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Both a shatter and an apex: a premonition of the genealogical continuity of the many (tumultuous, visible, and invisible, thunderous, and silent) systemic violences that make up the face of American society.\u003c\/p\u003e\n\u003cp\u003eA book that serves as a mirror for the distressing reality of the United States these days, and, at the same time, as a device for reflection on the way historical and documentary photography is read and understood.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e 168 pages, \u003c\/span\u003e\u003cspan\u003e23.5 x 33.5 cm, softcover, Editorial RM (Barcelona).\u003c\/span\u003e\u003c\/p\u003e","brand":"Editorial RM","offers":[{"title":"Default Title","offer_id":41804348817479,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Editorial_RM_Omen.jpg?v=1753073947"},{"product_id":"frida-kahlo-her-universe","title":"Frida Kahlo – Her Universe","description":"\u003cp\u003e\u003cem\u003eFrida Kahlo: Her Universe\u003c\/em\u003e, published under a joint imprint by Editorial RM and Museo Frida Kahlo, allows us to refresh and bring up to date the rich diversity of themes, ideas, concepts, and emotions generated around two fundamental and iconic figures in modern Mexico: Frida Kahlo and Diego Rivera.\u003c\/p\u003e\n\u003cp\u003eThis edition gathers a range of essays by specialists on the various subjects that surround the figure of Frida Kahlo. Approximations to the material circumstances that surrounded her day to day and her creations.\u003c\/p\u003e\n\u003cp\u003eIn addition, almost three hundred images from the archives of Museo Frida Kahlo offer readers a glimpse of Frida’s wardrobe, the collections of popular and pre- Hispanic she assembled alongside Diego Rivera, the Blue House, her connection with photography, and other matters. 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Pellicer selected those of Frida’s paintings which were in the house, along with drawings, photographs, books, and ceramics, maintaining the spaces just as Frida and Diego had arranged them to live and work in. The rest of the objects, clothing, documents, drawings, and letters, as well as over 6,000 photographs collected by Frida in the course of her life, were put away in bathrooms converted into storerooms.\u003c\/p\u003e\n\u003cp\u003eThis remarkable collection remained hidden for more than half a century. A few years ago the storerooms, wardrobes, and trunks that safeguarded it were opened. The collection of photographs is a treasure that reveals the tastes and interests of the famous couple, not only through the images themselves but also through the annotations made on them. Frida’s collection constitutes a roll call of great photographers: Man Ray, Brassaï, Martin Munkacsi, Pierre Verger, George Hurrel, Tina Modotti, Edward Weston, Manuel and Lola Álvarez Bravo, Gisèle Freund, and many others, including Frida Kahlo herself. 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Across six chapters, the narrative traces his journey from a difficult childhood in an orphanage in Alexandria to his time in the Egyptian Army, where he discovered photography as both an artistic outlet and a means of solace. Through a deeply personal lens, the author reflects on his father’s resilience, the stigma surrounding mental illness, and the role of art in preserving memory and identity. Photography, once a source of pain for his father, becomes a path of healing for the author.\u003cspan class=\"editlink\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"project_bottom\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e 126 pages, \u003c\/span\u003e\u003cspan\u003e22 x 26 cm, softcover, Editorial RM (Barcelona).\u003c\/span\u003e\u003c\/p\u003e","brand":"Editorial RM","offers":[{"title":"Default Title","offer_id":41804391546951,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Editorial_RM_Hidden_Room_85bb3baa-af31-45a3-89de-7cc1d4fdf144.jpg?v=1752458002"},{"product_id":"jan-hendrix-atlas-casa","title":"Jan Hendrix – Atlas \/ Casa","description":"\u003cdiv class=\"entry\" id=\"entry_14595217\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"editlink\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eUnveiling \u003c\/span\u003e\u003cb\u003eJan Hendrix’s\u003c\/b\u003e\u003cspan\u003e graphic journey which spans almost half a century, offering a rich tapestry of maps and coordinates.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing essays by esteemed colleagues such as \u003c\/span\u003e\u003cb\u003eEstrella de Diego, Patricia Sloane, Olivier Debroise\u003c\/b\u003e\u003cspan\u003e, and more, \u003c\/span\u003e\u003ci\u003e\u003cb\u003eATLAS\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003enot only showcases Hendrix’s art but also provides profound insights from influential voices in his career, adding depth and context to the visual narrative.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracing Hendrix’s artistic evolution and global odyssey from rebellious beginnings in Holland, encounters with influential artists in Düsseldorf, collaborations with \u003c\/span\u003e\u003cb\u003eFrancisco Toledo\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cb\u003eGunther Gerzso\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003ein Mexico, to his worldwide artistic exploration documented in 'Bitácora' and 'Script'. 