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These paintings, shown on the inside covers, continue the artist's thematic exploration from the original \u003cem\u003eRoyal Tour\u003c\/em\u003e suite.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDespite finding their bearings amidst the pillars of colonialism, power and First Nations identity, Vincent Namatjira’s paintings are almost impossibly light and personal in their candour. Wranglings with race, politics and the empire coalesce with humour, humility and personal history. We grin as much as we grimace.\u003c\/p\u003e\n\u003cp\u003eMade while in lockdown on the APY Lands in remote Central Australia during the COVID-19 pandemic, the works that populate Namatjira’s debut artist book \u003cem\u003eThe Royal Tour\u003c\/em\u003e are as intimate as they are interventionist. 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They provide fuel, food, building materials, and shelter, and form ecologies where a myriad of species come together to enter into various symbiotic partnerships. Trees are wonderful to think with, and humans have been doing so – through meditation, in all kinds of storytelling, and as partners in problem-solving – probably for as long as they have walked the earth. Trees are also time tellers, rather than following industrial time, clock time, or any time defined by human activity, trees relate to their own experience of time.\u003cbr\u003e\u003cbr\u003eThrough this reader, the aim is to nurture and encourage dialogues and to share inspiration on exercising arboreal kinship by taking the time to think about trees differently through imagination, art, music, storytelling, poetry, and images. 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Co-published by PHOTO Australia and Perimeter Editions, \u003ci\u003eOn Country: Photography from Australia \u003c\/i\u003epresents artists who connect to Country in dynamic ways and are shifting the power dynamics inherent in photography, redefining photographic practice on this southern land.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eOn Country: Photography from Australia\u003c\/i\u003e features artworks by Tony Albert and David Charles Collins, Ying Ang, Atong Atem, Sonja Carmichael and Elisa Jane Carmichael, Maree Clarke, Michael Cook, Brenda L Croft, J Davies, Liss Fenwick, Adam Ferguson, Robert Fielding, The Huxleys –Garrett Huxley and Will Huxley, Ricky Maynard, Lisa Sorgini, Tace Stevens, wani toaishara, and James Tylor; and texts by Kelli Cole, Pippa Milne, Brendan McCleary, Kimberley Moulton, and Elias Redstone.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished on the occasion of the exhibition \u003ci\u003eOn Country: Photography from Australia\u003c\/i\u003e, presented at the Rencontres d’Arles from July 7 to October 5, 2025. 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In a contemporary context in which images proliferate endlessly online, Marlow’s latest book feels like an informal ode to the photograph’s physical potentials and limitations –\u003cspan class=\"s1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ethe internationally-renowned Melbourne-based photographer’s images exploring the variable, democratic, and happily fallible qualities of the physical print in the public sphere.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe book itself – Marlow’s first with Perimeter Editions – is presented in the form of a stack of wall-to-wall, full-bleed sheets, scored once down the middle, and unbound save for a cloth-wrapped elastic band. We experience these images as fragments, repetitions, textures, and tears. Their gritty fine-grain details, striking colour palette, and dynamic compositions are brought into vibrant conversation with one another across recto and verso pages, half of one image colliding and melding with half of another. 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I quickly discovered that – through the effects of the wind, rain, sun, graffiti artists, and even the hungry little snails attracted to my home-cooked glue mix – the posters deteriorated in such a way that these new gestures, artefacts, and aesthetics altered their reading.’\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":42134891954247,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/JM__De_C_01.jpg?v=1761716546"},{"product_id":"forthcoming-paul-philipp-hanske-benedikt-sarreiter-ecstasies-states-beyond-the-self","title":"Paul-Philipp Hanske \u0026 Benedikt Sarreiter – Ecstasies: States beyond the Self","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOur day and age is embracing rapture: psychedelic retreats and shamanism, ecstatic dancing, ketamine use in Silicon Valley, new spiritualities and ancient rites such as solstice celebrations. For centuries, the quest for boundlessness was suppressed in Western societies; nowadays, we are surprisingly encountering ecstasy – intense concentration on the present moment – not just at raves or during animist rituals, but also in yoga classes, mindfulness seminars and workshops aimed at boosting workplace performance. Why is this happening right now, and which traditions is it connected to? This book is nothing less than a narrative of human history through self-transcendence techniques. Though cultivated over thousands of years, these practices long remained invisible under the glaring light of reason. Now they are resurging with real power. The book’s authors explain why this is both a symptom of a crisis and yet something to be welcomed. 