{"title":"Art","description":"","products":[{"product_id":"riley-payne-mad-deep-thoughts","title":"Riley Payne - Mad Deep Thoughts","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTracing the Melbourne artist’s photorealist graphite renderings of fruit, foliage and figure, \u003c\/span\u003e\u003ci\u003eMad Deep Thoughts\u003c\/i\u003e\u003cspan\u003e captures \u003c\/span\u003e\u003cb\u003eRiley Payne\u003c\/b\u003e\u003cspan\u003e’s technical acumen and offbeat humour to equal effect. Comprising uncanny accumulations and pairings of classical forms and Google image search results, \u003c\/span\u003e\u003cb\u003ePayne\u003c\/b\u003e\u003cspan\u003e’s fastidiously realised drawings might be considered in terms of collage.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cb\u003e \u003cbr\u003e\u003c\/b\u003e\u003c\/b\u003e32 pages, 24cm x 17cm, soft cover, dust jacket, \u003cmeta charset=\"utf-8\"\u003ePerimeter Editions (Melbourne).","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803592368199,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Riley1.jpg?v=1752035910"},{"product_id":"gifts-from-david-mcdiarmid","title":"Gifts from David McDiarmid","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eDavid McDiarmid\u003c\/b\u003e\u003cspan\u003e (1952–1995) was an artist, designer, DJ and activist who made an indelible impact on the intersecting histories of art, craft, fashion, graphic design, gay liberation and AIDS awareness in Australia and New York. Working alongside friends and contemporaries including \u003c\/span\u003e\u003cb\u003eJenny Kee\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLinda Jackson\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003ePeter Tully\u003c\/b\u003e\u003cspan\u003e, McDiarmid’s salacious, darkly humorous and deeply personal output left an unmistakable mark on the shifting cultural landscape and discourse throughout the 1970s, 80s and 90s – “from camp to gay to queer”. Edited by \u003c\/span\u003e\u003cb\u003eDr Sally Gray\u003c\/b\u003e\u003cspan\u003e (executor of the David McDiarmid estate) and \u003c\/span\u003e\u003cb\u003eDan Rule\u003c\/b\u003e\u003cspan\u003e – and published to coincide with McDiarmid’s major retrospective at the National Gallery of Victoria in Melbourne – \u003c\/span\u003e\u003ci\u003eGifts from David McDiarmid\u003c\/i\u003e\u003cspan\u003e traces the artworks, clothing, mix-tapes, objects and keepsakes McDiarmid made for his closest friends and family up until his death from AIDS-related conditions in 1995. Photographed as still-lifes, McDiarmid’s gifts forge an at once colourful, playful and poignant taxonomy that points to the act of giving as both creative practice and an articulation of the specificity of interpersonal relationships.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e88 pages, 22.8cm x 20cm, hard cover, \u003cstrong\u003ePerimeter Editions \u003c\/strong\u003e(Melbourne).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803596333127,"sku":null,"price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_6063.jpg?v=1752036544"},{"product_id":"ioana-neme-artist-book","title":"Ioana Nemeș - Artist Book","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eIoana Nemeș\u003c\/b\u003e\u003cspan\u003e is recognised as one of the most remarkable figures of the new generation of Romanian contemporary artists. This publication offers an initial overview of the long-term projects and singular exhibitions that Nemeș produced during her brief but extraordinary career. Fascinated with time, language, and non-linear narrativity, Ioana Nemeș’s practice was predicated on an ongoing and unconstrained process of self-evaluation. On the slippery margins between art and life, the Monthly Evaluations project, realised in different formats and media, is testament to the artist’s willingness to bring into the open her subjective experiences, dialogues, and confrontations with her own context and circumstances. Ioana Nemeș’s artistic environment, with all its strength and fragility, contrasts with a precise, almost surgical survey of the moods, desires, and situations that she experienced from day to day, becoming the basis for her enigmatic scenarios, which take the form of written statements. Ioana Nemeș (Bucharest, 1979 – New York, 2011). Exhibitions: Art in General, New York (2011), Secession, Vienna (2010), Istanbul Biennial (2009); last solo show: Ioana Nemes, “Monthly Evaluations”, Eastside Projects, Birmingham, UK (2014). Published by \u003c\/span\u003e\u003cb\u003eSpector Books\u003c\/b\u003e\u003cspan\u003e (Leipzig).\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e256 pages, 21 x 27cm, softcover, Spector Books (Leipzig).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803619369031,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_9613.jpg?v=1752037416"},{"product_id":"pre-order-daniel-boyd-the-law-of-closure","title":"Daniel Boyd – The Law of Closure","description":"\u003cp\u003eThe majority of discussions surrounding young Sydney-based artist \u003cstrong\u003eDaniel Boyd’s\u003c\/strong\u003e particular iteration of postcolonialist history painting, video and installation work have centred on the idea of the deletion of information and history, especially in relation Boyd’s Aboriginal and Vanuatuan heritage. But there is far more to his distinctive pointillist technique, in which he blackens much of painted surface to leave only a sea of “lenses” that reveal the information beneath, than a simple rumination on erasure. It is no sleight of hand that \u003cem\u003eThe Law of Closure\u003c\/em\u003e, the first book tracing Boyd’s oeuvre, is titled after a Gestalt law. Boyd’s devices are not just about absence, but a kind of psychohistorical ellipsis. The dark matter that enshrouds the flashes of perceptual detail in his works is as much an element of the image as are the landscapes, portraits, reflections and refractions of light that lie amidst and beneath it. \u003cbr\u003e\u003cbr\u003eDaniel Boyd has shown in major institutions and exhibitions throughout Australia, the UK and Europe, including the Art Gallery of New South Wales (Sydney), National Gallery of Australia (Canberra), Natural History Museum London, Moscow International Biennale for Young Art and the Museu Picasso (Barcelona).\u003c\/p\u003e\n\u003cp\u003e218 pages, 21 x 27 cm, softcover with screenprinted clear vinyl jacket, \u003cstrong\u003ePerimeter Editions\u003c\/strong\u003e (Melbourne).