social and the economic overlap, at once forming and deforming the space. In three chapters Peggy Buth reports on social utopias and economic interests, on the attempt to include and exclude people, on hope, and on discrimination and defamation. Her artistic research focuses on the suburbs of Paris, social housing projects and streets in the US state of Missouri, and former working-class neighbourhoods in the Ruhr region, in the north of Essen and in parts of Duisburg.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e316 pages, 24 x 33 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803969724487,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5153_0d0115d4-9abf-4c21-bb20-73786c1077c3.jpg?v=1752053435"},{"product_id":"otherwise-it-would-just-be-another-river","title":"Otherwise, It Would Just Be Another River","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOtherwise, It Would Be Just Another River: Ten Years of Borderland Collective’s Practice in Collaboration and Dialogue\u003c\/em\u003e focuses on the participatory education and socially engaged art practices of Borderland Collective over the last ten years. The book shares stories and collective knowledge about the US-Mexico border created by students, teachers, artists, and community members in an array of Borderland Collective projects through poems, prose, photographs, and drawings. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorderland Collective is a long-term participatory art and education project based in Texas. The project utilises collaborations between artists, educators, youth, and community members to engage complex social issues and build space for diverse perspectives, meaningful dialogue, and varying modes of creation and reflection.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e248 pages, 17 x 24 cm, coptic bind softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803970150471,"sku":null,"price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5343_591013f6-fcb6-4135-8fd9-0d9ef5bc7d6b.jpg?v=1752053525"},{"product_id":"forthcoming-an-atlas-of-agendas","title":"An Atlas of Agendas","description":"\u003cp\u003eNEW EDITION\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003ci\u003eAn Atlas of Agendas\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is a political, social and economic atlas: informing the public about socio-political power structures and activating opportunities for the self and the commons.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe French research and design group \u003c\/span\u003e\u003cb\u003eBureau d´Études\u003c\/b\u003e\u003cspan\u003e has been producing maps of contemporary political, social and economic systems that allow people to inform, reposition and empower themselves. 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This large-size hardcover book, panoramic in scope and theoretically both profound and accessible, is THE atlas for an emancipatory new citizenship that utilises the opportunities of info-graphics from the local to the global and back again.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e270 pages, 30 x 23 cm, \u003cmeta charset=\"utf-8\"\u003ehardcover, Set Margins (Eindhoven).\u003c\/b\u003e\u003c\/p\u003e","brand":"Set Margins","offers":[{"title":"Default Title","offer_id":41803982405703,"sku":null,"price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_6145_43cc99e9-b283-4d8c-a1fa-2866b6c5a6f6.jpg?v=1752053950"},{"product_id":"intimacy-exposed-toilet-bathroom-restroom","title":"Intimacy Exposed: Toilet, Bathroom, Restroom","description":"\u003cmeta charset=\"utf-8\"\u003eThe analysis of sanitary spaces and places dedicated to personal care, as in a privacy observatory, helps with the in-depth assessment of social changes, allowing us to determine how the lives of users can be improved, how conflicts of use in public places can be resolved between populations of different sexes and ages, and how the quality of public and private health can be enhanced. Observing these issues pushes us to explore the forms and meanings of bathrooms and private spaces in relation to their different functions, including those of transgressive and informal meeting places and spaces of inevitable and forced social coexistence. This book constitutes a new step in this field of research, presenting a series of scientific and artistic interventions that proves the diverse range of uses to which 'wet rooms' can be put in social life, the evolution of the use of furniture, and the new meanings of details and objects in domestic bathrooms and public toilets.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe texts, largely written for the 2018 symposium \u003ci data-mce-fragment=\"1\"\u003eIntimacy Exposed: Toilet, Bathroom, Restroom\u003c\/i\u003e (organised by the Department of Interior Architecture at HEAD – Genève) present a practice-based study of the recent past of modernist technologies and a vision of the future of personal and collective practices regarding the realm of the toilet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEdited by Javier Fernández Contreras and Roberto Zancan. Text by Catherine Ince, Louise Lemoine and Ila Bêka, Eva Gil Lopesino, Alexandra Midal, Philippe Rahm, Rotor-Deconstruction, Joel Sanders.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e110 pages, 23 x 30 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803984830535,"sku":null,"price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_6843_58d464d4-aa44-4c18-a61a-d926eb5f2865.jpg?v=1752054470"},{"product_id":"gavin-murphy-ed-remaking-the-crust-of-the-earth","title":"Gavin Murphy (ed.) – Remaking the Crust of the Earth","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdealism and imagination, dreams and reality, all come into play when we consider glass: from an elemental, ritual and decorative material of mysterious origins, to functional, technological, mass-produced commodity.