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He estimated having drawn over 50,000 people and as he stated, 'I still have a bit to go.' Designed and edited by \u003cstrong\u003eHans Seeger\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e'There’s something about the idea of \u003cem\u003eEvery Person in New York\u003c\/em\u003e that my mind could get around, more so than the idea of Every Person in America, or Every Person in the World. Living in New York is something I think about a lot and I was looking for more ways to learn about it. 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In one image, the cat lays serenely amidst pot plants on the balcony, squinting in morning sunlight; in others, it balances precariously on the edge of the bath, snuggles beneath a sleeping bag, plays in a cardboard box, hides beneath an open umbrella. Here and there, evidence of the cat’s fellow inhabitant in the apartment – a man, who also happens to be the internationally renowned Japanese photographer Takashi Homma – creeps into the frame. A knee, a foot, a shock of blonde hair, half of a face. There are artefacts of his life and practice too. Framed photographic prints draped in bubblewrap lean against a wall; a tangle of musical effects pedals make for colourful constellation against the cool blue of the carpet.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMany have written of the unique atmosphere and energy of Takashi Homma’s pictures. His photographic mannerisms are so light, so subtly empathetic to his subjects, that we all but dissolve into the world he creates. 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They move through life in our shadow, but forever in their own world. \u003c\/p\u003e","brand":"Perimeter Editions x Nieves","offers":[{"title":"Default Title","offer_id":42163943637063,"sku":null,"price":36.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/TH_TINMC_01.jpg?v=1762490362"},{"product_id":"forthcoming-known-marrnyula-mununggurr","title":"KNOWN: Marrnyula Munuŋgurr","description":"\u003cp class=\"p1\"\u003e\u003ci\u003eKNOWN\u003c\/i\u003e is a series of publications that promotes and celebrates contemporary Indigenous Australian artists, facilitating cross-cultural dialogue between Aboriginal and Torres Strait Islander artists and writers. \u003ci\u003eKNOWN\u003c\/i\u003e elevates and amplifies First Nations voices; strengthening cultural knowledge, language, and artistic engagement. The \u003ci\u003eKNOWN\u003c\/i\u003e series is designed to foster knowledge exchange within communities and acknowledges contemporary Indigenous Australian artists on both national and international stages.\u003cbr\u003e\u003cbr\u003eThis volume traces the work of Marrnyula Munuŋgurr, a Yolŋu woman, senior artist, and printmaker who has been working as part of the Buku-Larrŋgay Mulka Centre in Yirrkala, Arnhem Land, since the 1980s. Raised in a family of prolific artists, she is perhaps best known for her vast installations of meticulously painted and arranged small barks. In 2020, she won the bark painting category of the National Aboriginal and Torres Strait Islander Art Awards. The book traces both Munungurr’s artworks and documentation of her life on country. It features a major text by leading scholar and curator Maia Nuku, Evelyn A. J. Hall and John A. 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The \u003ci\u003eKNOWN\u003c\/i\u003e series is designed to foster knowledge exchange within communities and acknowledges contemporary Indigenous Australian artists on both national and international stages.\u003cbr\u003e\u003cbr\u003eThis volume features Katie West, a Yindjibarndi woman and artist based in Noongar Ballardong boodja (Country), whose work spans found and naturally dyed textiles, video, sound, and social practice in its consideration of the ways in which we weave our stories, places, histories, and futures. Having shown in solo and group exhibitions at Perth Institute of Contemporary Arts (PICA), Museum of Contemporary Art (MCA), Art Gallery of Western Australia (AGWA), her work is grounded in the understanding that the health of human society and Country mirror one another. The book features a text by renowned author and Noongar woman Claire G. 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Comprising a series of interleaved sections in an organic flow which pairs and juxtaposes the historic and the contemporary, featuring works by Barbara Hepworth, Henry Moore, Henri Gaudier-Brzeska, Lucie Rie, Jean Arp, as well as ancient vessels from Greece and Egypt, historic ceramics from Africa, Asia and Central America, and ritual objects from across the African continent. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cem\u003eThe Journey of Things\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e was originally published alongside the exhibition of the same name, led by Andrew Bonacina at The Hepworth Wakefield in Spring 2019. \u003c\/span\u003e\u003c\/p\u003e","brand":"InOtherWords","offers":[{"title":"Default Title","offer_id":42238986813511,"sku":null,"price":119.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/thejourneyofthings_fourthedition-1000px.jpg?v=1764039838"},{"product_id":"forthcoming-paul-virilio-bunker-archeology","title":"Paul Virilio: Bunker Archeology","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his \u003cem\u003eBunker Archeology\u003c\/em\u003e. