{"title":"Edition Patrick Frey","description":"\u003cp\u003eZürich, Switzerland\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStarting in 1986, Edition Patrick Frey has published more than 350 books and counting. Collaborating closely with mainly Swiss but also international artists, the publishing house focuses on unique projects and produces books in small print runs.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"oliver-perrottet-taxi","title":"Oliver Perrottet - TAXI","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eCartographer and photographer \u003c\/span\u003e\u003cb\u003eOliver Perrottet\u003c\/b\u003e\u003cspan\u003e has been traveling the streets of Zurich for years as a taxi driver. When he doesn’t have a passenger, he takes pictures. This gorgeous book pieces together a large selection of his pictures, which together present a kaleidoscopic portrait of the city and Perrottet's life within it. \u003c\/span\u003e\u003ci\u003eTaxi\u003c\/i\u003e\u003cspan\u003e arrives courtesy of the brilliant \u003c\/span\u003e\u003cb\u003eEdition Patrick Frey\u003c\/b\u003e\u003cspan\u003e (Zurich). \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"views-field views-field-field-pages\"\u003e\u003cspan class=\"field-content\"\u003e480 pages,\u003c\/span\u003e 15.5 x 22.5 cm, softcover, Edition Patrick Frey (Zurich).\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-dimensions\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"views-field views-field-field-color-images\" style=\"color: #999999; font-family: Theinhardt, Helvetica, Arial, 'Nimbus Sans L', sans-serif; font-size: 13.9986000061035px; letter-spacing: 0.200000002980232px; line-height: 17.9981994628906px;\"\u003e\u003cspan class=\"field-content\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803595874375,"sku":null,"price":66.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5897.jpg?v=1752036450"},{"product_id":"sebastian-heeb-zulu-romeo-hotel","title":"Sebastian Heeb - Zulu Romeo Hotel","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThis stunning photobook from your Swiss photographer \u003c\/span\u003e\u003cb\u003eSebastian Heeb\u003c\/b\u003e\u003cspan\u003e captures the ominous, incredibly beautiful shadows of air traffic in the midst of its final approach to Zurich airport. Subtle and poetic in its reveal, \u003c\/span\u003e\u003ci\u003eZulu Romeo Hotel\u003c\/i\u003e\u003cspan\u003e is a stunning invocation of the visual conflict that exists between landscape, airplanes and shadows. Thanks to the brilliant \u003c\/span\u003e\u003cb\u003eEdition Patrick Frey\u003c\/b\u003e\u003cspan\u003e (Zurich).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e80 pages, 31.5 × 21 cm, hardcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803596431431,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5928.jpg?v=1752036562"},{"product_id":"catherine-ceresole-beauty-lies-in-the-eye","title":"Catherine Ceresole - Beauty Lies in the Eye","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"maincontainer\" class=\"bodycopy\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_7314145\" page_type=\"project\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cp\u003e\u003ci\u003eBeauty Lies in the Eye\u003c\/i\u003e is the first book compiling the work of music photographer \u003cb\u003eCatherine Ceresole\u003c\/b\u003e. Ceresole spent her formative years in New York's underground music scene during the 1980s, photographing bands and musicians that defined punk, no-wave and the music avant-garde. Since then, Ceresole has continued to photograph musicians and bands including icons such as Sonic Youth, Lydia Lunch, Beastie Boys, and many others. Thanks to \u003cb\u003eEdition Patrick Frey\u003c\/b\u003e (Zurich).\u003cdirectlink id=\"dl_7314145\" link=\"http:\/\/perimeterbooks.com\/Catherine-Ceresole-Beauty-Lies-in-the-Eye\"\u003e\u003c\/directlink\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project_bottom\"\u003e\n\u003cspan class=\"views-field views-field-field-pages\"\u003e\u003cspan class=\"field-content\"\u003e312 pages,\u003c\/span\u003e \u003c\/span\u003e21 × 28.5 cm, softcover, Edition Patrick Frey (Zurich).\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803596890183,"sku":null,"price":105.