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803623694407,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0179_copy.jpg?v=1752037785"},{"product_id":"peter-milne-a-day-in-the-life-of-roland-s-howard","title":"Peter Milne - A Day in the Life of Roland S Howard","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn 1977 \u003c\/span\u003e\u003cb\u003ePeter Milne\u003c\/b\u003e\u003cspan\u003e was 17 and the legendary Australian guitarist \u003c\/span\u003e\u003cb\u003eRowland S Howard\u003c\/b\u003e\u003cspan\u003e was 18. For several months they collaborated together on a number of photo sessions. Although many of the images taken in that period were lost or damaged, a number of remarkable photographs have survived and have been drawn together to form this book. Peter Milne writes in the introduction to the book: “I took up photography around this time and we began a busy period of experimental photo sessions during which I was learning to how to use cameras while Rowland was learning how to pose for them.…The work is a patchy, scratched up document that shows visible signs of age and neglect but perhaps this is the one absolute inevitability of history and memory – it’s always going to be fragmentary.” A Day in the Life of Roland S Howard arrives courtesy of \u003c\/span\u003e\u003cb\u003eM.33 \u003c\/b\u003e\u003cspan\u003e(Melbourne).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"M.33","offers":[{"title":"Default Title","offer_id":41803632574535,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0634.jpg?v=1752037990"},{"product_id":"tom-polo-paris-drawings","title":"Tom Polo – Paris Drawings: The Most Elaborate Disguise","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDrawing on a body of work made whilst on residency at the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCite Internationale des Arts\u003c\/b\u003e, Paris, in 2016, the debut book from Sydney artist\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTom Polo\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003esays much about his distinctive, mildly idiosyncratic approach to drawing, painting and the portrait. The 48 imaginary portraits in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003eParis Drawings: The Most Elaborate Disguise\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eooze with both personality and character, their often impish visages revealing a language that proves both playful and pointed, leaning on the qualities of the naive and untaught, while also displaying an astute painterly syntax and sensibility. Featuring an essay by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJustin Paton\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eHead Curator of International Art\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eat the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eArt Gallery of New South Wales\u003c\/b\u003e, Sydney – this book offers a lively vantage one of Australia's most intriguing young painters. Here, as with much of his broader practice, Polo subtly and poetically withholds as much as he reveals.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eTom Polo\u003c\/b\u003e\u003cspan\u003e (b. 1985, Sydney, Australia) uses painting and painted environments to explore how conversation, doubt, gesture and ways of looking are embodied within abstracted acts of portraiture. Frequently incorporating text and figurative elements, his works draw on acute observations, absurdist encounters and personal histories. An ongoing interest across his practice is the emotional and performative relationships between people within social space. 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Moreover, his work is not critical but it is pleasing, it is incredibly beautiful, and on top of this he is a Christian.' – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNanda Janssen\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book contains 10 visual essays photographed by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJohannes Schwartz\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and conversations with the patrons of commissioned murals in private collections by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHanne Hagenaars\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e174 pages, 21 × 29 cm, softcover, Art Paper Editions (Ghent).","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":41803895701575,"sku":null,"price":84.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1524_f6b2dd80-5021-446c-a3df-08bd8e477294.jpg?v=1752049123"},{"product_id":"life-on-planet-orsimanirana-handbook-for-a-social-ecological-and-existential-utopia","title":"Life on Planet Orsimanirana: Handbook for a Social, Ecological, and Existential Utopia","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Handbook for Social, Ecological and Existential Utopia\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is published on occasion of the exhibition \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLife on Planet Orsimanirana\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. 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This book has evolved over the past four years, a document of his work as a stonemason and a very personal account of his unceasing playful curiosity and authentic tenacity in seeking to understand the world; following the vocation of his given name, – Makoto, ‘truthfully’ –, his engagement with a seemingly most impenetrable material: stone. This collection of stories, streams of observations, happenings, and insights, scrawled by the artist on large sheets of paper, draws us into complicity as we become witness to countless iterations – chiselling and polishing – that progress over extended intervals of time; the preparatory work of scouting, recognising, heaving, and moving; the aftermath of landscaping and setting in place; the many social interactions along the way as he invites colleagues to collaborate, and shares the labours of friends. The world that unfolds inspires appreciation of the unconditional and non-arbitrary in us who regard the ‘un-do’ as an always available option. After Makoto’s passing, we are left to finish this book in good faith, sadly missing his final seal of approval.' – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAndreas Schneider\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e160 pages, 26.8 x 24.7 cm, hardcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803910414407,"sku":null,"price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1802_1000.jpg?v=1752049463"},{"product_id":"h-r-giger-5-poltergeist-ii-drawings-1983-1985","title":"H.R. Giger – 5 – Poltergeist II: Drawings 1983–1985","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThanks to his work on the iconic creature for the film \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlien\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Ridley Scott, 1979) – a detailed account of which is given in his \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlien Diaries\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013, first edition, Edition Patrick Frey) – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eH. R. Giger\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e was firmly established in Hollywood’s supernatural horror and science fiction genres. 