{"title":"In Stock","description":"\u003cp\u003eBrowse our currently available titles. All products in this collection are in stock and ready to ship.\u003c\/p\u003e\n\u003cp\u003ePlease note that there may be minor delays in updating stock availability, so please contact us on (03) 9484 8101 or hello@perimeterdistribution.com if you need an urgent stock update.\u003c\/p\u003e","products":[{"product_id":"mono-kultur-37-james-nachtwey-shards-of-time","title":"mono.kultur #37 James Nachtwey: Shards of Time","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e“To turn our backs is a form of acceptance.” The new issue of Berlin interview magazine \u003c\/span\u003e\u003cb\u003emono.kultur \u003c\/b\u003e\u003cspan\u003efeaturing the legendary war photographer \u003c\/span\u003e\u003cb\u003eJames Nachtwey\u003c\/b\u003e\u003cspan\u003e has been a long time in the making (two-and-a-half years in fact). But as it happens, it could not have been released at a more relevant moment, with a new wave of terror in form of the IS shaking up the Middle East, frontlines between Russia and the West hardening and Ebola wreaking havoc in West Africa. All of which are themes of the kind that Nachtwey has dedicated his life to for more than 30 years. Inspired by the press images from the Vietnam War that told a very different story to the official government statements, Nachtwey found a calling that would see him document the effects of war, terror and disease in the hope of raising awareness and inspiring intervention and change. As such, his photographs are neither easy to look at nor easy to forget.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e52 pages, 15 x 20cm, softcover, mono.kultur (Berlin)\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803590041671,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_8015_670.jpg?v=1752035718"},{"product_id":"mono-kultur-29-chris-taylor-grizzly-bear-refine-for-now","title":"mono.kultur #29 Chris Taylor \/ Grizzly Bear: Refine For Now","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe subject in this issue of Berlin interview magazine \u003cstrong\u003emono.kulur\u003c\/strong\u003e is Grizzly Bear's \u003cstrong\u003eChris Taylor\u003c\/strong\u003e, the Seattle born instrumentalist and producer, who at 13 wanted to be a dolphin but instead became an MVP of the New York music scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e28 pages, 15 x 20 cm, and poster, mono.kultur (Berlin).\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803592564807,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/christaylor1.jpg?v=1752035941"},{"product_id":"mono-kultur-35-marina-abramovic","title":"mono.kultur #35 Marina Abramovic","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIssue 35 of Berlin-based interview magazine \u003c\/span\u003e\u003ci\u003emono.kultur\u003c\/i\u003e\u003cspan\u003e features an interview with revered performance artist \u003c\/span\u003e\u003cb\u003eMarina Abramovic\u003c\/b\u003e\u003cspan\u003e. New York-based Abramovic has been exploring the relationship between performer and audience for the last 40 years. One of her most well-known (and longest) performances is \u003c\/span\u003e\u003ci\u003eThe Artist is Present\u003c\/i\u003e\u003cspan\u003e, which saw Abramovic sit immobile in a chair for 736 hours and 30 minutes at The Museum of Modern Art, New York, in 2010. The in-depth interview conducted by David Levine provides a great insight into one of performance art's leading figures. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e47 pages, 20 x 14 cm, paperback, mono.kultur (Berlin).\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803597512775,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_4990.jpg?v=1752036742"},{"product_id":"mono-kultur-38-gus-van-sant-in-limbo","title":"mono.kultur #38 Gus van Sant: In Limbo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e“I’m not actually involved, but I’m observing.