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_4872.jpg?v=1752036647"},{"product_id":"david-kuenzi-zustandsaufnahme","title":"David Küenzi - Zustandsaufnahme","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThis extensive volume carries \u003c\/span\u003e\u003cb\u003eDavid Kuenzi\u003c\/b\u003e\u003cspan\u003e's archive of status assessment photographs tracing the structural condition of buildings marked for demolition, renovation or repair in Zurich. Re-contextualised in the form of an artist's book, Kuenzi's once functional, pragmatic photographs of cracks, chips and other damage assume a subtle, poetic visual language of their own here. \u003c\/span\u003e\u003ci\u003eZustandsaufnahme\u003c\/i\u003e\u003cspan\u003e is published by the brilliant \u003c\/span\u003e\u003cb\u003eEdition Patrick Frey\u003c\/b\u003e\u003cspan\u003e (Zurich). \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"views-field views-field-field-pages\"\u003e\u003cspan class=\"field-content\"\u003e296 pages,\u003c\/span\u003e \u003c\/span\u003e21.5 × 29.5 cm, hardcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803597086791,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_4935.jpg?v=1752036684"},{"product_id":"marie-angeletti-fabricants-couleurs","title":"Marie Angeletti - Fabricants Couleurs","description":"\u003cp\u003e\u003ci\u003eFabricants Couleurs\u003c\/i\u003e\u003cspan\u003e was inspired by a visit French artist \u003c\/span\u003e\u003cb\u003eMarie Angeletti\u003c\/b\u003e\u003cspan\u003e made to the factories of Pébéo, an art paint manufacturer and creator of creative products for children and leisure activities. The artist visited the manufacturer's two main factories in France and China and worked alongside employees while simultaneously creating the body of work that populates this book. For this publication, Angeletti not only included her own work but also those of employees at both factories to create an insightful and dynamic body of work. Includes texts by \u003c\/span\u003e\u003cb\u003eHans Ulrich Obrist\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEstelle Blaschke\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eDoreen Mende\u003c\/b\u003e\u003cspan\u003e. Thanks to \u003c\/span\u003e\u003cb\u003eEdition Patrick Frey\u003c\/b\u003e\u003cspan\u003e (Zurich). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"views-field views-field-field-pages\"\u003e\u003cspan class=\"field-content\"\u003e160 pages, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e18 × 26.8 cm, hardcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-dimensions\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803597250631,"sku":null,"price":90.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5161.jpg?v=1752036702"},{"product_id":"luca-schenardi-an-vogelhausern-mangelt-es-jedoch-nicht","title":"Luca Schenardi - An Vogelhäusern mangelt es jedoch nicht","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eLuca Schenardi\u003c\/b\u003e\u003cspan\u003e is an illustrator and artist who lives in Altdorf, Switzerland. \u003c\/span\u003e\u003ci\u003eAn Vogelhäusern Mangelt Es Jedoch Nicht\u003c\/i\u003e\u003cspan\u003e, is a collection of drawings, digital illustrations, photographs, and bird portraits that link human impact to the decline of nature. Stunningly published by cult Swiss imprint \u003c\/span\u003e\u003cb\u003eEdition Patrick Frey\u003c\/b\u003e\u003cspan\u003e(Zurich), it arrives courtesy of \u003c\/span\u003e\u003cb\u003eIdea Books \u003c\/b\u003e\u003cspan\u003e(Amsterdam). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e284 pages, 29 x 22 cm, hardcover, Edition Patrick Frey (Zurich).\u003c\/span\u003e\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803603607623,"sku":null,"price":92.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Luca-1.jpg?v=1752036921"},{"product_id":"cameron-jamie-front-lawn-funerals-and-cemeteries","title":"Cameron Jamie - Front Lawn Funerals and Cemeteries","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAmerica’s decoration frenzy: graveyard cemeteries, ghosts, guillotines, skeletons in coffins, dismembered body parts, giant spiders and creatures turn up on the front lawns and exteriors of suburban homes in America every year. 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Thanks to \u003c\/span\u003e\u003cb\u003eEdition Patrick Frey\u003c\/b\u003e\u003cspan\u003e (Zurich).\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e144 pages, 23.5 cm × 35 cm, hardcover, Edition Patrick Frey (Zurich).