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Unlike his work on \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlien\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the set at Shepperton Studios in England, Giger collaborated on the movie remotely from Zürich, basing his creatures on Michael Grais and Mark Victor’s screenplay and airmailing the airbrushed designs to Los Angeles.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDue to his absence as well as misunderstandings with the director and the studio and a meagre production budget, the dark inscrutability and amorphous plasticity of Giger’s initial shape-shifting sketches ended up falling flat on celluloid, coming to resemble cheap-looking monsters in a campy B-movie. Giger’s in some cases psychedelic sketches were designed as sequences showing the metamorphosis of a worm-like ghost into a grotesque dwarf that ultimately morphs into a soul-devouring Gorgon-like monster called 'The Great Beast'. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePoltergeist II – Drawings 1983–1985\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a facsimile edition of Giger’s original sketchbook, containing 135 of his remarkable drawings as well as drafts of letters expressing doubts and suggestions to director Brian Gibson.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e300 pages, 17 x 24 cm, hardcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803910709319,"sku":null,"price":175.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1824_1000.jpg?v=1752049477"},{"product_id":"breadcrumb-art-sandwiches","title":"Breadcrumb: Art \u0026 Sandwiches","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA sandwich can be so much more than an item of food consisting of bread with a filling. 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Ranging from sculpture, found imagery, drawing and much more, \u003cem\u003eBreadcrumb\u003c\/em\u003e compiles and reflects upon forty-one sandwich recipes by artists from different places across the globe, presenting the sandwich as a fuzzy, expanding object, lacking strict definition.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003cem\u003eBreadcrumb\u003c\/em\u003e cookbook brings artistic value to everyday life and instigates thought as well as food for digestion. \u003cem\u003eBuen provecho\u003c\/em\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e188 pages, 16 x 20cm, hardcover, Onomatopee (Eindhoven).\u003c\/span\u003e\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803912413255,"sku":null,"price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2356_16d2255b-1ab2-461c-8240-ef42ef7334c8.jpg?v=1752049569"},{"product_id":"alexandra-neuman-radical-becoming-in-the-ongoing-now","title":"Alexandra Neuman – radical becoming in the ongoing now","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eradical becomings are allied with the grotesque—vaginal openings, intestinal worms, bodily fluids, voluptuous swamps, reptilian secretions— anything too close to the fecundity of life, anything carrying the potential to disrupt the boundaries of self, anything possessing a slithering primordial power. quietly bubbling at the edges of ‘human' decency, the grotesque is the affect of radical seduction.\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInspired by the divinatory practice of the Tarot, this interactive card deck employs the potential of play, chance, and continuous reshuffling towards unraveling the humanist doctrine of separation. through the conflation of implicit anthropocentric binaries such as nature\/culture, life\/nonlife, human\/animal, male\/female, mind\/body, past\/future, same\/other, self\/world, radical becoming in the ongoing now envisions a praxis of planetary subjectivity in which every Now moment is an opportunity for submerging oneself into the moisture of the W\/hole.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e32 playing cards and 40-page booklet in a box, 18 x 13 cm, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803912970311,"sku":null,"price":29.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2406_e9cddcaf-c2c6-4dda-82dd-b6765d108dba.jpg?v=1752049601"},{"product_id":"pre-order-bianca-hester-groundwork","title":"Bianca Hester – Groundwork","description":"\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eGroundwork\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a major new book by Sydney-based artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBianca Hester\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, finds its footing in the volcanic terrain of Tāmaki Makaurau Auckland (Aotearoa New Zealand). An expanded sculptural project that grew out of a series of research residencies in 2015, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGroundwork\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is both social and geological in scope. Focused on a series of sites across the city where human activity, geology and ecology have converged in fraught and revealing ways, the book maps connections between the landscapes of Te Kōpuke Mount St John and Te Tokaroa Meola Reef; Ihumātao and Takapuna; Waterview and Matukutūruru Wiri Mountain. Through collaborative and consultative processes with local people, this work encompasses walking, sculptural production, exhibition, archival research and writing between 2015 and 2020. Engaging with landscape as a nexus of geologic materialities, nonhuman durations, land expropriation, extractive activities and ecological transformations, the book proposes ways to apprehend the complex sedimentations of a city.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eWrites Hester: \u003ci\u003eIn 2015, my feet made contact with ground materialised from millennia of lava flows, once liquefied, now solidified as the dominant geology of Tāmaki Makaurau Auckland. Emerging from the body of an aircraft, I stepped onto the international airport’s thin asphalt tarmac, which was as generic as any I’d seen. The standard airport aesthetic obscured any signs of the absolute specificity of this place...\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEditorial and critical review process: Natalie Robertson (Ngāti Porou, Clann Dhònnchaidh), Dr Monique Redmond, Dr Astrid Lorange, Dr Saskia Beudel, Therese Keogh, Pita Turei (Ngāi Tai ki Tāmaki, Ngāti Pāoa, Ngaa Rauru Kiitahi)\u003cbr\u003e\u2028Copyediting and proofreading: Marie Shannon\u2028\u003cbr\u003eDesign: Paul Mylechrane and Kim Mumm Hansen, Public Office\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e208 pages, 28 x 20cm, \u003cmeta charset=\"utf-8\"\u003esection sewn cold glue bound, softcover with flaps, Perimeter Editions (Melbourne).