{"title":"Bierke Verlag","description":"","products":[{"product_id":"forthcoming-florentina-holzinger-holzinger","title":"Florentina Holzinger: HOLZINGER","description":"\u003cp\u003eThe artist Florentina Holzinger is one of the most important voices in contemporary art. On the occasion of her project\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eSEAWORLD VENICE\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eat the Austrian Pavilion at the 61st Intern. Art Exhibition of the Biennale di Venezia, this publication brings together various perspectives on Holzinger’s artistic practice, her visual and choreographic vocabulary, and her themes. It includes texts by Claire Bishop, Caroline Lillian Schopp, Mire Lee, Anna Leon and Nora-Swantje Almes, contributions by Beatrice Cordua, Bettina Kogler, Georg Döcker, Matthias Lilienthal, Sara Ostertag and Felix Ritter, as well as an interview with Florentina Holzinger.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWorking across dance, performance, opera and theatre while critically engaging with their histories, Holzinger blends legitimised ‘high’ culture with pop and countercultural currents to unsettle the lines between spectacle and subversion. In collaboration with a team and cast that bring expertise in a broad range of body-based practices and performance genres, her works experiment with body modification – in all its possible forms – as an interplay of transformation and illusion.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42824805384263,"sku":null,"price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Holzinger_1000px.jpg?v=1779863853"},{"product_id":"forthcoming-marina-abramovic-on-the-erotic","title":"Marina Abramović – On the Erotic","description":"\u003cp\u003e\u003cspan\u003eFor Marina Abramović, eroticism is by no means limited to the romantic relationship between two people, but acts as a collective force in many areas of life. According to the performance artist, erotic energy must find a public form through artistic and political practices in order to prevent it from leading to violence and war.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"x_text\"\u003e\n\u003cdiv class=\"x_text\"\u003e\n\u003cp\u003e\u003cspan\u003eIn her updated work \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBalkan Erotic Epic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, she ironically and provocatively plays with collective longings for an erotic relationship with the community, the land and the cosmos. In doing so, she liberates female eroticism from a patriarchal view that seeks to limit it to reproduction, marriage and motherhood. For Abramović, eroticism is not reserved for youth, but is enhanced by the wisdom and power of age.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this book, Abramović talks about female sexuality after menopause, the eroticism of the masses and her love for the planet. Selected texts and recipes provide insights into the politics of eroticism, how to brew a magical love potion, the demands of the eco-sex movement and the symbolism of the vulva and its constitutive power for communities.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42824812625991,"sku":null,"price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/ontheerotic_1000px.jpg?v=1779864522"},{"product_id":"forthcoming-viscose-07-scent","title":"Viscose 07: SCENT","description":"\u003cp\u003eThe seventh issue of \u003cem\u003eViscose\u003c\/em\u003e explores fashion’s enduring bond with scent and perfume.\u003c\/p\u003e\n\u003cp\u003eTo be sure, fashion smells. Olfactory sensations have leaked from industries of style since its inception: scent, the stuff of ancient history and myth, has been traded as precious commodities alongside textiles and garments since the world’s earliest trade routes (if for a range of social, religious, and political purposes). But the connection between scent and clothing is more profound than their commodity status. For if fashion can be understood as a ‘social technology’ that represents self and body as culturally produced concepts, then olfaction is indeed fashion in the purest sense of the word – a supplementary limb, or a garment, as it were.\u003c\/p\u003e\n\u003cp\u003eSmell is a critical dimension of social appropriateness (which is how Arjun Appadurai once defined fashion), beginning, of course, with cleanliness. Smell is brutally implicated in the production of gender, ethnicity, race, and class, linking many of our social anxieties and aspirations to concrete chemical compounds that are still mostly unnamed.\u003c\/p\u003e\n\u003cp\u003eThis is the paradox of scent: much like fashion, olfaction is a technology of supplementing the body but the difference is that this extension happens in the realm of the atmospheric – a realm that eludes the classic semiotic register in which we tend to discuss not only fashion but socially legible bodies. The atmospheric is where semiotics dematerialises, literally evaporates – and thus also where standard writing ends. To understand and write about scent is enormously difficult: this is no doubt what galvanises the genre of scent writing so profoundly.