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803617370183,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_9276.jpg?v=1752037195"},{"product_id":"luciano-rigolini-mask","title":"Luciano Rigolini - MASK","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eMASK\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is an artist’s book by\u003c\/span\u003e\u003cb\u003e Luciano Rigolini\u003c\/b\u003e\u003cspan\u003epresenting an extensive series of grilles from American cars built between 1955 and 1962, a period in which developments in engineering technology ushered in unprecedented creative possibilities in automotive design. One conspicuous trend played up the fronts of vehicles, rendering them veritable sculptures in their own right. It is this object-quality that interests Rigolini, a photographer who has paused his own photographic practice to devote his attention to reworking preexisting images. For \u003c\/span\u003e\u003cb\u003e\u003ci\u003eMASK\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, Rigolini draws on a catalogue of spare parts, scanning images of automobile fronts, accompanied by a caption indicating the year of manufacture and sometimes the brand or model, and abstracting them for his own artistic purposes. The forms sequentially presented in his book inevitably harken back to the golden age of outsized American automobiles, the quintessential symbols of a society and an era now irremediably consigned to the past. Thanks to \u003c\/span\u003e\u003cb\u003eEdition Patrick Frey\u003c\/b\u003e\u003cspan\u003e (Zurich).\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e330 pages, 15 cm × 20.5 cm, hardcover, Edition Patrick Frey (Zurich).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803617534023,"sku":null,"price":95.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_9283.jpg?v=1752037204"},{"product_id":"maya-rochat-crystal-clear","title":"Maya Rochat - Crystal Clear","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe symbolically laden, analogue and digital works of the young Swiss artist \u003c\/span\u003e\u003cb\u003eMaya Rochat\u003c\/b\u003e\u003cspan\u003e probe the depths of the photographic plane. Using her own writing and fragments of found images, she modifies her photographs to create radically associative compositions. She sources her own immediate surroundings, weaving portraits of friends and shots of landscapes into a dense, intimate visual fabric that is scratched, dissected and reassembled with almost militant surgical intervention. The bitter, beautiful universe that surfaces in \u003c\/span\u003e\u003cb\u003e\u003ci\u003eCrystal Clear\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e patently eludes conventional codes of interpretation, relentlessly undermining the usual visual clichés and notions of beauty propagated by the media. 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As already in 2006 in\u003c\/span\u003e\u003cb\u003e \u003ci\u003eHot Love – Swiss Punk \u0026amp; Wave 1976 – 1980\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e and 2012 in \u003c\/span\u003e\u003cb\u003e\u003ci\u003eHeute und danach – The Swiss Underground Music Scene of the 80s\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, this new book is concerned with only one thing: the history of rock music in Switzerland. Here the focus is not so much on a musical era and its protagonists as on the visualization of the subcultures. Designers, graphic designers, musicians, and photographers from across Switzerland visualize the last 50 years of local rock and pop music history through their album covers, concert posters, flyers, fanzines, comics and photographs. \u003c\/span\u003e\u003cb\u003e\u003ci\u003eDie Not hat ein Ende – The Swiss Art of Rock\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is not just another colourful book about music, but instead an impressive historical document of an era. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e498 pages, 22 cm × 32 cm, softcover, Edition Patrick Frey (Zurich).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803618025543,"sku":null,"price":120.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_9347.jpg?v=1752037245"},{"product_id":"beni-bischof-psychobuch","title":"Beni Bischof - Psychobuch","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIt all started when \u003c\/span\u003e\u003cb\u003eBeni Bischof\u003c\/b\u003e\u003cspan\u003e began publishing laser-copied artist's magazines in 2005 as an independent means of distributing his drawings, collages and texts. The speed of production suited his impetuous, prolific output. It was not long before he found an additional, three-dimensional outlet for his obsessions by adding sculpture, painting and installations to his repertoire. Often using everyday objects, Bischof creates bizarre objects whose coherence he reinforces with plaster and paint. He applies similar techniques of combining, reassembling, and reworking to images appropriated from fashion magazines, trivial literature, LP covers and the like, overpainting them and modifying them digitally or even mechanically. \u003c\/span\u003e\u003cb\u003e\u003ci\u003ePsychobuch\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e presents an extensive and unusual survey of Beni Bischof's oeuvre. It is a wildly rampant, multimedia conglomerate, held together by a dense network of recurring themes and motifs. The elaborate book is both an overview of Beni Bischof's output to date and an artist's book in its own right. 