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803922112583,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Groundwork_updatedcover_d23f1598-e55e-4d09-8d91-125b5237cd03.jpg?v=1752824187"},{"product_id":"marusa-sagadin-a-happy-hippie","title":"Maruša Sagadin – A Happy Hippie","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Happy Hippie\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a monograph by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMaruša Sagadin\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Its title derives from a sculpture of the same name made by the artist and reproduced in the book for the first time. The publication is divided into two interlocking narratives with associations that weave and twine together. In the first part, English author \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMiriam Stoney\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e takes a leisurely look at the artist’s drawings, sketches, collages and photos of models. In the second part, photographs of installations, sculptures, and objects are accompanied by a short story by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePaul Knight\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e 'An Infinite Surface', a sensitive excursus mediated by the fictional character Karl, who describes surfaces in the contingent stream of capricious connections to objects and interpersonal experiences. 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The publication was originally produced by the artist and exhibited in 'Notebooks, Workbooks, Scripts, Scores' at Franklin Furnace in 1977. The book’s vinyl cover and section dividers, hand-folded pages, colour images, and red and black typewriter ink have all been reproduced and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlex Kitnick\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e provides a new introduction.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatured works include \u003cem\u003eBack Piece\u003c\/em\u003e (1975), \u003cem\u003eAttack Piece\u003c\/em\u003e (1975), \u003cem\u003eMirroring\u003c\/em\u003e (1975), \u003cem\u003eLiberty: A Dozen or So Views\u003c\/em\u003e (1976), \u003cem\u003eRelationship Perspectives: Perspective Relationships\u003c\/em\u003e (1976–77), \u003cem\u003eAmerica: Land of Contrasts (A Day of Awakening) (A Shot in the Dark)\u003c\/em\u003e (1976–77), \u003cem\u003ePivot: Turning Around Suppositions\u003c\/em\u003e (1976), and \u003cem\u003eLesson Plans to Keep the Revolution Alive\u003c\/em\u003e (1977).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e434 pages, 21.5 x 28cm, softcover, Primary Information (New York).","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41803924865095,"sku":null,"price":62.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2771_4e9f6810-9c9d-4842-83e1-395b7fdb3fb8.jpg?v=1752049742"},{"product_id":"david-hare-the-shape-of-things","title":"David Hare – The Shape of Things","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith \u003cb data-mce-fragment=\"1\"\u003eDavid Hare\u003c\/b\u003e, magic becomes the hereafter of sculpture, it is a manner of suggesting that man is always ahead of himself and that the world is, at the same time, completely given, in the mathematical sense of the world, and completely to be made.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is just one line of a lengthy essay Jean-Paul Sartre wrote on an artist who lived and loved in the midst of the formative creative movements of the 20th century. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Shape of Things\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e introduces the painting and sculpture of Hare, an artist who followed a unique artistic career, influenced by, but distinct from, his renowned peers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid Hare was born into the art world in New York in 1917; his mother was a collector and his parents associated with artists including Constantin Brâncuși, Walt Kuhn and Marcel Duchamp. Throughout his life he encountered and collaborated with extraordinary figures such as André Breton, Yves Tanguy and Alexander Calder – and with his striking, gaunt features he epitomised the era’s male creative ideal. After an initial foray into experimental photography and running a photography studio, Hare developed an oeuvre in two and three dimensions. \u003cem\u003eThe Shape of Things\u003c\/em\u003e shows a selection of some forty works, on paper, canvas and in sculpture. A subtly playful graphic presentation allows the works to speak on their own terms: formal connections are generated between works across decades and various media. The materials themselves are laid bare, as seen by the photographers. 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For Lázaro Matos, an all-encompassing experience that is distinct from reality can offer a clear, critical perspective of the quotidian we usually occupy. Thus invited to be protagonists themselves, viewers must choose where to focus their attention among competing sensory inputs.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn that sense Lázaro Matos’ publication \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Pond Skater\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eoccupies uncertain territory too, refracting and ensnaring the reader’s attention. The work offers a linear narrative, the fable of an insect and its encounter with a magpie and a snake. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Pond Skater\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eobserves the creatures around it, aloof and critical, but is entranced by a book the avaricious magpie drops in the pond; it can only observe it from afar until the snake unexpectedly and generously takes it to the bottom of the water. The tale floats over a background collated from works, installation shots and graphic shapes. The specifically located – though fantastical – story is untethered amid planes of different depth and feasibility. In a conversation between Lázaro Matos, João Mourão and Luís Silva that accompanies the publication, the artist speaks in terms of interlinked works that function like actors on a stage, speaking individually but in chorus.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e30 pages on laminated card stock, 24 × 34 cm, Kodoji Press (Baden).","brand":"Kodoji Press","offers":[{"title":"Default Title","offer_id":41803928797255,"sku":null,"price":105.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2833_0518be61-4782-447c-9a24-2dd8964d9360.jpg?v=1752049926"},{"product_id":"for-ruth-the-sky-in-los-angeles","title":"FOR RUTH, THE SKY IN LOS ANGELES","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDavid Horvitz\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRuth Wolf-Rehfeldt\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e are generations apart, but their ideas of art are very closely related. The American artist visited Wolf-Rehfeldt in Berlin while conducting research in 2014 and discovered her 1970s’ 'type-writings' in her archive: graphic works that she had used for her mail art and sent out to the world from East Berlin. Horvitz was instrumental in the rediscovery of Wolf-Rehfeldt’s outstanding work, which was also honoured at documenta 14 (2017). The two have been exchanging ideas ever since they first met, even though the 87-year-old has not worked artistically in the post-GDR period. Horvitz invited her to use a disposable camera to record images of her house and garden and, in return, he photographed his studio in Los Angeles. 