{"title":"Film \u0026 Moving Image","description":"","products":[{"product_id":"jonas-mekas-conversations-with-filmmakers","title":"Jonas Mekas – Conversations with Filmmakers","description":"\u003cp\u003e\u003cspan\u003eLithuanian-born \u003c\/span\u003e\u003cb\u003eJonas Mekas\u003c\/b\u003e\u003cspan\u003e migrated to Brooklyn via Germany in 1949 and began shooting his first films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, from 1958 until 1977, he published his “Movie Journal” column in the Village Voice, conducting numerous interviews with filmmakers from all over the world. Conversations is the first time that these interviews with his filmmaker friends and associates have been put together in a book. Mekas recorded the conversations with his camera. From the films he shot with his interlocutors, Mekas selected one photo or still to introduce each interview. The collection of texts is supplemented by letters and extracts from related scenarios\/scripts and rounded out with an index of the people involved. Features conversations with \u003c\/span\u003e\u003cb\u003eStorm de Hirsch\u003c\/b\u003e\u003cspan\u003e and\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eLouis Brigante, Andy Warhol, Nico Papatakis, Albert and David Maysles, Peter Kubelka, Agnes Varda, Harry Smith, John Cassavetes, Stan Brakhage.\u003c\/b\u003e\u003cspan\u003e Published by \u003c\/span\u003e\u003cb\u003eSpector Books\u003c\/b\u003e\u003cspan\u003e (Leipzig). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e260 pages, 30.5 x 21.2 cm, hardcover, Spector Books (Leipzig). \u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803741298759,"sku":null,"price":89.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_9695.jpg?v=1752042877"},{"product_id":"h-r-giger-5-poltergeist-ii-drawings-1983-1985","title":"H.R. Giger – 5 – Poltergeist II: Drawings 1983–1985","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThanks to his work on the iconic creature for the film \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlien\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Ridley Scott, 1979) – a detailed account of which is given in his \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlien Diaries\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013, first edition, Edition Patrick Frey) – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eH. R. Giger\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e was firmly established in Hollywood’s supernatural horror and science fiction genres. Giger went on to design all the ghosts for \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePoltergeist II: The Other Side\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Brian Gibson, 1986). Unlike his work on \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlien\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the set at Shepperton Studios in England, Giger collaborated on the movie remotely from Zürich, basing his creatures on Michael Grais and Mark Victor’s screenplay and airmailing the airbrushed designs to Los Angeles.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDue to his absence as well as misunderstandings with the director and the studio and a meagre production budget, the dark inscrutability and amorphous plasticity of Giger’s initial shape-shifting sketches ended up falling flat on celluloid, coming to resemble cheap-looking monsters in a campy B-movie. Giger’s in some cases psychedelic sketches were designed as sequences showing the metamorphosis of a worm-like ghost into a grotesque dwarf that ultimately morphs into a soul-devouring Gorgon-like monster called 'The Great Beast'. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePoltergeist II – Drawings 1983–1985\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a facsimile edition of Giger’s original sketchbook, containing 135 of his remarkable drawings as well as drafts of letters expressing doubts and suggestions to director Brian Gibson.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e300 pages, 17 x 24 cm, hardcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803910709319,"sku":null,"price":175.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1824_1000.jpg?v=1752049477"},{"product_id":"malu-blume-what-we-could-have-become-reflections-on-queer-feminist-filmmaking","title":"Malu Blume – What We Could Have Become: Reflections on queer feminist filmmaking","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhat We Could Have Become\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was realised as part of the long-term project \u003cem\u003eThe Book of S of I\u003c\/em\u003e by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMalu Blume\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. This work cycle also includes the experimental short film \u003cem\u003eThe Book of S of I\u003c\/em\u003e (2020), which was co-produced with the Vienna based \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHekate Film Collective\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, founded by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eipek Hamzaoglu\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eand \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLaura Nitsch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The publication locates the film as well as the process of making it in a context of a broader discourse on queer-feminist film making, collective art practices and care as a survival strategy. Following the fabulative spirit of the film, this booklet is used as a performative medium, weaving together materials from the film with additional and yet unpublished texts and images.