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When asked by the clan’s spiritual leader Herbert Muhammad, “What’s with the dough?” he pulled $10,000 — pretty much all the money he had at the time — out of his silver ankle-boots and a preliminary deal was promptly signed and sealed on a sheet of hotel stationery. \u003c\/span\u003e\u003cspan\u003eZurich photographer \u003c\/span\u003e\u003cb\u003eEric Bachmann\u003c\/b\u003e\u003cspan\u003e accompanied Ali during his 10-day stay – on his winter jog through Zurich’s woods, buying shoes in a working-class neighbourhood, going through his training drills, and finally, during the big fight, which rapidly climaxed in the seventh round when he knocked out the blond German giant Blin. This stunning bool documents the events in brisk chronological order – a rapid-fire succession of impressively intimate and humorous shots against the placid urban backdrop of mid-1970s Zurich. Thanks to \u003cstrong\u003eEdition Patrick Frey\u003c\/strong\u003e (Zurich).\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e392 pages, 20 cm × 29 cm, hardcover, Edition Patrick Frey (Zurich).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803618156615,"sku":null,"price":119.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_9339.jpg?v=1752037273"},{"product_id":"taiyo-onorato-nico-krebs-the-great-unreal","title":"Taiyo Onorato \u0026 Nico Krebs - The Great Unreal","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eDuring a period of three years, \u003c\/span\u003e\u003cb\u003eTaiyo Onorato\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eNico Krebs\u003c\/b\u003e\u003cspan\u003e travelled several months through the United States, working “on the road” on the photo series \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Great Unreal\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e. 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Structured as two shows in parallel, 69 brought together art works from 1969, chosen by the American curator, Bob Nickas, while 96 featured works from 1996 selected by the Swiss curators Fredi Fischli and Niels Olsen. For Nickas, 1969 marks his earliest entry point into what has become a lifelong pursuit of the art of his time, just as for Fischli and Olsen, 1996 marks the beginning of their own engagement with art and artists. In \u003c\/span\u003e\u003ci\u003e69 \/ 96\u003c\/i\u003e\u003cspan\u003e, the three curators have entered an inter-generational dialog about exhibitions that is both personal and art historical, while also reminding us that art history must in some way reflect the lived texture of life.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe sense of temporal overlay in the exhibition continues in this new publication in the series STUDIOLO \/ Edition Patrick Frey, with a third layer of images and information. The left-hand pages in 69 \/ 96 reproduce pages from a xerox catalog edited by Bob Nickas in 1991. This accompanied his exhibition of works from 1969, held at Daniel Newburg Gallery in New York. The right-hand pages and doublepage spreads document the collaborative 69\/96 exhibit in 2014. Documentation of the 1991 and 2014 exhibitions includes works by: \u003cstrong\u003eRichard Artschwager, Larry Clark, Franz Gertsch, On Kawara, Bruce Nauman, Albert Oehlen, Meret Oppenheim, Sigmar Polke, Gerhard Richter, Allen Ruppersberg, Ed Ruscha, Andy Warhol, Karlheinz Weinberger, Lawrence Weiner, La Monte Young, Marian Zazeela\u003c\/strong\u003e et al. Published in the series STUDIOLO \/ \u003cstrong\u003eEdition Patrick Frey\u003c\/strong\u003e (Zurich).