{"title":"Forthcoming","description":"","products":[{"product_id":"forthcoming-yelena-yemchuk-malanka","title":"[FORTHCOMING] Yelena Yemchuk – Malanka","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMalanka\u003c\/i\u003e is Ukrainian American visual artist, Yelena Yemchuk's sixth photobook. Like all bodies of work by Yemchuk, \u003ci data-mce-fragment=\"1\"\u003eMalanka\u003c\/i\u003e is personal, feminine, surrealist, and touched by a spell. The eponymous tradition is a pre-christian, heavily incantatory folklore ritual that takes place on January 14, the Old New Year in the Julian calendar. It is celebrated by ethnic Romanians in western Ukraine, and its origins are largerly unknown.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYemchuk traveled to Crasna (Krasnoilsk in Ukrainian) in 2019 and 2020 to document the night-long festival. In essence, Malanka is about driving out winter and stimulating spring into existence, an ancient custom reminiscent of Persephone's return in Greek mythology. While photographing in Crasna, Yemchuk also made a companion short film, which premiered during her solo exhibition at the Ukrainian Museum in New York, in 2023. The film stars Ukrainian artist Anya Domashyna and the American actor Ebon Moss-Bachrach.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYemchuk, who was born in Kyiv and emigrated to the US when she was eleven years old, always invigorates her works with a particular notion of the in-between: between fiction and reality; between the grand beauty of 1960s cinema and the social and built environments of post-soviet realms; between her Eastern European heritage and her daily life in New York. Through Yemchuk's gaze, places and spaces organically and dramatically blur, creating dreamscapes in which her subjects experience some form of metamorphosis. \u003ci data-mce-fragment=\"1\"\u003eMalanka\u003c\/i\u003e includes a poetic essay by Romanian cultural journalist Ioana Pelehatǎi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e176 pages, 25.5 x 18.6 cm, softcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41804174262343,"sku":null,"price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/malanka_1000px.jpg?v=1752457391"},{"product_id":"forthcoming-hermann-heisig-timing","title":"[FORTHCOMING] Hermann Heisig: Timing","description":"\u003cp\u003eAn artist's book as performative storytelling – \u003cem\u003eHermann Heisig: Timing\u003c\/em\u003e combines the format of an artistic monograph with the logic of a photo album. A photographic drift follows the development of a body along a timeline from 1981 to the present day, tracing possible and impossible correlations between childhood, post-reunification experiences, family history, artistic encounters and an autodidactic approach to dance and performance.\u003c\/p\u003e\n\u003cp\u003eHermann Heisig, born 1981 in Leipzig, works as a choreographer, dancer, and performer.\u003cbr\u003e\u003cbr\u003eIgor Dobričić is a dramaturge. He works and teaches internationally.\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41921304363079,"sku":null,"price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/timing_1000px.jpg?v=1755141637"},{"product_id":"forthcoming-anna-tsitsishvili-tbilisi-interiors","title":"[FORTHCOMING] Anna Tsitsishvili – Tbilisi Interiors","description":"\u003cp class=\"p1\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTbilisi Interiors,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ephotographer Anna Tsitsishvili returns to the subject that defined her acclaimed debut, \u003cem\u003eTbilisi\u003c\/em\u003e, with a renewed and intimate focus. This follow-up photobook shifts the lens inward – literally – inviting us beyond the façades of the Georgian capital to explore the layered and often surprising worlds within.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWhere her first book captured the textured urban landscapes of Tbilisi’s streets and architecture, \u003cem\u003eTbilisi Interior\u003c\/em\u003es reveals the hidden lives behind closed doors: eclectic rooms filled with faded grandeur, modest apartments shaped by decades of personal history, and spaces that quietly tell stories of resilience, creativity, and cultural continuity. Through Tsitsishvili’s eye, interiors become portraits – of individuals, families, and the city itself.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThis collection is not merely about design or decor; it is an emotional and aesthetic mapping of Tbilisi’s soul. With sensitivity and an artist’s sense of composition, Tsitsishvili documents spaces both curated and chaotic, refined and improvised, capturing the poetry of everyday life in Georgia’s capital.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003ci\u003eTbilisi Interiors\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a love letter to a city in transition, seen from within.\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":42019569795143,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/tbilisiinteriors_1000px.jpg?v=1758079992"},{"product_id":"forthcoming-the-vos-method","title":"[FORTHCOMING] The Vos Method","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArt education is not just about teaching skills; it is about shaping perspectives, nurturing creativity, and preparing students to make meaningful contributions to society. Central to Vos’s method is trust. She emphasises the importance of students trusting her guidance and embracing the process by 'taking a plunge into a jam session'. 