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e44 pages, 19 x 25cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803912675399,"sku":null,"price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2381_5edd390e-6ae7-4d26-9134-f5be7c261f6b.jpg?v=1752049588"},{"product_id":"dara-birnbaum-notes-working-proccesses-re-concerns-that-take-on-deal-with","title":"Dara Birnbaum – Note(s): Work(ing) Proccess(es) Re: Concerns (That Take On \/ Deal With)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally created in 1977 as a single handmade copy, \u003c\/span\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003eNote(s): Work(ing) Process(es) Re: Concerns (That Take On \/ Deal With)\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e gathers sketches, writings, diagrams, contact sheets, and proposals for eight early video works. The publication was originally produced by the artist and exhibited in 'Notebooks, Workbooks, Scripts, Scores' at Franklin Furnace in 1977. The book’s vinyl cover and section dividers, hand-folded pages, colour images, and red and black typewriter ink have all been reproduced and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlex Kitnick\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e provides a new introduction.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatured works include \u003cem\u003eBack Piece\u003c\/em\u003e (1975), \u003cem\u003eAttack Piece\u003c\/em\u003e (1975), \u003cem\u003eMirroring\u003c\/em\u003e (1975), \u003cem\u003eLiberty: A Dozen or So Views\u003c\/em\u003e (1976), \u003cem\u003eRelationship Perspectives: Perspective Relationships\u003c\/em\u003e (1976–77), \u003cem\u003eAmerica: Land of Contrasts (A Day of Awakening) (A Shot in the Dark)\u003c\/em\u003e (1976–77), \u003cem\u003ePivot: Turning Around Suppositions\u003c\/em\u003e (1976), and \u003cem\u003eLesson Plans to Keep the Revolution Alive\u003c\/em\u003e (1977).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e434 pages, 21.5 x 28cm, softcover, Primary Information (New York).","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41803924865095,"sku":null,"price":62.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2771_4e9f6810-9c9d-4842-83e1-395b7fdb3fb8.jpg?v=1752049742"},{"product_id":"jonas-mekas-i-seem-to-live-the-new-york-diaries-vol-2-1969-2011","title":"Jonas Mekas – I Seem to Live: The New York Diaries, Vol. 2 (1969–2011)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI Seem to Live: The New York Diaries\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e, 1950–2011\u003c\/em\u003e is Jonas Mekas’s key literary work. The \u003ca href=\"https:\/\/www.perimeterbooks.com\/products\/jonas-mekas-i-seem-to-live-the-new-york-diaries-vol-1-1950-1969?_pos=1\u0026amp;_sid=619150b58\u0026amp;_ss=r\" title=\"Jonas Mekas – I Seem To Live: The New York Diaries, Vol. 1 (1950-1969)\"\u003efirst volume\u003c\/a\u003e (1950–1969) of this magnum opus appeared posthumously in 2019. It ranks alongside his cinematic oeuvre, which he elaborated together with his brother Adolfas after their arrival in New York in 1949. In the 1950s, Mekas began to shoot his first films, in the process developing an essayistic format that he would use as a diary to record his day-to-day observations. His writing, films, and unflagging commitment to art made him a pioneer of American avant-garde cinema and the barometer of the New York art scene. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eI Seem to Live: The New York Diaries, 1969–2011, Vol. 2,\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e the second and concluding volume of his diaries, contains an extensive index of names as well as a filmography and biography.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1560 pages, 16 × 21.5 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803934761031,"sku":null,"price":92.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0927_ecf8b97a-8dd7-4a00-a273-2d7f6cb5817b.jpg?v=1752050398"},{"product_id":"hans-ulrich-reck-pasolini-the-apocalyptic-anarchist","title":"Hans Ulrich Reck – Pasolini: The Apocalyptic Anarchist","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom today’s perspective, Pier Paolo Pasolini (1922 – 1975) comes across as one of the most productive and exhilarating talents in twentieth-century art. He continues to be both an inspiring and provocative figure not only for his wide-ranging virtuosity as a linguist, writer, journalist, and film-maker but also on account of the themes that he addressed. In modern-day Europe with all its levelling processes, regulations, and a hypocrisy protected by the code of political correctness, the loss of his voice is keenly felt. Pasolini never simply glorified the ancient ways of isolated regions and decried progress; rather, by adopting both extremes, he created an all-embracing poetics of experimental thinking. Hans Ulrich Reck’s book shows the relevance of his work today: that Pasolini was proved bitterly right in so many things is an expression of his far-sightedness in not reading the hidden signs of his time in terms of 'grand theses' and 'narratives'.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e160 pages, 16 x 23cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803937742919,"sku":null,"price":67.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1353_ff92bad2-3124-4bf8-b1d9-0bd21ef07664.jpg?v=1752050689"},{"product_id":"lucy-gannon-do-drama-how-to-stop-watching-tv-and-start-writing-it","title":"Lucy Gannon – Do Drama: How to stop watching TV. And start writing it.","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHave you ever said, ‘I’d love to write a script, but don’t know where to start’? Or watched the latest binge-worthy Netflix series and thought you could do better? Or maybe you have one golden gift of an idea that you’re itching to write?