\u003c\/span\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803622088775,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_9814.jpg?v=1752037667"},{"product_id":"fabienne-eggelhofer-monica-lutz-salon-moderne","title":"Fabienne Eggelhöfer \/ Monica Lutz - Salon Moderne","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eHair Affair, Haircore, Jennyf'hair: hair salons are curious little worlds. Their names angle for attention, as do the window displays touting their particular aesthetic. The names and window displays of the Swiss salons showcased in \u003c\/span\u003e\u003cb\u003e\u003ci\u003eSalon Moderne\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e are veritable gems: there’s a window adorned with Corinthian columns, fishing nets and shells, for example, another decorated with model cars and a signed soccer ball, still others featuring carnival masks, colourful life preservers during the summer season, or photos of Miss Switzerlands past and present. But what could Swiss hairdressers possibly be thinking when they place a nibbled-at pine cone and a wooden hedgehog (half of whose spines are broken) on a styrofoam pedestal in the window? Well, it appears that hair salon window-dressing is an art unto itself, at once fascinating, perplexing and risible, often more or less divorced from the core business itself, and the sheer diversity of its one-off productions is unrivalled in any other line of retail business. That such a decorative culture should survive into the age of professional branding is but one more reason to devote a whole book to this bizarre phenomenon.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eSalon Moderne\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is the third book by editors \u003c\/span\u003e\u003cb\u003eFabienne Eggelhöfer\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eMonica Lutz\u003c\/b\u003e\u003cspan\u003e to be published by \u003c\/span\u003e\u003cb\u003eEdition Patrick Frey\u003c\/b\u003e\u003cspan\u003e (Zürich).\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e288 pages, 17.8 x 12.6 cm, hardcover, Edition Patrick Frey (Zürich).\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803635949639,"sku":null,"price":64.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1019.jpg?v=1752038259"},{"product_id":"thomas-mullenbach-originale","title":"Thomas Müllenbach - ORIGINALE","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eORIGINALE – Einladungskarten 2005 – 2013\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is about \u003c\/span\u003e\u003cb\u003eThomas Müllenbach\u003c\/b\u003e\u003cspan\u003e’s series Halboriginale (“Semi-originals”), which he worked on from 2005 – 2013. The point of departure for this series was the countless invitations to exhibitions and other art events that the artist found in his mailbox every day – documentary evidence, as it were, of the day-to-day art scene. Müllenbach has transposed this documentation, which heavily influences his work as it is, into pictures, or more precisely watercolors, of his own. From Dürer to van Gogh, Swiss to foreign artists, figurative treatments to abstract color compositions, these works play on their recognizability. Müllenbach’s “semi-originals” are neither forgeries nor copies, but unusual interpretations or, in the artist’s own words, “handmade appropriation”. This reference to Appropriation Art is significant, given the huge influence the latter has had on contemporary artwork and, as a result, on the everyday life of the art scene where artist and viewer converge. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach book cover is unique, individually designed by \u003c\/span\u003e\u003cb\u003eThomas Müllenbach\u003c\/b\u003e\u003cspan\u003e. Published by the incredible \u003c\/span\u003e\u003cb\u003eEdition Patrick Frey\u003c\/b\u003e\u003cspan\u003e (Zürich).\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e368 pages, 16.5 x 23cm, softcover, Edition Patrick Frey (Zürich).\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803636080711,"sku":null,"price":105.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1009.jpg?v=1752038272"},{"product_id":"hilar-stadler-gasoline-and-magic","title":"Hilar Stadler - Gasoline and Magic","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eEverything about them is cool. The baby blue Porsche 917, the Chevy Camaro, the blue-, red- and yellow-striped overalls, the boys in low-buttoned shirts, sporting moustaches and a full head of hair, with the sunshine in their faces. Women wearing thick eyeliner and bell-bottoms, girls in crocheted bikinis at the finishing line, garlands of flowers for the winner. Motor sports in the 1960s, ’70s and ’80s gave rise to a whole world of imagery that arouses a certain wistfulness nowadays. Not only a nostalgia for beautiful old racing cars, but a more comprehensive yearning for the days when even major auto races were still held on ordinary roads, when