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first time in the magazine architecture principe, which he co-edited. At the time, he was particularly interested in the architectural aspects of these wartime installations. He saw the bunkers as 'harbingers of a new architecture', which he sought to capture in the term 'cryptic architecture'. The first exhibition of Virilio’s \u003cem\u003eBunker Archeology\u003c\/em\u003e was staged at the Centre Pompidou in 1975, while the museum was still in the process of being established. His seminal book was published in conjunction with this. It laid out all the motifs of his philosophical thinking: military space and communications warfare, camouflage and acceleration, a scrupulous reading of the present coupled with a desire for philosophical speculation. 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The publication examines the slang terms used by traders and other financial professionals. Between what these terms mean and the ecological world they refer to, Benjaminsen and Casey detect a rich mythological history. Unpacking this charming language reveals the absurd (super) natural 'fictions' that materially and violently shape our worldly ecology.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEline Benjaminsen is an artist making lens-based, follow-the-money narratives. Dayna Casey is an artist essaying and narrating multi-scalar complexity. Amy Bride is a PhD in Gothic Finance. Sami Hammana is an artist and writer. Marie Storli is a journalist and economist. 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Now, she shares her unique approach and provides the tools, strategies and mindset to help you move forward. Discover:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eThe 3 common phases: cocoon, adapt and emerge\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAn innovative playbook to draw from\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eWays to better support others\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eDo Loss \u003c\/i\u003eis an essential guide to navigating all forms of loss. Find a pathway through, towards a different kind of great.\u003c\/p\u003e","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":42541779746887,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/doloss_1000px.jpg?v=1771991448"},{"product_id":"forthcoming-do-blue-water-waves-and-wellbeing","title":"Do Blue: Water, waves and wellbeing","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e'A beautiful reminder of how and why we should reconnect with water.'\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e– Joe Wicks, The Body Coach and bestselling author of \u003cem\u003eLean in 15\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSurfing, swimming, fishing, we can’t help but spend time in, or near, water. And now, growing scientific evidence for blue health supports what many of us already feel: being around water is good for us.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNick Hounsfield, the visionary founder of inland surfing lake, The Wave, knows this better than most. Shortly after it opened, he suffered a stroke, at the age of 46. Much of his recovery was in the water.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDo Blue\u003c\/i\u003e, Nick tells his inspiring story, alongside Abby Richardson who overcame a fear of waves to find calm in cold water dips. 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Ready to dive in?\u003c\/p\u003e","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":42541782630471,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/doblue_1000px.jpg?v=1771992057"},{"product_id":"forthcoming-lee-scratch-perry-black-ark-1","title":"Lee Scratch Perry – Black Ark","description":"\u003cp\u003eThe point of departure for the book \u003cem\u003eBlack Ark\u003c\/em\u003e with Lee ‘Scratch’ Perry (1936–2021), a Jamaican musical and visual artist who was based in Switzerland, is a detailed inventory of photographs and writings (Spring 2021) from the Black Ark Studios in Kingston, Jamaica, where Lee produced his music from 1973 on. He was a seminal pioneer of dub, an electronic subgenre of reggae that uses sampling, looping, remixing, reverb and echoes to create new songs as well as rework  and appropriate pre-recorded songs and tracks.\u003c\/p\u003e\n\u003cp\u003eBlack Ark Studios was one of the cradles of dub. It’s also where Lee ‘Scratch’ Perry’s musical approach found an enduring visual counterpart in the form of continuously evolving mural paintings and drawings  as well as shape-shifting assemblages of records, instruments, found objects, posters, newspaper and magazine clippings, and appropriated books. The artworks form actual layers upon layers that are rhizomatically intertwined with the studio building itself  as well as with the furniture inside – and with Perry’s biography and persona.\u003c\/p\u003e\n\u003cp\u003ePerry created his very own, dense and eclectic world – a world that is documented in \u003cem\u003eBlack Ark\u003c\/em\u003e, before it disappears for good: the premises have recently been sold. The photographic documentation of the studio was supplemented by efforts to secure and preserve Perry’s cultural objects as part of a joint project with various cultural institutions.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlack Ark\u003c\/em\u003e which reflects the rhythm and layering effects of collage both in its content and the materials used to craft the book. Perry was involved in the conception of the book in its early stages. It also interweaves various media and chronologies. The new photographs of the Black Ark Studios will be juxtaposed with stills from old documentaries and archival photos.\u003c\/p\u003e\n\u003cp\u003eThe idea of a ‘house’ serves as both a working hypothesis and a metaphor. It will be the starting point and endpoint of various thematic strands, both visual and textual: for example, the book will explore the Black Ark as a ‘spiritual yard’ in the context of African diaspora, as well as looking into archeomusicological aspects. Furthermore, extended captions by Perry’s biographer will provide the backdrop for a kaleidoscopic panorama of Perry’s eclectic and ingenious work.