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDo Drama\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e explores the why and how of writing drama not as an instruction manual, but as a lively conversation with one of Britain’s most prolific and successful script writers, Lucy Gannon – creator of \u003cem\u003eSoldier, Soldier\u003c\/em\u003e, \u003cem\u003ePeak Practice\u003c\/em\u003e, \u003cem\u003eBramwell\u003c\/em\u003e, and many films, theatre plays and radio dramas. And she didn’t write her first play until she was 39.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book provides an encouraging and inspiring roadmap for novice writers, giving practical guidance at every stage in the process, from the first scene to the last, from finding an agent to the commissioning process, from developing characters to turning up on set.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNot everyone is a writer, and not every writer is a dramatist. But if you observe and detect the games people play, if you have stories to tell, if you question motives yet remain detached, if you are an honest recorder, then maybe you have what it takes. It’s not about education, or class, or cleverness, it’s about your deep desire to tell stories, to create characters, to explore emotions, finding the humour alongside the pathos. To bring your characters and your stories to life- and maybe, viewed by millions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e128 pages, 12 x 17.8 cm, softcover, The Do Book Co. (London).","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":41803947999303,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/dodrama_1000px.jpg?v=1752051471"},{"product_id":"the-third-life-of-agnes-varda-1","title":"The Third Life of Agnès Varda","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSilent green present the most comprehensive solo exhibition in Germany to date on the last creative period of the French filmmaker, photographer and visual artist Agnès Varda, who died in 2019. Varda is regarded as one of the most influential creative personalities of our time, who reinvented herself constantly in the course of her life's work, which spanned more than six decades. However, the third creative period of the modern film's pioneer is less known in Germany. It began in 2003 at the Venice Biennale and comprises installation works that reflect Varda's joy in experimenting between documentary and the fiction formats, her poetic, abstract realism and her sensitive observations of socio-political issues in various visual media.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAgnès Varda (1928–2019) worked as a photographer in the 1950s, taking pictures for the Avignon Festival, for example, and producing photo reportages in China, Cuba, Portugal, and Germany. In 1954 she produced her first feature film, \u003cem\u003eLa Pointe Courte\u003c\/em\u003e, which helped usher in the Nouvelle Vague. Since 2003, she has worked as a visual artist, mounting numerous exhibitions with installations, videos, and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e114 pages, 24.5 x 32cm, hardcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803965857863,"sku":null,"price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_4510_b331fb0b-18f0-42cb-a075-7bf564a315ba.jpg?v=1752052804"},{"product_id":"luyang-digital-descending","title":"LuYang – Digital Descending","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuYang's art has its origins in a unique crossover between neuroscience and Buddhist philosophy, medical technology and body enhancement, and manga aesthetics and sci-fi fantasy. the media artist created the avatar DOKU in 2020. It has his facial features, while at the same time representing a figure that breaks free from fixed ascriptions of identity. LuYang is now taking the international art scene by storm with his technically sophisticated and aesthetically dazzling 3D animated films, particular, those relating to gender identity. \u003c\/span\u003e\u003cem\u003e\u003cb data-mce-fragment=\"1\"\u003eDigital Descending\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the first monograph by the artist to be published in Germany.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e288 pages, 24.5 x 28cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803968413767,"sku":null,"price":82.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5019_299a4216-3421-4a0e-a94f-4f064ebb6f1a.jpg?v=1752053284"},{"product_id":"jonas-mekas-requiem-for-a-manual-typewriter","title":"Jonas Mekas – Requiem For a Manual Typewriter","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn 25 March 1997, Jonas Mekas found a dusty roll of computer paper under his desk. 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The roll of paper had to be used, and Mekas began to write a text on it that was quite unusual for him: a novel. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRequiem for a Manual Typewriter\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis a hymn of praise to his Olympia De Luxe, which he uses to practise writing in the moment, describing the present on a machine that was already considered technologically outdated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e48 pages, 12.5 × 20 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803969658951,"sku":null,"price":32.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5162_cbb30c42-e17c-446b-829d-19f823e06a78.jpg?v=1752053419"},{"product_id":"picturing-austrian-cinema-99-films-100-comments","title":"Picturing Austrian Cinema: 99 Films \/ 100 Comments","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA book of texts and images that plays with history, stories and what it might mean to stop (cinematic) time: 99 individual frames from 99 works by 99 Austrian filmmakers since 1945, each described by 100 international writers and journalists from the fields of criticism, film theory, and science. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFollowing along a time code structured by the happenstance of the particular image selection, a topography of Austrian cinema unfolds across the decades, shifting between feature film, experimental work, and documentary.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKatharina Müller, cultural scientist, heads the Education, Research, and Publications Department at the Austrian Film Museum. She lectures on film and media studies and has written a monograph on Michael Haneke. She has recently been involved in artistic research projects studying ephemeral film. \u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eClaus Philipp, journalist and dramaturge, has produced a number of publications including books on Alexander Kluge, Christoph Schlingensief, and Ulrich Seidl. His most recent work has been as dramaturge and artistic collaborator on the film and performance project The Children of the Dead (2017– 2019, directed by Nature Theater of Oklahoma).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e212 pages, 16 x 23 cm, softcover, Spector Books (Leipzig). \u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803970216007,"sku":null,"price":72.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5353_b7a12c97-45fa-456c-97c0-4109f1f71b69.jpg?v=1752053539"},{"product_id":"jurgen-maelfeyt-kaskcinema-1","title":"Jurgen Maelfeyt – Kaskcinema","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA selection of posters designed by Jurgen Maelfeyt for Kaskcinema (2016-2022).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e20 pages, 21 x 29.7 cm, staple-bound softcover with PVC jacket, Art Paper Editions (Ghent).","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":41803970412615,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5303_ab2e71ae-ec19-46d0-b57c-ab4859deb708.jpg?v=1752053593"},{"product_id":"forthcoming-born-in-flames","title":"Born in Flames","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBorn in Flames\u003c\/i\u003e – the publication – is the complete authorised graphic translation of Lizzie Borden’s mythical 1983 film\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBorn in Flames\u003c\/i\u003e. Kaisa Lassinaro’s post-facto screenplay captures all the political energy and visual brilliance of Borden’s film, which describes a futuristic society (eerily similar to our own) where the achievements of a past revolution are threatened by reactionary sexist forces.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe published version of \u003ci data-mce-fragment=\"1\"\u003eBorn in Flames\u003c\/i\u003e allows for a frame-by-frame analysis of the film’s complex plot and soundtrack, with songs by The Bloods and Red Crayola. Included is an interview with Borden conducted by Lassinaro, in which the filmmaker looks back on the making of her film.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e48 pages, 21 × 30 cm, softcover, Occasional Papers (London).\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41803982307399,"sku":null,"price":27.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5930.jpg?v=1752053927"},{"product_id":"pierre-leguillon-the-barefoot-promise","title":"Pierre Leguillon – The Barefoot Promise","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Barefoot Promise\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a study on foot fetishism through set photographs of Western films. From Hollywood Golden Age to French Nouvelle Vague, the motif of the foot reveals the hidden fantasies and gender norms conveyed by European and American filmmakers. Structured as a film itself, the book is the first printed version of the Promise of the Screen, a screening device developed by Pierre Leguillon since 2007 to look at the marginal aspects of cinema. All lobby cards and press photographs reproduced in this publication belong to the collections of the Museum of Mistakes, Brussels. The book comes with an intermission and a bonus by Louise Lawler!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003e196 pages, 20 x 24 cm, softcover with dust jacket, Triangle Books (Brussels).\u003c\/b\u003e\u003c\/p\u003e","brand":"Triangle Books","offers":[{"title":"Default Title","offer_id":41803983093831,"sku":null,"price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/thebarefootpromise_1000px.png?v=1753790598"},{"product_id":"mel-chin-and-helen-nagge-primetime-contemporary-art-art-by-the-gala-committee-as-seen-on-melrose-place","title":"Mel Chin and Helen Nagge – Primetime Contemporary Art: Art by the GALA Committee as Seen on Melrose Place","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePrimetime Contemporary Art\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a publication documenting \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eIn the Name of the Place\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a radical, two-year intervention by the GALA Committee on the primetime television show \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMelrose Place\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Originally published in a limited run in 1998, this extremely rare artist book is reproduced here for the first time as a facsimile edition.