ambitious auto mechanics would tinker away at a racing car in the local garage and international Grand Prix stars were still approachable. Gilles Villeneuve pushes a strand of hair behind his ear, Pedro Rodriguez rests up on a little stone wall, Jo Siffert stands around in white jeans and cowboy boots, Ayrton Senna is absorbed in thought. The cars race through Monaco and Le Mans and over the hills of Palermo. Most of the pictures in \u003c\/span\u003e\u003cb\u003e\u003ci\u003eGasoline and Magic\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, often impressive and quasi intimate shots, were taken by amateur photographers, who now share with us their fascination with fast cars. Published by \u003c\/span\u003e\u003cb\u003eEdition Patrick Frey\u003c\/b\u003e\u003cspan\u003e (Zürich) with \u003c\/span\u003e\u003cb\u003eMuseum im Bellpark\u003c\/b\u003e\u003cspan\u003e (Kriens).\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e288 pages, 264 color images, 21 × 31.5 cm, hardcover, Edition Patrick Frey (Zürich).\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803636113479,"sku":null,"price":135.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0990_dfbbb06c-f707-45a5-9b52-7a4d6028a5a4.jpg?v=1752038282"},{"product_id":"pawel-szypulski-greetings-from-auschwitz","title":"Paweł Szypulski - Greetings from Auschwitz","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003ci\u003eGreetings from Auschwitz\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is a book based on an unusual collection put together over several years by Polish artist and curator \u003c\/span\u003e\u003cb\u003ePaweł Szypulski\u003c\/b\u003e\u003cspan\u003e. It shows postcards sent by tourists who visited the former Nazi death camp Auschwitz-Birkenau. The oldest postcard dates from 1947 – only two years after the liberation of the camp. Nearly all the postcards reproduced in Greetings from Auschwitz were once in circulation, written and sent to families, friends and acquaintances. On one of them a man wrote “greetings from Auschwitz” and in the post scriptum he added: “Everything is fine, all I miss is you and the sun.” The front of the postcard shows a panoramic view of the death camp, including the crematorium chimney and the entrance gate. Another card reads: “Shipment of warm greetings from Auschwitz with the rustle of the summer wind, from your sister Cześka.” The image shows Block 11, the so-called “death block”. These sorts of postcards are still being sold to tourists in Auschwitz. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne of the central themes of Holocaust-related art is silence. And the question of what is appropriate is always a crucial one. The postcards collected by \u003c\/span\u003e\u003cb\u003ePaweł Szypulski\u003c\/b\u003e\u003cspan\u003e propose a radically different – chatty and inappropriate – narrative. His book discusses a social memory of the Holocaust, which is entirely different from the memory that is present in high art and scientific discourse. Greetings from Auschwitz is a thought-provoking visual essay about failure of both language and image in dealing with a social trauma caused by one of the biggest catastrophes in the human history. 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The clothing styles range from traditional to contemporary and are influenced by changing \u003cspan class=\"s1\"\u003efashion trends. Through its funeral attire and its signs \u003c\/span\u003eand symbols, Ghanaian society takes on a visible form.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring several trips, the costume designer \u003cstrong\u003eLisa Meier\u003c\/strong\u003e attended funerals in different regions of Ghana \u003cspan class=\"s1\"\u003eand captured in photographs of great immediacy the \u003c\/span\u003eceremonies and the mourning attire. The book, created \u003cspan class=\"s2\"\u003etogether with the Ghanaian historian \u003cstrong\u003eIrene Odotei\u003c\/strong\u003e, helps us read the clothes of the mourners. It provides \u003c\/span\u003e\u003cspan class=\"s1\"\u003ean intimate view into West African culture and shows \u003c\/span\u003ehow it deals with death. Published by \u003cstrong\u003eEdition Patrick Frey\u003c\/strong\u003e (Zurich). \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e250 pages, 20 x 17 cm, softcover, Edition Patrick Frey (Zurich). \u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803640012871,"sku":null,"price":105.