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eViscose 07\u003c\/em\u003e examines scent through a variety of lenses, observing its historical and contemporary role in fashion culture. The issue seeks out histories of projects – mainly developed with or by artists and designers – who have embraced and involved smell as a medium of possibility and knowledge production, gesturing to histories of manufacturing, trade, branding, and commerce, but also sexuality, desire, identity, and memory. With respect to the abstract knowledge of scent, we are in pursuit of accounts ranging from literature to philosophy that attempt to synthesise, much like perfume itself, the sensorial, capitalist, artistic, and scientific forces that make up scent in our modern world.\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42824866431047,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/viscosejournal7scent_1000px.jpg?v=1780291422"},{"product_id":"viscose-01-style","title":"Viscose 01: STYLE","description":"\u003cp\u003eThe very first issue of \u003cem\u003eViscose\u003c\/em\u003e tackles the expansive notion of ‘style’. Both a noun and a verb, style can be understood as the most basic unit or currency of fashion. Style names the very movement of aesthetics in society, and thus holds an important place in the critique of art and visual culture more broadly.\u003c\/p\u003e\n\u003cp\u003eAs a verb, it connotes a tactic: a dynamic tool for persuasion and communication through the bricolage of signifiers. It also relates directly to the contemporary profession of ‘styling’; a practice native to the fashion industry, but increasingly prevalent across the arts, media, consumerism, and politics. This issue of \u003cem\u003eViscose\u003c\/em\u003e sets out to critically gesture to all of these connotations and their potential intermingling through concrete case studies and cross disciplinary philosophical speculation.\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42835774046279,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/viscose01_1000px.jpg?v=1780291925"},{"product_id":"forthcoming-viscose-02-clothes","title":"Viscose 02: CLOTHES","description":"\u003cp\u003eIssue 2 inverts issue 1’s focus on the immaterial notion of style to instead explore the most material of fashion’s building blocks: clothes. Clothes are literally everywhere and cite complicated systems of production, distribution, and exchange on their paths around the world. Still, they never fully reveal their journey or destination, and may often signify little else than their own commodity status, the total genericness of the fashion product.\u003c\/p\u003e\n\u003cp\u003eBringing together a wide range of artists, thinkers, and writers, the issue sets out to explore clothes as a signifier at once empty and over-burdened: as expressions of desires, people and places, as palimpsests for capitalist production cycles and histories of dressed bodies, and even, as nondescript material debris. While not necessarily foregoing an analysis of the fashion system, we hope to develop a form of fashion criticism that begins – and perhaps ends – with the single garment, that takes the everyday use of clothing objects as an intellectual starting point.\u003c\/p\u003e\n\u003cp\u003eWhat knowledge can we gather from the studying of fashion objects, be they material or immaterial? What is the difference between clothes and fashion? And to which extent is even ‘fashion’ ever successfully signified by things?\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42835776045127,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/viscose02_clothes_1000px.jpg?v=1780292481"},{"product_id":"viscose-08-sound","title":"Viscose 08: Sound","description":"\u003cp\u003e\u003cspan\u003eThe eighth issue of \u003cem\u003eViscose\u003c\/em\u003e examines the myriad of music and sound cultures of fashion. \u003c\/span\u003e\u003cspan\u003eEntirely untethered from materiality and image, sound is the proof that fashion operates just as vividly in the purely atmospheric. From the artfully curated musical narratives of the runway to the ambient sonic environment of shops, fashion both emits sounds and seeks to associate itself with it for its own advancement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusic in particular asserts fashion’s existential relationship to time: it aesthetically time-keeps fashion media and confirms sartorial novelty by mirroring it rhythmically. To a public consciousness, the intimate relationship between fashion and music is obvious and at times even understood as one and the same. Sound glues material such as clothes to wider zeitgeists and mediated lifestyles, and as such, to cultural memory itself. As Mary E. Davis has illuminated, the alliance is profoundly historic: as far back as 1672, fashion periodicals have covered clothes and music as equally essential components of an elegant, fashionable lifestyle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusic, in fact, surrounds fashion: it enwraps makers, mediators, and consumers alike in ephemeral, yet intensely meaningful, signifiers of taste. Countless designers have come to fashion through musical subcultures, and labours in ateliers to particular playlists. Indeed, style most often has a soundtrack of its own, or dances to a specific tune.  