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResponding to an invitation to participate in \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eUncommon Sense\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an upcoming exhibition at the Museum of Contemporary Art, Los Angeles, in 1995 \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMel Chin\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e initiated the loose collective of artists known as the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGALA Committee\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and arranged with the producers of the soap opera to create objects for the show. What resulted was an extensive series of political works used as plot devices and props across two seasons of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMelrose Place\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, providing surreptitious commentary on reproductive rights, HIV\/AIDS, the Gulf War, domestic terrorism, corporate malfeasance, and substance abuse, among others. Some of these topics were banned by the FCC at the time, and the group’s works allowed for the artists and the show to create political commentary that went unnoticed by censors, subverting corporate and government controls of primetime television with a progressive agenda. These works were exhibited \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eUncommon Sense\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e at the Museum of Contemporary Art, Los Angeles in 1997 and then sold at an auction at Sotheby’s to support several charities. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePrimetime Contemporary Art\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was created by Chin and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHelen Nagge\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e as a mock auction catalog, which they used to document the artwork produced for the show, as well as the conceptual framework of the GALA Committee.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e40 pages, 21.6 x 28cm, softcover, Primary Information (New York).\u003c\/b\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41803983880263,"sku":null,"price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/primetime_1000px.png?v=1753960557"},{"product_id":"trinh-t-minh-ha-the-twofold-commitment","title":"Trinh T. Minh-ha – The Twofold Commitment","description":"\u003cp\u003e\u003cem\u003eThe Twofold Commitment \u003c\/em\u003eis an artist book by filmmaker, writer, and theorist, Trinh T. Minh-ha. While contextualizing the wider scope of her filmmaking practice, this publication centers on Trinh’s feature film\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eForgetting Vietnam\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2015), which takes up one of the myths surrounding the creation of Vietnam: a fight between two dragons whose intertwined bodies fell into the South China Sea and formed Vietnam’s curving, S-shaped coastline. Commemorating the fortieth anniversary of the end of the Vietnam War, the film draws inspiration from ancient legend to stage an ongoing, contemporary conversation between land and water, creating a third space for historical and cultural re-memory.\u003c\/p\u003e\n\u003cp\u003eThe book features the film’s lyrical script, along with rhythmically distributed cinematic stills. Expanding on this central focus is a series of conversations between Trinh and film and sound scholars Patricia Alvarez Astacio and Benjamín Schultz-Figueroa; Erika Balsom; Lucie Kim-Chi Mercier; Domitilla Olivieri; Stefan Östersjö; Irit Rogoff; and Xiaolu Guo. These conversations date from 2016 to 2022 and are accompanied by an index of key concepts in the artist’s work.\u003c\/p\u003e\n\u003cp\u003e204 pages, 16.77 x 22.61 cm, paperback, Primary Information (New York).\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41804006195271,"sku":null,"price":44.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_7447_82d1ad57-568a-4331-a81d-82a63780d909.jpg?v=1752054864"},{"product_id":"lawrence-abu-hamdan-live-audio-essays","title":"Lawrence Abu Hamdan – Live Audio Essays","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"BodyA\"\u003e\u003ci\u003eLive Audio Essays\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epresents transcripts from performances and films by Lawrence Abu Hamdan, an artist known for his political and cultural reflections on sound and listening.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"BodyA\"\u003eAbu Hamdan’s intricately crafted and heavily researched monologues are at times intimate, humorous, and entertaining, yet politically disquieting in their revelations. Using personal narratives, anecdotes, popular media, and transcripts rooted in historical and contemporary moments, the artist leads the reader through his investigations into crimes that are heard but not\u003cspan\u003e \u003c\/span\u003e\u003cspan lang=\"DA\"\u003eseen\u003c\/span\u003e. These live audio essays turn our focus to acoustic memories, voices leaking through walls and borders, the drone of warfare, cinematic sound effects, atmospheric noise, the resonant frequencies of buildings, the echoes of reincarnated lives, and the sound of hunger.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"BodyA\"\u003e\u003ci\u003eLive Audio Essays\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecollects seven iconic works, which were originally presented as performances, films, or videos installations from 2014 through 2022. Featured pieces include\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eContra Diction (Speech Against Itself)\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWalled Unwalled\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAfter SFX\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNatq\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eA Thousand White Plastic Chairs\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAir Pressure,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand the newly-completed\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe \u003c\/em\u003e\u003ci\u003e45th Parallel\u003c\/i\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"BodyA\"\u003eAll the texts were transcribed and edited with the artist and are available here in a single volume for the first time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e144 pages, 12.7 x 19.05 cm, paperback, Primary Information (New York).