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is a remarkable scene in Elephant, \u003c\/span\u003e\u003cb\u003eGus van Sant\u003c\/b\u003e\u003cspan\u003e’s astonishing 2003 treatise of the Columbine High School massacre, with the camera resting still in an area on the school’s sports fields, students drifting in and out of the picture, voices and ambient sounds reaching in from beyond the frame. Nothing much happens, really, but it captures so quietly and perfectly a moment of everyday beauty, overshadowed by the vague knowledge of what’s to come. Gus van Sant’s cinema is a little like that: a steady flow in time, as if it were encountering stories, characters, landscapes by chance. People and places and lives that float into the sight of the camera, attracting its attention for long enough to commit them to film before moving ever onward. Known for films including \u003c\/span\u003e\u003cb\u003e\u003ci\u003eDrugstore Cowboy\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003e\u003ci\u003eMy Own Private Idaho\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e to more popular dramas such as \u003c\/span\u003e\u003cb\u003e\u003ci\u003eGood Will Hunting\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003e\u003ci\u003eFinding Forrester\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, Van Sant is one of the only filmmakers to work within and without Hollywood, his dreamlike films cutting their own swathe through the cultural ether. The latest edition of celebrated Berlin interview magazine \u003c\/span\u003e\u003cb\u003emono.kultur \u003c\/b\u003e\u003cspan\u003etraces his oeuvre and approach at length.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e44 pages, 15 x 20 cm, softcover, mono.kultur (Berlin).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803609145415,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_8501_670.jpg?v=1752037001"},{"product_id":"too-much-magazine-issue-3","title":"TOO MUCH Magazine Issue 3","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003e\u003cb\u003eTOO MUCH\u003c\/b\u003e Magazine of Romantic Geography\u003c\/i\u003e\u003cspan\u003e #3 explores ideas related to migration: the things migrant people carry, the mirages calling them, the movement of people through networks of ideas and associations, or travelling to where your garments are made (not the other way around.) This issue of \u003c\/span\u003e\u003ci\u003eTOO MUCH\u003c\/i\u003e\u003cspan\u003ecomes with an A2 poster of a recipe by \u003c\/span\u003e\u003cb\u003eJerome Waag\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eAlice Water\u003c\/b\u003e\u003cspan\u003e from \u003c\/span\u003e\u003ci\u003eChez Panisse\u003c\/i\u003e\u003cspan\u003e. Thanks to \u003c\/span\u003e\u003cb\u003eEditions OK Fred\u003c\/b\u003e\u003cspan\u003e (Tokyo).\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e150 pages, 25.5 x 18cm, softcover, Editions OK Fred (Tokyo).\u003c\/span\u003e\u003c\/p\u003e","brand":"Editions OK Fred","offers":[{"title":"Default Title","offer_id":41803624153159,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/TooMuch3_1.jpg?v=1752037838"},{"product_id":"richard-hollis-about-graphic-design","title":"Richard Hollis – About Graphic Design","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing a comprehensive selection of writings by renowned graphic designer, graphic design theorist and historian \u003cstrong\u003eRichard Hollis\u003c\/strong\u003e, this densely illustrated book includes a wide array of interviews, essays, letters, articles and lectures. It covers virtually everything regarding the field and history of graphic design, from Soviet revolutionary posters and designers in Nazi Germany to Penguin book covers, New 'New' Typography, \u003cstrong\u003eMax Bill\u003c\/strong\u003e and \u003cstrong\u003eNicolete Gray\u003c\/strong\u003e. Various texts on \u003cstrong\u003eRobin Fior\u003c\/strong\u003e, \u003cstrong\u003eTheo Ballmer\u003c\/strong\u003e, \u003cstrong\u003eUwe Loesch\u003c\/strong\u003e and \u003cstrong\u003ePierre Faucheux\u003c\/strong\u003e, among many others, add depth to this very thoroughly researched story of graphic design. Thanks to \u003cstrong\u003eOccasional Papers\u003c\/strong\u003e (London).\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e296 pages, 17 x 25 cm, paperback, Occasional Papers (London).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41803632377927,"sku":null,"price":42.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0563.jpg?v=1752037968"},{"product_id":"the-form-of-the-book-book","title":"The Form Of The Book Book","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"std\"\u003e\u003cem\u003eSecond edition with pink cover\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"std\"\u003eA collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by \u003cstrong\u003eCatherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton\u003c\/strong\u003e, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss Books in retrospect, modern typographer Herbert Spencer and essential notes for designers.