F\u003c\/span\u003e\u003cspan\u003eashion emits sounds before and after the musical. The clicking of heels, the rustling of a sweater, the hissing of a zipper. The ambient humming of a sewing machine; the conclusive ‘beep’ from a store cashier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the 8th issue of \u003cem\u003eViscose\u003c\/em\u003e, we set out to examine the sonic landscapes of fashion in a most expansive manner. In billing our issue ‘sound’ we seek to gesture to more visually obscure and materially ephemeral interplays between fashion and the auditory – in wardrobes and shops, on the body and in the nightclub. With music culture at the centre of our inquiry, we hope to seek beyond and towards the more ephemeral sounds the clothing and fashion emits, records, and appropriates. We are pursuing the possibility of rendering fashion in entirely sonic terms, and how this translates into written words, in a print magazine. \u003c\/span\u003e\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42880662372423,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/viscose08_1000px_738a1160-3221-4df2-b923-b9289d2d0e72.jpg?v=1781586803"},{"product_id":"liz-johnson-artur-pda","title":"Liz Johnson Artur – PDA","description":"\u003cp\u003e\u003cspan\u003eThis new publication is a timely glimpse into the spaces around which the London club night PDA was created. Documenting the community it birthed, this book captures the spirit and strength of various interwoven stories in the nuanced sensitive narrative that is Johnson Artur’s photography. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince its inception, PDA, established by Mischa Mafia, Ms. Carrie Stacks, Akinola Davies Jr and Siobhan Bell, prepared London’s underground for a new wave of experimental Black and Brown queer club culture. Offering a space where joy, care, and self-expression could flourish, the Hackney-based function built a platform where raw talent could be celebrated. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCombining the glamour and the spirit of chaos that would ensue on any given night, PDA offered a world away from systems upheld in UK’s patriarchal imperialism. At the function, liberation was not contained, as same day fashioned opulent wears, high-heels, and hair, were paraded to a soundtrack of experimental genre bending  audio. A stairway for their wildest ideas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePDA lives on as the principal reference point for many and catalyst that continues to maintain long-lasting connections. Johnson Artur’s images – all shot in analogue – observe shared camaraderie, intimacy, anticipation of the night to come, as well as games people play to prolong its end.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42880665059399,"sku":null,"price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/pda_1000px.jpg?v=1781588073"},{"product_id":"jack-o-brien-cue-the-cue","title":"Jack O’Brien – Cue the Cue","description":"\u003cp\u003e\u003cspan\u003eThis publication accompanying \u003c\/span\u003ehis most comprehensive exhibition to date\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eexhibition is Jack O’Brien’s first monograph. \u003c\/span\u003eConceived by the artist himself, it complements the exhibition in both form and content, documenting his practice from 2021–2025 and transfers it into a different medium. Developed as an artist’s book it stands in direct relation to the magazine collages in the exhibition. The torn book cover, perforated paper pages, and a shoelace sealed under cellophane make the publication itself a sculptural gesture.\u003c\/p\u003e\n\u003cp\u003eO’Brien negotiates themes such as staging, visibility, queer identity, and the circular dynamic between consumption, body, and performance. The title refers to the English ‘cue’ – a theatrical cue – and at the same time to its repetition. This double meaning reflects O’Brien’s working method, in which material, form, and gesture continually oscillate between suggestion and withdrawal, presence and dissolution. O’Brien works with found and discarded objects, which he transforms through gestures of wrapping, binding, and perforation. His sculptures, installations, and collages use industrial materials such as cellophane, shrink wrap, and synthetic textiles.