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No, he said. For a time, he had trained to be a classical musician, but turned away from music because there was something repellent about the need to demonstrate virtuosity. To be a virtuoso, as the moral world depicted in these paintings clearly shows, is not the same as having virtue. And yet, at the same time, there are still traces of virtuosity in Deplazes’ practice: in the idealised landscapes that he renders, and in the easy depiction of animal life. It is only humans that he will not denigrate with such perfection. Their overpainted faces do not allow them to be captured as things, but rather present them as subjects. They elude categorisation because they are responding, in real time, to what they see in us.\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e – Adam Jasper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e36 pages, 19.5 x 25.5 cm, softcover, Nieves (Zurich).\u003c\/span\u003e\u003c\/p\u003e","brand":"Nieves","offers":[{"title":"Default Title","offer_id":41803933122631,"sku":null,"price":36.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0343_58149020-f403-4e18-9818-23fe27f88e1b.jpg?v=1752050140"},{"product_id":"rop-van-mierlo-bench-players","title":"Rop van Mierlo – Bench Players","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBench Players\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a series of failed, rejected, or unused animals from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRop van Mierlo\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's archive; the reserve bench animals.\u2028 Rop van Mierlo works with various mediums but starts his process mostly with drawings or paintings. 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In a painting collage of Biggie, I placed a Tropicana Juice packaging where a handkerchief would be. With the jazz musicians I’d do the same; I collage cereal and cracker boxes to the subject matter. This reflects my belief that music is fortifying. –\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Armando Alleyne.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Few of My Favorites\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the first book of collected works by New York artist, \u003c\/span\u003eArmando Alleyne\u003cspan data-mce-fragment=\"1\"\u003e. His painted and collaged renditions of jazz musicians, Afro-Latin singers, boxers, but also family members and acquaintances have a rhythm all-their-own. Parallel to his incessant practice of painting portraits of Black icons, Alleyne allows elements of his lived experience to take form in his work. Series such as Shelter Blues animate his first-hand experiences of homelessness. Another series, Maria’s Song calls on a pantheon of religious symbolism to pay homage to the sister he lost to AIDS. Included are erotic paintings which the artist based on magazine ads and models he staged. Never shying away from the seminal, the sensual or the political, Alleyne’s lifetime of paintings tell a story of how we are subject to our city and how in it we can search for the tools to heal. 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Gasser removes these figures from their narrative and media contexts and transfers them to the canvas, where they stand as if frozen in mid action, though it’s up to the viewer to connect the dots and divine the nature of that action. In the stories in which they debut, these characters often embody the forces of violence, resistance or chaos within the social order, dredging up the suppressed fears and anxieties of contemporary liberal democracies and bringing them to light. They circulate in the creative realm of the now globalized systems that begat them, functioning as a means of cultural management of social tension, civil commotion and revolt.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e200 pages, 18.4 × 27 cm, hardcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803933646919,"sku":null,"price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0546_35707898-9b38-4d4c-8719-4cf1455bd1ee.jpg?v=1752050203"},{"product_id":"taloi-havini-reclamation","title":"Taloi Havini – Reclamation","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTaloi Havini\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's first publication \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eReclamation\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a visceral account of Havini’s ongoing investigation into history, the environment and nation-building within the social structures of her birthplace, the Autonomous Region of Bougainville. 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Through a continuous unfolding, Havini expands understandings of Bougainville, adding new narratives that are informed by indigenous knowledge and shared experiences. Her work is a reclamation of land and country, rewriting histories and narratives so that the people of Bougainville become the agents of their own representations.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCo-published by Artspace and Formist, and presented in a metallic copper slip case, the publication is an immersive experience constructed to utilise unique four-page spreads that allows it to be read and understood in multiple ways. 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These texts accompany combinations of research, historical images, working images from Havini’s rich practice and a rigorous survey of Havini’s practice to date.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e264 pages, 24 x 30 cm, softcover + slipcase, Formist x Artspace (Sydney).","brand":"Formist","offers":[{"title":"Default Title","offer_id":41803933679687,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0557_939bb355-a3b6-40bc-9bab-b3fbe8d2e556.jpg?v=1752050217"},{"product_id":"andreas-dobler-st-elsewhere","title":"Andreas Dobler – ST. 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The various chapters in the series will be published on an ongoing basis, though not according to any content-based planning or timetable. The idea is to react promptly to current events and sensibilities and publish the results swiftly too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe first installment of the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFUTURE\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e series, entitled \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFUTURE MEMORIES\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, explores how our conceptions of the future have changed over the past few decades, how that affects our take on the present and our reactions to changes that lie ahead. Re-created by Taiyo Onorato \u0026amp; Nico Krebs for the most part out of archival material, the pictures in this book constitute a material exploration of the fact that every vision or illustration of the future is bound to be a collage of images drawn from the past.