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"std\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"std\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"std\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"std\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"std\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e96 pages, 14 x 23 cm, paperback, \u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOccasional Papers\u003c\/strong\u003e (London).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41803632476231,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0589.jpg?v=1752037976"},{"product_id":"mono-kultur-27-ryan-mcginley-daydreaming","title":"mono.kultur #27 Ryan McGinley: Daydreaming","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFor issue #27 \u003c\/span\u003e\u003cb\u003emono.kultur \u003c\/b\u003e(Berlin)\u003cspan\u003e interviews American photographer \u003c\/span\u003e\u003cb\u003eRyan McGinley\u003c\/b\u003e\u003cspan\u003e, discussing the first ten years of an astonishing career, his memories of the late \u003cstrong\u003eDash Snow\u003c\/strong\u003e and why every day is an adventure. This issue employs ten different fonts and just as many grids displaying a panoramic overview of the first decade of \u003c\/span\u003e\u003cb\u003eMcGinley\u003c\/b\u003e\u003cspan\u003e's career, from 1999-2011. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e44 pages 15 x 20 cm, softcover, mono.kultur (Berlin). \u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803659411527,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2644.jpg?v=1752039311"},{"product_id":"mono-kultur-26-manfred-eicher-recording-ecm","title":"mono.kultur #26 Manfred Eicher: Recording ECM","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003emono.kultur #26\u003c\/b\u003e\u003cspan\u003e (Berlin) is dedicated to \u003c\/span\u003e\u003cb\u003eManfred Eicher\u003c\/b\u003e\u003cspan\u003e, the mastermind behind the highly prestigious jazz and classic label ECM Records, which is widely regarded as one of the most influential and demanding platforms for contemporary music worldwide. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e44 pages 15 x 20 cm, softcover, mono.kultur (Berlin). \u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803659771975,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2668.jpg?v=1752039337"},{"product_id":"mono-kultur-40-edmund-de-waal-w-is-for-white","title":"mono.kultur #40 Edmund de Waal: W is for White","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003e“White has this extraordinary possibility, and it’s also profoundly about being at ends.”\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eEdmund de Waal\u003c\/b\u003e\u003cspan\u003e is a potter. His pots, plates, and vessels are the result of craft and mastership, but they are also so much more than that: they are experiments in form and function, abstractions of thoughts on silence and space, on repetition and failure, on substance and fragility, on memory contained.\u003c\/span\u003e\u003cb\u003e Edmund de Waal \u003c\/b\u003e\u003cspan\u003eis an artist. He arranges his objects in complex choreographies that are as mysterious as they are mesmerizing. Displayed in galleries and institutions worldwide, his considered installations play with architectural concerns, integrating ideas of space, light and obscurity. \u003c\/span\u003e\u003cb\u003eEdmund de Waal \u003c\/b\u003e\u003cspan\u003eis a writer. In 2010, his intimate memoir of a kind, \u003c\/span\u003e\u003ci\u003e'The Hare With Amber Eyes,'\u003c\/i\u003e\u003cspan\u003eintertwined the biography of a collection of netsuke figures with the biography of his family and became a surprise bestseller, winning several awards. His latest book, \u003c\/span\u003e\u003ci\u003e'The White Road,'\u003c\/i\u003e\u003cspan\u003e presents a highly personal and engaging research into the history of porcelain. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhether he sculpts with words or with clay, what \u003c\/span\u003e\u003cb\u003eEdmund de Waal\u003c\/b\u003e\u003cspan\u003e works with are concepts, ideas, and desires. In a body of work that is at odds with our times and yet oddly successful, his writings and objects overlap and integrate each other in an attempt to understand and transcend our complex relationship with objects and our surroundings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn an interview with \u003c\/span\u003e\u003cb\u003emono.kultur \u003c\/b\u003e\u003cspan\u003e(Berlin) structured like an A-Z of notes and ideas, \u003c\/span\u003e\u003cb\u003eEdmund de Waal\u003c\/b\u003e\u003cspan\u003e