\u003c\/p\u003e\n\u003cp\u003eThe catalogue brings together the first substantial essays on O’Brien’s work. Alexander Wilmschen introduces the exhibition, in which chance becomes the driving force of reordering, and situates O’Brien’s work within the context of queer phenomenology. Kristian Vistrup Madsen examines the sadomasochistic dimensions of the work. Juliette Desorgues reads the sculptures as embodied punctuation. In conversation with Jeppe Ugelvig, O’Brien reflects on his artistic methodology and language.\u003c\/p\u003e\n\u003cp\u003eThe result is a monograph which also formally works with the moments of controlled instability that are so striking in the exhibition: floating, supported and warped.\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42880665911367,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/cuethecue_1000px.jpg?v=1781588588"},{"product_id":"a-maior-retail-verite-vancouverama","title":"A Maior – Retail Vérité: Vancouverama","description":"\u003cp\u003eOnce upon a time there was a strip mall in South Vancouver, on Granville Street across from the big Safeway, just next to the public library, and not far from the Fraser River. On the morning of January 3, a dead woman was found in the parking lot with two suspicious incisions on her neck. A thin trail of blood mixed with a sinister green substance bewildered the patrons and shopkeepers. Bernadette stumbled upon a bloodied corkscrew. @munchenwithmili lurked around with their phone. Sheila clutched onto her tinctures. And then, Pest Detective Star dropped from the sky…\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eRetail Vérité: Vancouverama\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eA Maior’\u003c\/span\u003es second novella, and the outcome of writing workshops led by A Maior at Western Front in February 2025. Through a blend of improvisation, LARPing, and speed dating, the participants sketched the characters, narrative, and setting in real time. The cohort featured James Albers, Kathy Feng, Manon Fraser, Fiona Glen, Tiziana La Melia, Ben Lickerman, Trey Le, August Mesic, Nina Ortiz, Paige Smid, Kiel Torres, and Yasmine Whaley-Kalaora.\u003c\/p\u003e\n\u003cp\u003eA Maior is a clothing and home goods store located in the outskirts of Viseu, Portugal. Since 2016, an eponymous exhibition program has been hosted within the shopping environment. A Maior is managed by the staff, the artist Bruno Zhu, and his family. A Maior has been featured in exhibitions at Kunstinstituut Melly, Rotterdam; Frans Hals Museum, Haarlem; Kunsthalle Freeport, Porto; X Museum, Beijing; Life Sport and BQ, both Berlin. In 2022, A Maior was the writer-in-residence at San Serriffe in Amsterdam, who commissioned\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRetail Vérité\u003c\/em\u003e, A Maior’s first novella.\u003c\/p\u003e\n\u003cp\u003eBruno Zhu works and lives between Portugal and the Netherlands. His practice employs methods that cut, stitch, and write against normative alignments of knowledge production and social reproduction. Recent projects include exhibitions at M\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eHKA\u003c\/span\u003e, Antwerp; Chisenhale Gallery, London; Hessel Museum of Art, Annandale-on-Hudson; Para Site, Hong Kong; Stedelijk Museum, Amsterdam; Veronica, Seattle; and What Pipeline, Detroit.\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42880668991559,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/vancouverama_1000px.jpg?v=1781589056"},{"product_id":"forthcoming-women-s-history-museum-grisette-a-l-enfer","title":"Women’s History Museum: Grisette à l’enfer","description":"\u003cp\u003eConceived as a hybrid between an exhibition catalogue and a fashion lookbook, as well as a document of their practice and a sculptural object in its own right, the Women’s History Museums’ first publication interweaves newly commissioned texts with illustrated image spreads that reference iconic precedents, from Matsuda’s 1990s lookbooks to early Vivienne Westwood.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWomen’s History Museum\u003c\/em\u003e was founded by Mattie Barringer and Amanda McGowan in 2015 and engages with fashion as a medium that has the potential to exist beyond regurgitative spectacle and the ability to change the fabric of reality. Their art practice is dictated by meticulously sourced historical materials and collaborations with other artists who often double as models in their fashion shows.\u003c\/p\u003e\n\u003cp\u003eTo coincide with their first institutional exhibition in the U.S. at Amant, they continued their engagement with the figure of the grisette and collaborated for the publication with musician and fashion photographer Wera Nowak to develop two new series of images, as well as commissioned new texts by the historian Patricia Tilburg and the writers Fiona Alison Duncan and Edna Adan.