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMGP0002.jpg?v=1752038423"},{"product_id":"prill-vieceli-cremers-money","title":"Prill Vieceli Cremers - Money","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis is a book about the pictures on banknotes: pictures of political subject-matter, historical milestones, distinguished personages, status symbols, and landscapes. Banknotes are mini-posters proclaiming an idealized world. Money is a mystery: monetary value seeks a visual correlative. Euro bills, for example, strive to convey the idea of a united Europe through the metaphor of bridges. In 2002, when the euro was introduced as cash, there were approximately 12.7 billion euro bills in circulation – 12.7 billion bridges for an ideal world.\u003c\/p\u003e\n\u003cp\u003eThe pictures on bills tell stories and glorify power. Strong, happy people engaged in physical labor, for instance. They have access to education and live in a fantastical landscape with abundant fauna. Monetary iconography often takes up similar motifs and reiterates basic patterns. Human figures are portrayed according to pathos formulae, their gestures and facial expressions to be uniformly construed the world over.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eMoney\u003c\/em\u003e, \u003cstrong\u003eTania Prill\u003c\/strong\u003e, \u003cstrong\u003eAlberto Vieceli\u003c\/strong\u003e and \u003cstrong\u003eSebastian Cremers\u003c\/strong\u003e conjure the \u003cem\u003e“spirit that speaks from the ornamentation of banknotes”\u003c\/em\u003e, as \u003cstrong\u003eWalter Benjamin\u003c\/strong\u003e put it, and show which pictures are used to imprint value on slips of paper that would otherwise be worthless.\u003c\/p\u003e\n\u003cp\u003eThis trio of graphic artists, \u003cstrong\u003ePrill Vieceli Cremers\u003c\/strong\u003e, have designed various books for \u003cstrong\u003eEdition Patrick Frey \u003c\/strong\u003e(Zurich) since 2006. \u003cstrong\u003e\u003cem\u003eMoney\u003c\/em\u003e\u003c\/strong\u003e is the first joint artist's book by \u003cstrong\u003eTania Prill, Alberto Vieceli,\u003c\/strong\u003e and \u003cstrong\u003eSebastian Cremers\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"views-field views-field-field-pages\"\u003e\u003cspan class=\"field-content\"\u003e256 pages,\u003c\/span\u003e \u003c\/span\u003e24 × 33 cm, hardcover, Edition Patrick Frey (Zurich). \u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803640799303,"sku":null,"price":108.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0527.jpg?v=1752038555"},{"product_id":"michele-sibiloni-fuck-it","title":"Michele Sibiloni - Fuck It","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eStreet-walkers, good-time girls, vagabonds, village fools, rastas, pimps, drunken expats, drunken locals, drunken everybody, underpaid guards, overworked bouncers, old-timers, orphans, urchins, beggars, hoodlums, hustlers, grasshopper vendors, all kinds of cops, NGO workers and back-alley exorcists. Some Peace Corps blogger once described Kabalagala – Kampala’s most deliciously sleazy bar district – as ‘Tijuana on acid’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUganda has successfully presented itself to the international community as a responsible, progressive site for aid and development for nearly three decades now. In 1986 the country emerged from an 8-year civil war, following a 7-year dictatorship, following 70 years of exploitative colonial rule. It was the epicentre of the AIDS pandemic, though you wouldn’t guess that from the outrageous promiscuity of its urban dwellers. The rich, pungent variety of images in this book will elicit a range of reactions: pity, disgust, uncertainty, titillation – natural responses to such beautiful horrors. The stories told by these grimy vignettes are at once a cartoon strip and an archive of the ephemeral, an African symphony and a third-world catastrophe, a naughty grope and a guilty giggle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is the noir: the fallen angels of debauchery and desperation. This is the future: brazen young things with money to burn – all poolside parties and bleach-blonde hair. This is the past: askaris with arrows, women with burdens, military junta in open jeeps. This is contradiction: a city of Puritan alcoholics, prostitutes giving love for free, perverted aid workers, developing that arse. This is a disgrace: a security guard on $1\/day, a corrupt ruling class passing laws on morality, a white man who’s pissed his pants. (David Cecil). 