'One plus one is bigger than two,' she often says, meaning that each component must be a strong entity for the team to become a cohesive whole. By meticulously choosing her words, Vos offers feedback and advice 'not to put you down, but to lift you up.' These are just a few of Ellen’s 'golden sayings' featured in this publication, together with over 40 assignments she had constructed over the years. Developed in collaboration with Medina Resic, this book serves both as an archive and a guide – a collage of resources for anyone dedicated to art education.\u003c\/span\u003e\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":42019570909255,"sku":null,"price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/thevosmethod_1000px.jpg?v=1758080359"},{"product_id":"forthcoming-tom-callemin-double-reality","title":"[FORTHCOMING] Tom Callemin – Double Reality","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTom Callemin explores what photography reveals – and what it conceals. His images question our habit of reading meaning into appearances, a process that has long shaped how we view identity. His meticulously staged photographs, using handmade sets, sculptures, and close collaborations with models, invite viewers to question what they see. In an era of AI, filters, and digital manipulation, Callemin returns to the photo studio and uses physical materials like clay and plaster to explore how perception can be deceptive. He works closely with his subjects to examine how the body is seen – or hidden – by the camera. The result is a series that challenges how we see and what we believe.\u003c\/span\u003e\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":42019573071943,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/doublereality_1000px.jpg?v=1758080967"},{"product_id":"forthcoming-qiu-yangzi-rotation","title":"[FORTHCOMING] Qiu Yangzi – Rotation","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eRotation\u003c\/em\u003e is an ongoing photographic series exploring how urban development reshapes our relationship with space – public, personal, and imagined. 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This eclectic mural depicts the ecosystem of Ruigoord – its history, sources of inspiration, and collaborations from around the world.\u003c\/p\u003e\n\u003cp data-start=\"359\" data-end=\"921\"\u003eBefore he began, Frieling spoke with the artists, founders, and others involved in Ruigoord. The result tells the story of the artist village – then and now. We see the places, beings, journeys, happenings, erudite and magical figures, and the movements connected to Ruigoord such as Provo, the Kabouters, the Insect Sect, and activist actions. 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Her work explores themes related to environmental collapse, especially desertification and the phenomenon of 'whitening' in Brazil, drawing parallels between these landscapes and the social and economic struggles of their inhabitants. \u003c\/span\u003e\u003c\/p\u003e","brand":"Triangle Books","offers":[{"title":"Default Title","offer_id":42138040434759,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/laisamaral_1000px.jpg?v=1761872382"},{"product_id":"forthcoming-s-billie-mandle-asunder","title":"[FORTHCOMING] S. Billie Mandle – Asunder","description":"\u003cp\u003e\u003cspan\u003eS. Billie Mandle’s \u003c\/span\u003e\u003cem\u003eAsunder\u003c\/em\u003e\u003cspan\u003e is an immersive and disquieting photographic meditation on attention, contradiction, and the quiet entanglement of beauty and destruction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDevoid of external text or identifiers, the book arrives almost mute – its title revealed only when a flame is brought near the cover, echoing the slow, flickering reveal within.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThree years in the making,\u003c\/span\u003e\u003cspan\u003e \u003cem\u003eAsunder\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e began in the aftermath of the 2020 Glass Fire in Northern California – one in a series of increasingly catastrophic wildfires reshaping the region’s landscape and psyche.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePrinted in dark, velvety tones on unbleached, pulpy paper – a tactile reminder of the fragility and material history of trees – the book opens with a glowing orb gradually overtaking the frame across thirteen pages. This visual prologue sets a foreboding, otherworldly tone. A quote from Dante’s Inferno marks the descent: '...the pathway had been lost.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhat follows might resemble a walk through the forest, but it unfolds more like a stumble. Mandle’s images don’t lead the viewer through a landscape – they pause, hesitate, and invite waiting. At first glance, the scenes may appear quiet or familiar, but subtle disruptions surface: scorched trunks, brittle branches, the dense residue of loss. The sequence shifts from light to dark, drawing the viewer into a looping, claustrophobic narrative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe forest here is both dead and alive. The trees remain, altered but upright. This coexistence of devastation and persistence is at the heart of Asunder – a paradox where beauty and ruin are not opposites, but facets of the same truth. 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Published on the occasion of Ashadu’s first institutional exhibitions in London at Camden Art Centre, and Chicago at the Renaissance Society, this detailed overview of her filmic practice features newly commissioned essays, an extended conversation with the artist and a collection of synopses documenting her video installations. 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