\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42887996833863,"sku":null,"price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Women_s.jpg?v=1781849140"},{"product_id":"forthcoming-coumba-samba-abstract-coloring-book","title":"Coumba Samba – Abstract Coloring Book","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA colouring book conceived as an artist book. Coumba Samba’s publication prompts you to explore geometric forms and structures with a small set of coloured pencils. Using those simple materials one realises how interaction and experimentation challenge again and again the relationship between colour, abstraction and internalised form systems.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42887996866631,"sku":null,"price":48.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/ColouringBook.jpg?v=1781848812"},{"product_id":"forthcoming-p-staff-minimum-world","title":"P. Staff – Minimum World","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOn the occasion of P. Staff’s solo exhibition at Bonner Kunstverein, a first collection of their poetry entitled \u003c\/span\u003e\u003ci\u003eMinimum World\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ehas been published. Collating texts written between 2018 and 2025, the publication highlights Staff’s visual and concrete poetics, experiments in typography, and obsessive linguistic tics.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42887996899399,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/MinimumWorld_Bierke1.jpg?v=1781848801"},{"product_id":"forthcoming-vaginal-davis-on-dangerous-ground","title":"Vaginal Davis – On Dangerous Ground","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe artist Vaginal Davis certainly moves on dangerous ground with her transgressive shuffling of gender and genre boundaries. The self-described 'sexual repulsive' co-founded several art\/punk bands in her expansive 40-year-plus career, namely Afro Sisters, ¡Cholita!, Pedro, Muriel \u0026amp; Esther (PME), black fag and Tenderloin. As a writer and 'Whoracle et Delphi', Ms. Davis turns her quirky hairy eyeball to the collective practice of making music in the saucy underground scenes of Los Angeles and Berlin. In their contributions, longtime comrades and collaborators Bibbe Hansen (artist and Warhol Silver Factory habitué) and Felix Knoke (guest performer for The Hidden Cameras and band member of Tenderloin) rave about joint performances and rehearsals, divulging sacred secrets and rifts. Bruce 'Judy' LaBruce, Glen Meadmore and Lisa 'Suckdog' Carver make surprise guest appearances, along with images from live performance spectacles \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe White to Be Angry\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eTrust Fund\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInterracial Dating Game\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWe’re Taking Over\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAfro De Sade \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eand \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCamp\/Anti-Camp: \u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan\u003eA Queer Guide to Everyday Life\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42887996932167,"sku":null,"price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/VaginalDavis.jpg?v=1781848790"},{"product_id":"forthcoming-rirkrit-tiravanija-on-making-less","title":"Rirkrit Tiravanija – On Making Less","description":"\u003cp\u003e\u003cspan\u003eMaking less may seem contradictory considering climate change, turbo-capitalism and political gridlock. Yet for Rirkrit Tiravanija, it is a crucial practice that has shaped him for many years and has rarely seemed as relevant as it does right now: using fewer resources; intervening less and observing more; looking less at results and more at the process. It can also mean collecting fewer objects in museums or accumulating fewer artworks in galleries and instead using these spaces for cooking, playing table tennis or spending the night. For Tiravanija as an artist, it can even mean deciding not to make art at all and instead renting a rice field to collectively test methods of sustainable energy production. Or it can mean simply waiting to see what happens.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this book, Rirkrit Tiravanija compiles various ideas and approaches to this method on 128 pages, including an essay from the 1970s about “Do-Nothing Farming” by Masanobu Fukuoka, a pioneer of today’s organic farming. He also shares a fast recipe for a Negroni, a slow recipe for fish sauce and instructions for composting, and provides insights into his process-oriented work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":42887996964935,"sku":null,"price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/OnMakignLess.jpg?v=1781848778"}],"url":"https:\/\/perimeterdistribution.com\/collections\/bierke-verlag.oembed","provider":"Perimeter Distribution","version":"1.0","type":"link"}