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing a combination of large-format analog photography and various digitally controlled laser technologies, the artists have created a visual world that makes sci-fi allusions and takes an associative approach to an emotional world that swings back and forth between the optimism of the artists’ childhood and the dystopianism of the present day and age.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e80 pages, 21 × 27.5 cm, softcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803933843527,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0591_487888aa-1501-4ebe-8686-676e1923cb7b.jpg?v=1752050257"},{"product_id":"jonathan-jones-works-on-paper-2010-19","title":"Jonathan Jones – works on paper 2010-19","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eJonathan Jones\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’ publication \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eworks on paper 2010–19\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ecelebrates the works of one of Australia’s most important contemporary Indigenous artists. Never-before-seen in one survey, these sensitive works discuss the histories, textures and patterns of south-east Australia. This astute publication pairs Jones’ bodies of work with relational texts by leading Aboriginal elders, authors and artists to illustrate Aboriginal perspectives on country. The texts are written by Barkandji artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eUncle Badger Bates\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Waradgerie artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLorraine Connelly-Northey\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Wiradjuri language expert Dr \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eUncle Stan Grant\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e Snr AM, Walgalu curator \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAidan Hartshorn\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Wiradjuri writer, poet and academic Dr \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJeanine Leane\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Wiradjuri poet and artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJazz Money\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and Gomeroi researcher and academic Dr\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHeidi Norman\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGenevieve O’Callaghan\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, this unique publication features no formal covers and a new custom typeface that analyses Australia’s cultural relationship with its complex history. The publication strips away traditional formalities to present Jones’ works in a quiet, deconstructed experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e336 pages, 17 x 25cm, softcover + slipcase, Formist (Sydney).\u003c\/span\u003e\u003c\/p\u003e","brand":"Formist","offers":[{"title":"Default Title","offer_id":41803933876295,"sku":null,"price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0600_a8a304ca-572b-4da0-8350-f8568f6bd84d.jpg?v=1752050272"},{"product_id":"francisco-sierra-lunar-invasion","title":"Francisco Sierra – Lunar Invasion","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e'\u003cb data-mce-fragment=\"1\"\u003eFrancisco Sierra\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e worked on a single painting for nine months. It’s about 1.5 m high and 2.5 m wide. It shows three jumbo jets under construction. He spent day after day, from early morning till late at night, standing, sitting or crouching before the canvas. Which testifies to the artist's patience and perseverance—and how much he believes in his subject. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBut Sierra also does small and medium-sized paintings. And triptychs. As well as subjects other than jumbos, like magnificent sunsets, delicate tea sets and hypnotic Möbius strips, for example. He paints penis-shaped Christmas trees hung with ornaments. Avocados kissing. Ambiguously steaming piles of excrement. And his formal training as a violinist reverberates in his pictures time and again. Some of his subjects are fantastical, some mundane— though that seemingly mundane content is what makes these pictures peculiarly uncanny. Francisco Sierra addresses the question of what form contemporary figurative painting might take. He faithfully and precisely paints things, reality, but the subjects he picks seldom represent what they seem to at first glance. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSierra is interested in the transformation of apparent clarity into something new and mysterious. He explores the pitfalls of contemporary photographic reproduction and the transformative potential of painting, which involves surrealist and conceptual approaches. Besides their masterful technical proficiency, what Sierra’s works have in common is humour—sometimes grotesque, sometimes in discreet doses, a mere trace element, homeopathic. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLunar Invasion\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e now provides an overview of the wide-ranging oeuvre of paintings and sculptures by this Chilean-born Swiss-based artist.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Max Küng\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e368 pages, 23.5 x 29 cm, hardcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803933909063,"sku":null,"price":149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0610_439d5a1a-1ed6-4708-ad84-46952ed644ae.jpg?v=1752050285"},{"product_id":"michael-asher-writings-1973-1983-on-works-1969-1979","title":"Michael Asher – Writings 1973–1983 on Works 1969–1979","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWritings 1973–1983 on Works 1969–1979\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an essential document of a decade of formative work by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMichael Asher\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Originally published in 1983, the book presents 33 works through the artist’s writings, photographic documentation, architectural floor plans, exhibition announcements, and other ephemera.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsher did not create traditional art objects; instead, he chose to alter the existing institutional apparatus through which art is presented, creating work dependent on the architectural, social, or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire Copley Gallery in Los Angeles. In another work from 1978, Asher had a bronze replica of a 19th century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a room in the museum that housed 18th century art, changing its location, but also its function from a public monument to an indoor sculpture, as it was originally intended.