talked about his rules of attachment, the impossibility of repetition, and why ‘doubt’ is the most beautiful word. Visually, the issue takes inspiration from that most perfect of materials: porcelain. Printed entirely in double-sided splendour, the two finishings of the paper – shiny gloss and smooth matt – evoke the texture of ceramics before and after glazing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e44 pages, 15 x 20 cm, softcover, mono.kultur (Berlin). \u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803659903047,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2675.jpg?v=1752039348"},{"product_id":"mono-kultur-28-bless-in-disguise","title":"mono.kultur #28 BLESS: In Disguise","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFounded in 1996 by \u003c\/span\u003e\u003cb\u003eDesiree Heiss\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eInes Kaag\u003c\/b\u003e\u003cspan\u003e and based in Paris and Berlin, \u003c\/span\u003e\u003cb\u003eBless\u003c\/b\u003e\u003cspan\u003e has always had its own way of seeing and doing, defying categorisation by straddling the different world of fashion, industrial design and fine art. This issue contains two separate booklets with an interview and official lookbook of the N° 43 Know Howowo collection. Thanks to \u003cstrong\u003emono.kultur\u003c\/strong\u003e (Berlin). \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e44 pages 15 x 20 cm, mono.kultur (Berlin)\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803660099655,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2683.jpg?v=1752039359"},{"product_id":"mono-kultur-39-terre-thaemlitz-the-arrogance-of-optimism","title":"mono.kultur #39 Terre Thaemlitz: The Arrogance of Optimism","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eI have more to say about the workings of division than of community.”\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePolitics and the dance floor make for uneasy bedfellows, and it is this uneasiness that drives most of the work of \u003c\/span\u003e\u003cb\u003eTerre Thaemlitz\u003c\/b\u003e\u003cspan\u003e, confronting head-on issues that are usually off limits in electronic music. Thaemlitz is a producer and DJ, also known under his monikers of\u003c\/span\u003e\u003cb\u003e DJ Sprinkles, Social Material, \u003c\/b\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cb\u003eK-S.H.E\u003c\/b\u003e\u003cspan\u003e, among others. But she is also a writer, educator and activist of sorts, with very fluid notions of gender, switching continuously between male and female drag. Born in 1968, \u003c\/span\u003e\u003cb\u003eTerre Thaemlitz\u003c\/b\u003e\u003cspan\u003e left the rigidly conservative and violently homophobic environment of his home state, Missouri, in the mid-1980s for New York. She became involved in the queer and transgender scenes both socially and musically at a time when house music was not a genre but simply the wide open sound of a specific social and political space. As New York’s underground queer music scenes dissolved under gentrification, Thaemlitz eventually relocated to Tokyo at the beginning of the ’00s.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eToday, \u003c\/span\u003e\u003cb\u003eTerre Thaemlitz\u003c\/b\u003e\u003cspan\u003e is a reference point not only within the confines of electronic music, but particularly for transgendered communities. The fragility of identity – sexual and otherwise – in relation to the larger world is a central theme for Thaemlitz, tirelessly dissecting the boundaries and friction between public and private, between minority and mainstream with a brutal sharpness and criticality that are often somewhat irritating, continuously questioning and exposing political and social systems and the violence they generate.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn an unusually challenging and eloquent interview with \u003c\/span\u003e\u003cb\u003emono.kultur \u003c\/b\u003e\u003cspan\u003e(Berlin), \u003c\/span\u003e\u003cb\u003eTerre Thaemlitz\u003c\/b\u003e\u003cspan\u003e talked about the politics of sexuality, his disillusion with the music industry, and why roller disco was so amazing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVisually, the issue is a dark affair, steeped in a dirty, gritty black. Printed on no less than six different paper stocks and juxtaposing several grids and graphic systems, it creates its own visual logic – only to disturb our most fundamental habits of reading and navigating a magazine by opening backwards, from right to left.