\u003cbr\u003e\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41804008587335,"sku":null,"price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_7456_294c3f46-2455-4453-831e-3f5aaf7ed80e.jpg?v=1752054875"},{"product_id":"nam-june-paik-i-expose-the-music","title":"Nam June Paik – I Expose the Music","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe publication homes in on a feature of the work of media artist Nam June Paik that has been largely overlooked: live moments, a consistent element running all through his artistic career. The immediate experience of the audience and their active involvement are crucial components in Paik’s work. Starting with his early career as a composer, one focus of the book is on the way Paik approaches music as a score, a concept, and an event. His artistic ideas and methods are presented with reference to key series of works – including his performances, his participatory pieces, his interest in live television, and his multimedia works. This richly illustrated chronicle of his performances conveys a vivid impression of these live moments. 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And yet \u003ci\u003eMagnificent Obsessions Saved My Life\u003c\/i\u003e really is an outlier, a (auto)biography of a different kind that retraces milestones and turning points in the life of a post-war artist from a dysfunctional family, set against the backdrop of his ’68 generation’s experiences of sexual liberation and his all too personal experience of two deadly pandemics: AIDS and Covid-19. But these biographical and historical elements of the author’s life come to the fore in an ongoing dialogue with Hollywood classics, \u003ci\u003efilms d’auteur\u003c\/i\u003e, contemporary art and literature. For a work of cinematic or visual art amounts to nothing if it tells you nothing about your own life: film and art are always about what was and what could have been.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eMagnificent Obsessions\u003c\/i\u003e takes up these existential questions in texts and images, including selections from Brunner’s impressive collection of movie stills and reproductions of his favourite art works. As in movies, people are the focus, the protagonists, of Brunner’s sometimes mordantly blunt and yet affectionate, sometimes almost tender writings. When he loses the love of his life, Swiss art dealer Thomas Ammann, to AIDS, he writes about their shared happiness so as not to be consumed by grief. He remembers the glamorous Elisabeth Bossard (Thema Selection), his lover for many years, and relates anecdotes from a flirtation in Venice with Edmund White, the American writer who became a friend. He recounts his love-hate relationship with Swiss filmmaker Daniel Schmid, replete with intimate glimpses of the late German filmmakers Rainer Werner Fassbinder and Werner Schroeter, their works and the whole scene around them. It was the film curator Brunner who brought the films of his friends John Waters and Andy Warhol to Switzerland early on – bypassing the censors. Brunner knew the light and dark sides of the Dream Factory, but was always ready and willing to succumb yet again to its Imitation of Life, as Douglas Sirk titled one of his great melodramas.\u003cbr\u003e\u003cbr\u003eWith a preface by Stefan Zweifel and an epilogue by John Waters.\u003cbr\u003e\u003cbr\u003e426 pages, 30 x 24 cm, softcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41804096864327,"sku":null,"price":175.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/magnificientobsession_1000px_a3f8dcf8-a7e3-46c1-930c-55be0278739f.png?v=1753791667"},{"product_id":"asta-groting-das-wesen-von-x","title":"Asta Gröting – Das Wesen von X","description":"\u003cmeta charset=\"utf-8\"\u003eArtist Asta Gröting has been working with the medium of moving images and sculpture for over three decades. She creates videos that explore the relationship between the human body and space, as well as the dynamics between humans and animals, and among animals themselves. Her films, performances, and sculptures all share a common focus on surfaces, aiming to uncover what lies beneath. Each of her works seems to be guided by a fundamental question: What is the essence of x? What defines the nature of a wolf or a dog?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn her latest project, 'Wolf and Dog', Asta Gröting introduces her Australian Shepherd dog, named Laika, to a relaxed wolf. Using an ultra-high-speed camera capable of capturing 1000 frames per second, she records the animals' shared feeding experience, then dramatically slows down the footage for projection onto a canvas. During the distribution of a piece of raw meat, the dog and the wolf peacefully coexist without conflict.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDas Wesen von x\u003c\/i\u003e is the central theme of an exhibition by the same name at the Lindenau Museum in Altenburg. In recognition of her work, the museum awarded Asta Gröting the Gerhard Altenbourg Prize in 2023.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e194 pages, 22 x 29 cm, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41804160565319,"sku":null,"price":82.