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eRemaking the Crust of the Earth\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e presents a layered, intertextual, cultural history which examines the ways in which glass has transformed society – how humans situate themselves within the environment, and how we view the world. Through the unlikely accident of its discovery to its present day ubiquity, it considers glass in its myriad guises: from the modular prefabrication of Joseph Paxton’s ‘Crystal Palace’ to the optimism of Paul Scheerbart’s Glasarchitektur, both of which in their own way lay a path for modernism, the curtain wall, and the 20th century ‘glass house’. Traversing time and space, this book draws on archival material (and in particular the encyclopaedic 1937 publication ‘Glass in Architecture and Decoration’ by Raymond McGrath \u0026amp; A.C. Frost) to explore previous and unfulfilled stages of material history, revealing alternatives which belie an ‘inevitable’ contemporary (and its futures).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe publication features excerpts from the film \u003c\/span\u003e\u003ci\u003eRemaking the Crust of the Earth\u003c\/i\u003e\u003cspan\u003e, a series of restaged photographic glass tests conducted by Gavin Murphy and Louis Haugh, and new essays by Marysia Wieckiewicz-Carroll and Chris Fite-Wassilak, alongside reproductions from the Raymond McGrath collection in the Irish Architectural Archive.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e56 pages, 20.7 x 24.9 cm, softcover, Set Margins (Eindhoven).\u003c\/p\u003e","brand":"Set Margins","offers":[{"title":"Default Title","offer_id":41804000624711,"sku":null,"price":36.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_7290_3b8af57a-cf3d-46ff-b66d-80e9072a0139.jpg?v=1752054791"},{"product_id":"thomas-florschuetz-haus-im-haus","title":"Thomas Florschuetz – Haus im Haus","description":"\u003cmeta charset=\"utf-8\"\u003eDesigned by architect Oswald Mathias Ungers, the Galerie der Gegenwart (Gallery of Contemporary Art) opened in Hamburg in 1997. According to Alexander Klar, director of the Hamburger Kunsthalle, it is 'a minimal music composition cast in stone, made up of squares that are reflected in rows of windows, tiled floors, the white façade, the neon squares of the ceiling lighting, and the spatial proportions of the rooms'.\u003cbr\u003e\u003cbr\u003eTo mark the gallery’s twenty-fifth anniversary, the Kunsthalle invited photographer Thomas Florschuetz to take pictures of the building that would convey its distinctive regularity: architecture as effect, aspiration, and reality. It is his keen eye for the interplay of light and forms in this architecture that sets Thomas Florschuetz’s work apart and characterizes his visual language. His photographs observe the building’s permeability, yet they do not depict it, but rather describe its effect in analogies, recesses, and omissions. Dissected into individual observations, the building now emerges as a collection of motifs, which one would miss behind its monolithic appearance, were it not for the fact that Florschuetz captures and shares them with us.\u003cbr\u003e\u003cbr\u003e124 pages, 25 x 31 cm, hardcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41804026413127,"sku":null,"price":77.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_7628_4588e2eb-9db6-4759-9af0-3a02f6de2584.jpg?v=1752054968"},{"product_id":"50-years-after-50-years-of-the-bauhaus-1","title":"50 Years After 50 Years of the Bauhaus","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOn 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition 50 Years Bauhaus opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war exhibition on the Bauhaus. Fifty years after the opening of 50 Years Bauhaus, the Württembergischer Kunstverein undertook a critical re-reading of the 1968 exhibition, with a particular focus on the ambiguous relationship that various prominent members of the Bauhaus had with National Socialism and the murky connections between the art avant-gardes and the military-industrial complex. While the 1968 exhibition historicized the reception of the Bauhaus, reducing it to West Germany and the US, the publication 50 Years After 50 Years of the Bauhaus reflects on the famous school in the context of artistic movements like the International Movement for an Imaginist Bauhaus and the Situationist International.\u003c\/p\u003e\n\u003cp\u003eHans D. Christ, born 1963 in Dortmund, and Iris Dressler, born 1966 in Neuss, have been directors of the Württembergischer Kunstverein in Stuttgart since 2005.\u003c\/p\u003e\n\u003cp\u003eText: Daniel García Andújar, John Barker, Walter Benjamin, Tamar Berger, Max Bill, Hans D. Christ, Yvonne P. 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He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and avoiding long shots, as these would falsely enlarge the space, which was designed as an intimate place for work and leisure activities. This establishes a dialogue between the photographs and the architecture; just like Gray herself in the space she designed, the pictures are in search of an expression of openness that admits other forms of life and work, a flexible structure to accommodate the rhythm of the days and everyday situations. Beck directs our eye to a design that takes into consideration people’s psychological and emotional needs and gives things their own name and their own relationships. 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The project proceeds from the idea that sustainable practice can only be brought about by a major social shift. Architecture that seeks to overcome wastage, consumption, and the profligate use of resources must also prioritise the repair and upkeep of existing buildings, while acknowledging the work involved in this and according it greater value. 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