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e48 pages, 15 x 20 cm, softcover, mono.kultur (Berlin).\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803660427335,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2704.jpg?v=1752039381"},{"product_id":"mono-kultur-41-meg-stuart-make-the-first-move","title":"mono.kultur #41 Meg Stuart: Make The First Move","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e“I have always felt very comfortable with being upside down, off balance, and ungrounded when I am dancing.”\u003c\/em\u003e \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDelirious, vulnerable bodies running, stumbling, sliding from ramps, crashing into each other in full flight; whirling dancers in states of trance and abandon; traces of patterns emerging and dissolving: the work of American choreographer and dancer \u003c\/span\u003e\u003cb\u003eMeg Stuart\u003c\/b\u003e\u003cspan\u003e is an enigmatic and dazzling experience of dance as a multisensory attack, distilling harmony out of chaos, grace out of roughness, moments of intensity out of daily rituals and gestures.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eMeg Stuart’\u003c\/strong\u003es work is not about the elegance and beauty of bodies age, fail, and surrender, where individual spaces disintegrate and bleed into each other, where physical memories are exposed like open wounds. Within just two decades, Stuart’s dance company Damaged Goods, which she founded in 1994, have produced a lengthy and diverse list of projects, ranging from countless full-length feature works to multi-disciplinary dance installations, improvisations, and films that spread far beyond the theatre stages of the world, into museum spaces, film festivals or the wide open street.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith\u003cstrong\u003e mono.kultur\u003c\/strong\u003e (Berlin), \u003cstrong\u003eMeg Stuart\u003c\/strong\u003e talked about her first physical memories, the healing power of dancing and the thrill of disorientation. Honouring \u003cstrong\u003eMeg Stuart\u003c\/strong\u003e’s interest in abundance and complexity, we treated the issue as a physical object that needs to be handled and turned: with text and images set in different and ever-changing directions, the issue makes for a wonderfully dynamic and dense reading experience, and so it should. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e48 Pages, 15 x 20 cm, softcover, mono.kultur (Berlin). \u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803661443143,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2735_669.jpg?v=1752039482"},{"product_id":"mono-kultur-42-sophie-calle-close-circuit","title":"mono.kultur #42 Sophie Calle: Close Circuit","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIf anything, the work of\u003cstrong\u003e Sophie Calle\u003c\/strong\u003e might be best described as elusive. Whether it marks a moment of distant intrusion (following strangers on the street, working as a chambermaid examining the traces and left-overs in anonymous hotel rooms), of controlled self-exhibition (giving a break-up letter to 107 specialists for analysis, displaying unopened birthday presents) or of sheer curiosity (asking the blind to define beauty, inviting strangers to spend time in her bed), it describes in meticulous detail instants of intimacy and vulnerability, of possibility and loss. Treading the edge between private and public, between structure and chance,\u003cstrong\u003e Sophie Calle\u003c\/strong\u003e builds her ‘performances’ around rigorous rules and rituals that allow for moments of the unexpected, for questions to remain unanswered, for quiet wonder within the mundane. \u003cbr\u003e\u003cbr\u003eIn a casually and enigmatically meandering conversation with \u003cstrong\u003emono.kultur \u003c\/strong\u003e(Berlin), Sophie Calle talks about starting her career by being lost in Paris, the pleasure in abandoning control and buying her own grave in California.