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDue to its site specificity and immateriality, Asher’s work ceased to exist after an exhibition, which makes this highly sought-after book the only mode through which one can gain insight into the work he made during this period. As the artist states in the introduction: 'This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInitiated by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKasper König\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWritings 1973-1983 on Works 1969-1979\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was originally copublished by the Press of the Nova Scotia College of Art and Design and the Museum of Contemporary Art, Los Angeles, and was largely shaped by Asher’s close collaboration with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBenjamin H.D. Buchloh\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who succeeded König as editor of the press.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e240 pages, 21.5 x 30.5cm, softcover, Primary Information (New York).\u003cbr\u003e\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41803934072903,"sku":null,"price":84.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0856_e49aa43e-f223-4b35-86b3-843782c67e13.jpg?v=1752050321"},{"product_id":"godzilla-asian-american-arts-network","title":"Godzilla: Asian American Arts Network","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eGodzilla\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an anthology of writings, documentation, and ephemera from Godzilla: Asian American Arts Network, a trailblazing collective based in New York from 1990 to 2001, which was formed to provide a support structure for Asian American artists, writers, and curators to stimulate visibility and critical discourse for their work. Edited by curator Howie Chen, the book gathers archival material from the group’s wide-ranging activities, which included producing exhibitions and forums to social change advocacy surrounding issues of institutional racism, politics of representation, Western imperialism, AIDS crisis, and violence against Asian Americans. Godzilla created a social space for diasporic Asian artists and art professionals, including members Tomie Arai, Karin Higa, Byron Kim, Paul Pfeiffer, Eugenie Tsai, Alice Yang, Lynne Yamamoto, among others.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFounded by artists Ken Chu, Bing Lee and Margo Machida in New York and eventually expanding into an international network, Godzilla’s aim was to 'function as a support group interested in social change through art, bringing together art and advocacy' and 'to contribute to changing the limited ways Asian Pacific Americans participate and are represented in broad social context—in the artworld and beyond.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe title is a comprehensive chronicle of Godzilla: Asian American Arts Network, and assembles art projects, critical writing, correspondences, exhibition and meeting documentation, media clippings, and other archival ephemera to render the political and cultural stakes of the time.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e552 pages, 22cm x 28cm, softcover, Primary Information (New York).","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41803934105671,"sku":null,"price":69.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0866_201610a5-21ef-4c5a-a9e7-371ec6a2fbe9.jpg?v=1752050335"},{"product_id":"aram-saroyan-top","title":"Aram Saroyan – TOP","description":"\u003cp\u003eLimited Edition – Signed and Numbered\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTOP\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an artist book produced by Aram Saroyan in 1965. Unfolding across eight multi-colour pages, the concrete poem represents a top that spins from slow to fast to slow as the reader moves through the book. The colours and letters (comprising an obliquely glimpsed word) change in accordance with each page to notate the speed of the spinning top. Produced as an accordion fold with taped seams, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTOP\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e can be read as a book or unfolded to stand on a shelf or table.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe original publication was printed on the off-set press at Academy Typing Service, owned and managed by the painter Virginia Admiral, the ex-wife of painter Robert De Niro, Sr. and mother of the actor. The press run, while projected to be 300 copies, was truncated at 'around sixty' for reasons, says Saroyan, 'no longer ascertainable'.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2021, Primary Information and the artist decided to finish the edition, producing a facsimile edition of 240 copies. All are signed and numbered (beginning with 61).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAram Saroyan is a writer well known for his early minimalist, conceptual, and Concrete poetry of the 1960s. Over the course of the last six decades, Saroyan has written over 30 books in a variety of forms including several novels, memoirs, plays, long- and short-form journalism, and essays, garnering awards and esteemed grants along the way.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e10 Pages, 18cm x 20cm, softcover, Primary Information (New York).\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41803934236743,"sku":null,"price":165.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0876_1c0048a9-7d37-4d0a-9310-d0f3d6b1c14e.jpg?v=1752050346"},{"product_id":"anna-haifisch-mouse-in-residence","title":"Anna Haifisch – Mouse in Residence","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFahrenbühl is a a remote artists’ residence inhabited by two mice. It’s the most beautiful place in the world. People say that living in the country makes you calm and thoughtful. Yet the insipidness of a life of seclusion can start to get you down. If you want to safeguard paradise, you need to take radical measures. Here, there’s no difference between a mouse and God.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAnna Haifisch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, born 1986 in Leipzig, is a comic artist. Her books have appeared in several languages. She has drawn comic-strip series for the Museum of Modern Art, Le Monde, VICE, and Texte zur Kunst.