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He calls for a transformative shift in how we relate to cultures, traditions, and objects – asserting repair as a central social and artistic gesture in our global experience. This exhibition catalog offers a succinct yet compelling narrative of Attia’s most recent work, grounded in a political-theological lens on modernisation. He weaves together stories that span animism and creative resilience across territories disrupted by colonial forces. 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The publication highlights the diverse strategies Reyes employs, from exploring the therapeutic potential of group dynamics to advancing disarmament initiatives, ultimately redefining sculpture as an expanded, participatory medium: a social sculpture.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Editorial RM","offers":[{"title":"Default Title","offer_id":42130163925063,"sku":null,"price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/PedroReyes.jpg?v=1761616754"},{"product_id":"forthcoming-grand-hotel-parr","title":"GRAND HOTEL PARR","description":"\u003cp\u003eThe GRAND HOTEL PARR catalogue is the first comprehensive photobook retrospective on Martin Parr.\u003c\/p\u003e\n\u003cp\u003eMartin Parr (1952-2025, UK) was one of the most influential documentary photographers of our time. 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The unexpected is not manufactured but revealed, transforming photography into a space of multiple interpretations, where the extraordinary is hidden within the ordinary. Albarrán Cabrera are widely recognized for their mastery of platinum, palladium, cyanotype, and gelatin silver processes and have pioneered and developed new techniques in their color prints, incorporating pigments, Japanese paper, and gold leaf. Their work has been exhibited in Spain, Japan, the Netherlands, France, Germany, Lebanon, Italy, and the United States. 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Initiated in 2016, the project follows—through photography, community archives, handwritten letters, and testimonies—the residents of Al-Max, a historic fishing neighborhood in Alexandria, Egypt, now facing displacement. As urban development erases its daily life and traditions, Mohamed Mahdy builds the work with the residents themselves: families share archives, write final letters before leaving their homes, and shape how they are represented. The project reflects on how memory, identity, and belonging endure when a place is physically lost. The Premi Mediterrani Albert Camus Incipiens amplifies the work of emerging authors who embody Camus’ vision to “give voice to the voiceless.” In its third edition, the jury—Monica Allende, Carla Fibla, and Tanya Habjouqa—selected Here, the Doors Don’t Know Me for Mahdy’s deep engagement with the community, his inventive visual storytelling, and his sensitivity in portraying shared histories.\u003c\/p\u003e","brand":"Editorial RM","offers":[{"title":"Default Title","offer_id":42562016608327,"sku":null,"price":88.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/herethedoors_1000px.jpg?v=1772683294"},{"product_id":"forthcoming-txema-salvans-sunday-morning","title":"Txema Salvans – Sunday Morning","description":"\u003cp\u003eFrom Txema Salvans, acclaimed author of The Waiting Game series, comes another fascinating exploration of human behaviour and the spaces we inhabit.\u003c\/p\u003e\n\u003cp\u003eThrough his observant eye, Salvans transforms the mundane into moments that make readers reconsider their own Sunday rituals.\u003c\/p\u003e\n\u003cp\u003eFor ten years, every sunny Sunday at noon, Txema Salvans has photographed from the roof of his van the people who gather in the supermarket Carrefour car park on the outskirts of Barcelona. This unlikely leisure ground, both empty and absurd, hosts practical routines, quiet breaks, and a silent quest to suspend time. 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I know I will not live forever. One day there will only be traces of my life left. I too will be fleeting like the light of the sun coming through my window appearing on a piece of glass. Paying attention to all that is passing I know that death is approaching.\u003c\/p\u003e\n\u003cp\u003e4 Sides of The Table was made from 2022-24. In the spring of 2017, I was with my mother in an empty room. The light of the sun was shining through the windows. Her best friend June was at her bedside reading poetry aloud. My mother died a few hours later. Since I could no longer take pictures of my mother, it seemed natural to me to photograph June. I photographed her hands, her legs, from the back, from the front, partial views etc. feeling I could convince myself she was my mother more easily by photographing her in parts rather than in showing her whole figure. During the months that I was visiting June, her daughter unexpectedly passed away. 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