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Portraits 1982, 1988, 1997 is now considered a classic. In 2014, 32 years after having taken the very first pictures of her subjects, Davatz resumed this long-term conceptual project and shot a new round of portraits of the same cast of characters. Back in 1982 she had taken frontal-only shots of a dozen pairs of young people – lovers, friends or relatives, as the case may be – looking straight at the camera, against a light-gray backdrop in her photo studio. She cast a sober and conceptual, but nonetheless sympathetic, eye on the personal and collective details of her subjects and their poses. In 1988, 1997 and once again in 2014, Davatz got back in touch with the same subjects and, employing the same formal approach to their portrayal, documented continuities and discontinuities, changes in their relationships and in the ways they present themselves to the world. Based on the original 12 double portraits, she was able to draw up relationship charts tracking – depending on changes of partner – up to 16 pairs or subjects over time.\u003cbr\u003e\u003cbr\u003eTheir ranks have swelled over the years, with the addition of 14 children and even some grandchildren in the meantime, so the project now covers three generations. Other themes have long since been added to the original one of self-presentation. Without revealing any specific personal information, the series narrate a wide array of changes – physical, biographical and sartorial – over time. They tell of separations, of aging and loss, of the growth of families and the inheritance of family traits. But also of current urban society in each period. Davatz’s work is, in a word, about making visible the passage of time – and what it does to us. This book is a very straightforward and yet epic long-term observation of an urban milieu. 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On walks through the countryside by day or through the city by night, he kept a photographic diary on black-and-white film with his trusty Pentax, making notes about each of the subjects and events in his almanacs. The first almanac, covering the years 1978 – 1983, is the basis of his latest book \u003c\/span\u003e\u003cb\u003e\u003ci\u003eMenschen Tiere Abenteuer\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e (“People Animals Andventures”). His observations of visual phenomena, social ties and contemporary events, presented in chronological order, range widely from Zürich’s Bahnhofstrasse and nocturnal street scenes to patterns in ice and portraits of the artist \u003c\/span\u003e\u003cb\u003eAnton Bruhin\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eZüst\u003c\/b\u003e\u003cspan\u003e’s own family. This chronological perspective may well be the most revealing approach to the artist and his rather melancholy work. And yet he clearly takes an interest in the medium itself - in his attempts to capture on film the very act of taking pictures, in his double exposures and in his eye for the photography of everyday life. To capture all of this, Züst sometimes used Agfa Ortho 25, a black-and-white film with an aesthetic all its own.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis painstakingly researched publication also gives a compact sense of \u003c\/span\u003e\u003cb\u003eZüst\u003c\/b\u003e\u003cspan\u003e’s overall work in that all the motifs from his color series are represented closely together in the black-and-whites here (some of those series have already been worked up in his books Bekannte Bekannte 1 and 2, Roundabouts, Himmel). 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His trenchant artwork reflects both the banality of everyday life and controversial political issues. 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Then again, since hardly any of the bands that play there actually notate their music, it’s an unusual song book that’s likely to appeal to laymen as well. For two and a half years, artists performing at the Bad Bonn were asked to put their songs on paper. The results proved as diverse as their musical styles and personalities, including everything from sheet music and lyrics with guitar tabs to photos and drawings, it’s all there. The contributions show a side of the musicians’ creativity that doesn’t show on stage or on their recordings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCafé Bad Bonn in Düdingen, a small town in the Fribourg canton of Switzerland, was once a health resort and spa, but for nearly 25 years now it’s been a magnet for mobile music lovers by the lake Schiffenensee. Where Bonnstrasse comes to an end in the middle of nowhere stands a building. 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