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/daswesenvonx_1000px.png?v=1753961294"},{"product_id":"outside-the-frame-art-and-the-moving-image","title":"Outside the Frame: Art and the Moving Image","description":"\u003cp\u003eArtists have been experimenting with film and pushing the boundaries of the moving image since the earliest years of the medium. Gaining momentum with the emergence of the expanded cinema movement in the 1960s, and further solidifying with video art in the 1970s, by the start of the new millennium, video art, moving image, and broader screen-based practices had become some of art’s most dominant and influential genres. Today, as we navigate the opportunities and implications of networked technologies and social media, the moving image is at the nexus of the cultural milieu – a key signpost through avant-garde practice, democratised video culture and the creative technologies pushing artistic boundaries.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmong this rich and dynamic cultural space, two Australian institutions have stood out as central pillars of this essential art form. Since 2009, Adelaide’s Samstag Museum of Art – in collaboration with the Adelaide Film Festival – and Melbourne’s ACMI have driven major commissioning programs for new moving image works that have helped both redefine and further locate the medium at the core of Australian and global creative practice. This book, the first of its kind in Australia, not only provides a rich reference and documentation of these crucial moving image commissions, but also provides a series of historical and newly commissioned critical and discursive reflections on both the artistic outputs and the role and history of commissioning practice. \u003cem\u003e\u003cspan class=\"s1\"\u003eOutside the Frame: Art and the Moving Image\u003c\/span\u003e\u003c\/em\u003e is a guide to creativity, the artworks, and the institutional armature that underpins the moving image.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFeaturing artworks by Lynette Wallworth, Warwick Thornton, Shaun Gladwell, Daniel Crooks, Angelica Mesiti, David Rosetzky, Hossein Valamanesh, Trent Parke and Narelle Autio, Molly Reynolds and Rolf de Heer, Soda Jerk, Zanny Begg, Amos Gebhardt, John Harvey, Jason Phu, Gabriella Hirst, Madison Bycroft, Reko Rennie, and Amrita Hepi; new contextual essays by Kate Warren and Lauren Carroll Harris; a conversation between Anna Zagala, Amos Gebhardt and Jason Phu; and new and republished historical texts by Catherine Wilson, Anna Zagala, Sarah Tutton, Erica Green, Ulanda Blair, Emma McCrae, Fiona Trigg, Hamid Severi, Gideon Haigh, Robert McFarlane, Jessie Scott, Isobel Parker Philip, Adolfo Aranjuez, Jenna Rain Warwick, Chelsey O’Brien, Shelley McSpedden, Kathryn Weir, McKenzie Wark, and Kate ten Buuren.\u003cspan class=\"Apple-converted-space\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cmeta charset=\"utf-8\"\u003e384 pages, 28 x 20 cm, OTA-bound softcover, Perimeter Editions x \u003cmeta charset=\"utf-8\"\u003eSamstag Museum of Art, University of South Australia x Australian Centre for the Moving Image (ACMI).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41804172034119,"sku":null,"price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/OutsidetheFrame_1000px_1.jpg?v=1753078544"},{"product_id":"tiffany-sia-on-and-off-screen-imaginaries","title":"Tiffany Sia – On and Off-Screen Imaginaries","description":"\u003cmeta charset=\"utf-8\"\u003eThis collection of writings by artist and filmmaker Tiffany Sia gathers six essays that offer a framework for an exilic, fugitive cinema. Sia addresses geopolitics in cinema, image circulation, and national imaginaries, highlighting the stakes of deterritorialising the discursive formation of new media and film practices, and making the case for the continued relevance of cinema in an era of networked images and screen ubiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn essential counterpart to Sia’s films and artworks, this volume is a critical intervention into global film studies, the politics of film\/photographic practices, and experimental approaches to documentary. As a practitioner and thinker, Sia has been at the forefront of a new generation of filmmakers working with new vernacular media to trace and comment on social unrest and political crackdowns. Drawing from personal experience and historical study, the essays in this volume offer urgent reflections on a cultural landscape changed by national-security policies, shadow bureaucracies, censorship, and surveillance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten in the wake of the 2019-2020 Hong Kong Protests ignited by the Anti-Extradition Bill Movement, Sia’s essays survey the rise of a new documentary vernacular and fugitive cinema being produced by a wave of emerging filmmakers who have broken from the nostalgic overdrive of Hong Kong’s cinematic golden age. Turning her focus to the Cold War, the artist confronts its afterlives and visual regimes, attending to ad hoc distribution networks, speculative and performative modes of re-enactment, and countergeographic landscape imaging that disrupt the politics of place, representation, and nationhood. Sia advocates for an exilic practice that moves beyond categories of national identity, media, and genre.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe publication includes a foreword by film and media studies historian, Jean Ma. 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This book covers a decade and brings together video stills from his twelve most recent films, \u003ci\u003eBody Double 29\u003c\/i\u003e (2013) to \u003ci\u003eBody Double 40\u003c\/i\u003e (2024), with texts by Evan Moffitt and Rebekka Seubert and views of his latest exhibitions. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe publication has been supported by agnès b., Air de Paris, CAC – la synagogue de Delme, CAC – Passages, Fondation d’entreprise Pernod Ricard, and Mrac Occitanie.\u003c\/p\u003e","brand":"Mousse","offers":[{"title":"Default Title","offer_id":42483681132615,"sku":null,"price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/twelvebodydoubles_1000px.jpg?v=1770269158"},{"product_id":"forthcoming-sandra-vasquez-de-la-horra-soy-energia","title":"[FORTHCOMING] Sandra Vásquez de la Horra: Soy Energía","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eChilean artist Sandra Vásquez de la Horra combines transnational and Indigenous perspectives in her multidisciplinary artistic approach. Her oeuvre comprises drawing and painting as well as video and performance, and reflects complex events, stories, rituals, and beliefs rooted in her upbringing in Chile as well as in her many years of living in Germany. \u003c\/span\u003e\u003cem\u003eSoy Energía\u003c\/em\u003e\u003cspan\u003e, the artist’s first institutional survey exhibition in Europe—at Haus der Kunst, Munich—is dedicated to her experimental practice and focuses on her spatial, energetic, and global thinking.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mousse","offers":[{"title":"Default Title","offer_id":42528694009927,"sku":null,"price":119.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/soyenergia_1000px.jpg?v=1771388015"},{"product_id":"forthcoming-salome-lamas-parafiction-ii-selected-works","title":"[FORTHCOMING] Salomé Lamas: Parafiction II (selected works)","description":"\u003cdiv data-v-f25e74ba=\"\" class=\"text\"\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"spacer spacer--padding--a--s\"\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"spacer spacer--padding--t--xl spacer--padding--t-m--m\"\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"wysiwyg typo--s\"\u003e\n\u003cp\u003e\u003cem\u003eSalomé Lamas: Parafiction II (selected works)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores the singularity of Salomé Lamas’ work that lies in the dialogue of different modes of signification (writing, cinema, video, installation, theatre, performance). The originality of her work, which she has dubbed parafiction, presents a polygraphed nature that ends up providing a large-scale mapping of the contemporary artistic creation understood in its transdisciplinary dimensions, evidence of research embedded in the present time, but which also frames production processes. The book covers Lamas’ selected works from 2017 to 2025.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"meta\"\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"spacer spacer--padding--a--s\"\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"wysiwyg typo--s\"\u003e\n\u003cp\u003eProject notes, production memoirs, and contributions by Adelina von Fürstenberg, Alba Giménez Gil, Andreea Patru, David Perrin, Delfim Sardo, Eric Hynes, Frédéric Neyrat, Giovanbattista Tusa, João Laia, Lars Henrik Gass, Lucas Ferraço Nassif, Lukas Brašiškis, Luís Miguel Oliveira, Maria Filomena Molder, María Palacios Cruz, Maria Moseng, Mathew Chan, Michael Sicinski, Miguel Amado, Nicola Marzano, Pascale Cassagnau, Pedro Faro, Sara Magno, and Yaron Dahan\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mousse","offers":[{"title":"Default Title","offer_id":42942503616583,"sku":null,"price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/parafiction_1000px.jpg?v=1783575423"},{"product_id":"forthcoming-k-now-korean-video-art-today","title":"[FORTHCOMING] K-NOW! Korean Video Art Today","description":"\u003cdiv data-v-f25e74ba=\"\" class=\"text\"\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"spacer spacer--padding--a--s\"\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"spacer spacer--padding--t--xl spacer--padding--t-m--m\"\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"wysiwyg typo--s\"\u003e\n\u003cp\u003ePublished on the occasion of the eponymous exhibition at MASI Lugano,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eK-NOW! Korean Video Art Today\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003einvites readers to reflect on the role of video art as a tool for perception, memory, and the narration of the contemporary.\u003c\/p\u003e\n\u003cp\u003eFeaturing essays by Francesca Benini and Je Yun Moon (curators of the exhibition), as well as Adeena May, the catalogue provides an overview of the history of video art in Korea, while also examining the video medium itself and the broader Korean art scene.\u003c\/p\u003e\n\u003cp\u003eInterviews with the participating artists—Ayoung Kim, Chan-kyong Park, Jane Jin Kaisen, Sungsil Ryu, Sojung Jun, Heecheon Kim, Onejoon Che, and 업체eobchae—offer further insight into the genesis and significance of the works presented in the exhibition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"meta\"\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"spacer spacer--padding--a--s\"\u003e\n\u003cdiv data-v-f25e74ba=\"\" class=\"wysiwyg typo--s\"\u003e\n\u003cp\u003eEdited by Francesca Benini and Je Yun Moon\u003cbr\u003eTexts by Tobia Bezzola, Francesca Benini, Je Yun Moon, and Adeena Mey Interviews with Ayoung Kim, Chan-kyong Park, Jane Jin Kaisen, Sungsil Ryu, Sojung Jun, Heecheon Kim, Onejoon Che, and 업체eobchae\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mousse","offers":[{"title":"Default Title","offer_id":42942509383751,"sku":null,"price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/k-now_1000px.jpg?v=1783574993"}],"url":"https:\/\/perimeterdistribution.com\/collections\/film-moving-image.oembed?page=3","provider":"Perimeter Distribution","version":"1.0","type":"link"}