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e144 pages, 11 × 18 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803934466119,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0883_dcb3b568-a46c-4808-9f4d-85f0ef82bc02.jpg?v=1758333913"},{"product_id":"10-concerning-the-image-archive-of-a-nuclear-research-center","title":"10%: Concerning the Image Archive of a Nuclear Research Center","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnknown lady in the radiation department, puddle, dancing couple in costume, damage to a waste drum, retiree send-off, lead shielding, burnt-out glovebox, 'scorpion' with microchip – these are all captions to pictures of Germany’s first major nuclear research facility. In 1956, professional photographers began making an on-site record of procedures at the Nuclear Research Center Karlsruhe (KfK). In 2017, the decision was made to digitise 10 percent of this visual archive. Using current concerns about the whereabouts of contaminated nuclear waste as a springboard, the publication brings together over thirty viewpoints from the realms of art, sociology, politics, and science as well as the accounts of people directly involved with the facility. \u003cem\u003e10%\u003c\/em\u003e sets out to delineate and visualise nuclear research.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e520 pages, 19.5 × 27 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803934695495,"sku":null,"price":84.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0902_8f5fe106-c77e-4619-8d63-0a931c88751e.jpg?v=1752050384"},{"product_id":"polina-joffe-ode-to-construction-abstraction-in-the-digital-age","title":"Polina Joffe – Ode to Construction: Abstraction in the Digital Age","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOde to Construction: Abstraction in the Digital Age\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e explores the intersections of graphic design and art through the means of generative code, gesturing playfully and melancholically towards the foundational legacies of the Suprematist and Constructivist movements of the early 20th century.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt once a book, website, and exhibition, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOde to Construction\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e demonstrates the fluidity of design’s materialisations within the conditions of the digital, moving effortlessly between screen, print, and space. By reanimating the formal strategies of modernist abstraction, graphic designer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePolina Joffe\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e probes the technical and social registers of design today.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e664 pages, 12 x 16.4 cm, hardcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803935612999,"sku":null,"price":64.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1066_a3541f4f-74f7-4da1-bff8-f9730381959d.jpg?v=1752050458"},{"product_id":"jonathan-touitou-detective-elchmanyahu-s-auto-da-fe","title":"Jonathan Touitou – Detective Elchmanyahu’s auto-da-fe","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003e'When artefacts become pieces of evidence and artists are transfigured into fictional characters animated by their worship of Western art, culture shrinks into the narrow border of the state nation:\" would state\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Tweetu, the weird curator and main suspect of the plot.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDetective Elchmanyahu's auto-da-fe\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e follows the bound to fail investigation on the fire that burned a public art collection in southern Tel Aviv. The dodgy officer in charge uses all imaginable tricks and trades of whodunit novels to unfold a police investigation that casts a gloomy yet lucid look over the Israeli culture and its visual art scene. 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It explores the ethics, politics and symbolism of its use and deliberates over the spirit of the material and why some cultures so revere and desire it. In reflecting on the deep relationship between marble and human culture, it considers the social and historical function of the material throughout time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eMarble in Metamorphosis\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e features a new essay on marble and its uses written by Rachel Cusk, who – while on a trip to a marble bearing island in Greece’s Aegean sea – writes on the modern notion of classicism, the fate of monuments through history and the tension between classicism and realism in art and architecture. 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It rests for a moment, in between certainty and wonder, to encounter anew what has been edited over ten years; where one’s own voice challenges the noise of the city, where our good friend, the night, pioneered the sun, and sparks turned into flames.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eABA is an artist-led initiative that reflects on contemporary art and culture in the form of ABA Salons. These processual and open-formed gatherings, and the free exchange between all participants, characterise their work. 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The publication present the versatile nature of Johanna Tagada’s work, which encompasses a broad range of techniques, materials, and media including figurative and non-figurative drawings and paintings, collage, textile work and sculpture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e144 pages, 12.7 x 18.6 cm, hardcover, InOtherWords (London).\u003c\/p\u003e","brand":"InOtherWords","offers":[{"title":"Default Title","offer_id":41803940134983,"sku":null,"price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1695_c3552031-2853-4040-909c-e56fc96fac13.jpg?v=1752050791"},{"product_id":"reginald-sylvester-ii-with-the-end-in-mind","title":"Reginald Sylvester II – With the End in Mind","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWith the End in Mind\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a hybrid catalogue\/artist’s book published in conjunction with the namesake solo exhibition by Reginald Sylvester II presented at Maximillian William, London during the summer of 2021. 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The already porous membrane seemingly separating dark from light, pain from joy, active from passive becomes intensely insignificant when we occasionally get a chance to observe ourselves from the other side of the mirror. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Archive of Dark\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a book project acting as an epilogue to a body of work investigating darkness that included two separate yet coherent exhibitions; \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eInfluenza\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTheatre of Glowing Darkness\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 2017 and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRenaissance of the Night\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 2018. 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