\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":42543661744199,"sku":null,"price":169.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/blackark_1000px.jpg?v=1772068135"},{"product_id":"forthcoming-liss-fenwick-the-colony","title":"Liss Fenwick – The Colony","description":"\u003cp class=\"p2\"\u003eLiss Fenwick’s\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eThe Colony\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003eis a book about books – and what happens when their authority is quietly and actively undone. Set in the distant north of the Australian continent,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eThe Colony\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e– Fenwick’s first photobook with Perimeter Editions – reflects on the book as a dominant form of human knowledge, and its role in a long, often destructive relationship with other forms of intelligence and history.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eMade on Larrakia and Wulna Country, the project sees Fenwick return to the region depicted in their acclaimed debut book\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eHumpty Doom\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e(Bad News Books, 2023), which was photographed around the artist’s hometown of Humpty Doo, Northern Territory, where they grew up on unceded land in a settler family. But where\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eHumpty Doom\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003eswayed closer to the documentary genre, here Fenwick shifts positions, enlisting an unlikely team of co-authors – a termite colony living beneath their childhood home. Gathering books inherited from schoolrooms and family shelves – texts steeped in frontier myths, one-sided histories, and the erasure of First Nations cultures – Fenwick fed the selection of colonial volumes to the termites and then photographed the remains: a dense, sculptural language of tunnels, voids, and clay scaffolds.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eUsing photography as both witness and collaborator, Fenwick allows collapse and digestion to reshape the dominant narrative, reversing these books’ presumed authority. The termites’ act of destruction becomes a generative act, dismantling certainty and returning knowledge to the soil, altered and unfinished. Woven amongst the pages of\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eThe Colony\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003eare photographs of colossal termite mounds, which appear as ancient, ghostly, monoliths piercing the landscape – their immense forms giving little indication of the assiduous, living commune within.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFenwick’s photographs give precedence to native ecology and organic process over the hierarchy of structure and control; an active unlearning of the settler mindset that remains deeply entangled in contemporary Australia. In this book, the colonial fantasy is eaten away, hollowed out from within.\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":42558481137735,"sku":null,"price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/LF_TheColony_1000px.jpg?v=1772585354"},{"product_id":"forthcoming-the-word-for-world-is-water","title":"The Word for World Is Water","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInspired by \u003c\/span\u003e\u003cem data-start=\"12\" data-end=\"42\"\u003eThe Word for World Is Forest\u003c\/em\u003e\u003cspan\u003e by Ursula K. Le Guin, this book understands water as a cosmological force that shapes worlds, resists them, and sustains them. It brings together artists, thinkers, and activists from around the globe to explore fluid bodies—rivers that carry resistance, oceans that shelter communities, peatlands that preserve memory. From Indigenous, ecological, and decolonial perspectives, the contributors evoke water as archive, kinship, and living territory—a medium of transformation, resistance, and survival. The result is a polyphonic atlas of fluid world-making for our planetary time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSusan Schuppli (Canada \/ UK) is an artist and researcher working on climate, water, and the material politics of evidence. Karolin Tampere (Estonia \/ Norway) is a curator and researcher who explores peatlands as living, resistant, and absorptive ecosystems. Ailton Krenak (Amazonia \/ Brazil) is an Indigenous leader, philosopher, and activist who understands the Amazon as a sentient, interconnected world. Sara Ahmed (India \/ UK) is a scholar, feminist theorist, and founder of the Living Waters Museum. Hylozoic \/ Desires (India \/ UK) is an artist duo; Himali Singh Soin and David Soin Tappeser create poetic works engaging with mythic ecosystems and entangled temporalities. Nat Raha (UK) is a poet and scholar whose work bridges trans poetics, radical politics, and relations of kinship between worlds. Karan Shrestha (Nepal) is an Indigenous artist from the Himalayas whose practice engages with memory, landscape, and spiritual ecology.\u003c\/span\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42562496692295,"sku":null,"price":62.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/thewordforworldiswater_1000px.jpg?v=1772688491"}],"url":"https:\/\/perimeterdistribution.com\/collections\/bestsellers.oembed?page=3","provider":"Perimeter Distribution","version":"1.0","type":"link"}