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"short-description std\"\u003e48 Pages, 15 x 20 cm, softcover, mono.kultur (Berlin). \n\u003cdiv class=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803680809031,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2480_0cbdce67-4c2a-475f-8cac-ade90873bb13.jpg?v=1752040234"},{"product_id":"eddie-martinez-drawings","title":"Eddie Martinez - Drawings","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eDrawings\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e presents a wide selection of \u003c\/span\u003e\u003cb\u003eEddie Martinez\u003c\/b\u003e\u003cspan\u003e's drawing practice from 2005 up until the present. Many of them have never been seen before as they come deep from the artists archive. Going from figurative to abstraction and back again, Eddie Martinez has developed his personal vocabulary and iconography of recurring characters, shapes and mark making. Published by \u003c\/span\u003e\u003cb\u003eTriangle Books\u003c\/b\u003e\u003cspan\u003e (Brussels). \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e448 pages, hardcover, 17.5 x 23.6 cm, Triangle Books (Brussels). \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Triangle Books","offers":[{"title":"Default Title","offer_id":41803716100167,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_6078.jpg?v=1752041649"},{"product_id":"mono-kultur-45-trevor-paglan","title":"mono.kultur #44 Trevor Paglan","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThese three exemplary projects by American artist \u003c\/span\u003e\u003cb\u003eTrevor Paglen\u003c\/b\u003e\u003cspan\u003e – \u003c\/span\u003e\u003ci\u003eThe Last Pictures\u003c\/i\u003e\u003cspan\u003e (2012), \u003c\/span\u003e\u003ci\u003eTrinity Cube\u003c\/i\u003e\u003cspan\u003e (2015), and the ongoing cycle of \u003c\/span\u003e\u003ci\u003eInvisible Images\u003c\/i\u003e\u003cspan\u003e – might be as far removed from our traditional understanding of art as can be. Physically, they bear little resemblance to a painting or installation on view in a museum space; in fact, they are not even designed to necessarily be seen. Instead, they can be understood as both conclusions and catalysts, of and for thinking through complex questions and ideas. Paglen’s practice straddles a variety of disciplines, from image-making and installations to investigative journalism, writing, engineering, geography and sound design. He has published a number of books on the functioning of the US intelligence and military services, installed a series of \u003c\/span\u003e\u003ci\u003eAutonomy Cubes\u003c\/i\u003e\u003cspan\u003e in museums and galleries across the world that allow you to access the entirely anonymous Tor network, and is currently working on his own satellite to be launched into space in summer 2018, the first of its kind to not serve any commercial or military purposes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24 pages, 20 x 15cm, softcover,\u003cb\u003e mono.kultur\u003c\/b\u003e (Berlin)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803732942919,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_8546.jpg?v=1752042467"},{"product_id":"mono-kultur-46-francis-kere-of-clay-and-community","title":"mono.kultur #46: Francis Kéré – Of Clay and Community","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003ci\u003emono.kultur\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e's most colourful issue yet presents the life and work of architect \u003c\/span\u003e\u003cb\u003eFrancis Kéré\u003c\/b\u003e\u003cspan\u003e, known in equal measure for his lighthearted and innovative architecture, his remarkable background, and his infectious sense of optimism.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd his path is an extraordinary one: beginning in Gando, a small village in Burkina Faso, and moving all the way to West Berlin in the 1980s, where Kéré would end up studying architecture. His graduation project was the school Gando never had – built in 2001 with the help of the people it was designed for, the village community. It was also the starting point for his own practice that celebrates architecture as a fundamentally social act.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSince then, Kéré has completed numerous projects both in Africa and beyond, including schools, medical centres, cultural institutions, and temporary installations, such as the renowned annual Serpentine Pavilion in 2017. Frequently relying on local materials and infrastructure, his work is marked by a profound simplicity and refreshing lightness, meeting technical problems with surprising and seemingly effortless solutions. It reflects his attitude that architecture should, in its most primary function, seek to improve the lives of the people who inhabit it.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrancis Kéré discusses his long trajectory from a remote village in Africa to Berlin, his steadfast belief in optimism, and what makes a tree a perfect piece of architecture. Designwise, we followed Kéré’s principle to work with what is at hand, sourcing papers from dead stock at our printers’, essentially using an assortment of leftovers. And colour, of course, with the issue based on the national colours of Burkina Faso, paying tribute to the idea of culture as a shared ground to build upon. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInterview by \u003cstrong\u003eFiona Shipwright,\u003c\/strong\u003e works by \u003cstrong\u003eKéré Architectur\u003c\/strong\u003ee, design by \u003cstrong\u003eJulie Gayard\/jutojo\u003c\/strong\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e48 pages, 20 x 15 cm, softcover,\u003cb\u003e mono.kultur \u003c\/b\u003e(Berlin)","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803802312775,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1255_5f4898eb-314c-4246-8af2-4535688394c4.jpg?v=1752043660"},{"product_id":"mono-kultur-47-iris-van-herpen-the-unknownness-of-everything","title":"mono.kultur #47 Iris van Herpen: The Unknownness of Everything","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"header_img\"\u003e\n\u003ca href=\"https:\/\/perimeterbooks.com\/\" onfocus=\"this.blur()\"\u003e\u003c\/a\u003e\n\u003cp\u003e‘Haute couture’s chief scientist’, ‘sorceress of style’, ‘avant-garde technologist’ are just some of the terms the press have used to describe the extraordinary Dutch fashion designer\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eIris van Herpen\u003c\/b\u003e. Having launched her eponymous label just over a decade ago,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eIris van Herpen\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003esoon gained widespread attention for her futuristic, otherworldly creations. Whether developing 3D printed dresses, materials grown by the forces of magnetism, or clothes mimicking the different states of water: her collections frequently combine cutting-edge technologies with traditional craftsmanship, fusing artistry with sheer inventiveness. The results are, quite simply, spectacular.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIris van Herpen\u003c\/b\u003e’s world is fuelled by her curiosity beyond fashion, drawing from disciplines like architecture, science, and technology. She has worked with numerous specialists and artists, created costumes for the Paris Opera, and exhibited her work at institutions like the Metropolitan Museum of Art in New York. She developed dresses for\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTilda Swinton, Solange\u003c\/b\u003e, and\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eBjörk\u003c\/b\u003e, while also engaging with scientists at CERN, the European Organisation for Nuclear Research, on her constant quest to develop new materials. It is an open-ended approach of collaboration and experiment, of channeling different influences and disciplines into a vision that is wide open and singular all at the same time.\u003cbr\u003e\u003cbr\u003eIn a thrilling and expansive conversation with\u003cspan\u003e \u003c\/span\u003e\u003cb\u003emono.kultur\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Berlin), Iris van Herpen talked about fashion as a form of art, the inspirations of lucid dreaming, and the exquisite sensation of skydiving.\u003cbr\u003e\u003cbr\u003eThe issue travels through a decade of Iris van Herpen’s designs with images by some of the luminaries of contemporary fashion photography, including\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eInez \u0026amp; Vinoodh, Juergen Teller, Ellen von Unwerth\u003c\/b\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eNick Knight\u003c\/b\u003e. And since everything is related, we let ourselves be inspired by Iris’ multi-dimensional design practice, manipulating the very paper the issue is printed on, with each page cut away to reveal slivers of what is lying underneath.\u003cbr\u003e\u003cbr\u003eFeatures an interview with van Herpen by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCharmaine Li\u003c\/b\u003e; photography by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMathieu Cesar, Robert Clark\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBryan Huynh, Inez \u0026amp; Vinoodh, ioulex, Nick Knight, Luigi \u0026amp; Iango, Jean-Baptiste Mondino, Armin Morbach, Petrovsky \u0026amp; Ramone, Warren du Preez \u0026amp; Nick Thornton Jones, Ronald Stoops, Emma Summerto, Sølve Sundsbø, Juergen Teller, Ellen von Unwerth, Duy Vo\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMichel Zoeter\u2028\u003c\/b\u003e; design by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003emono.studio\u003c\/b\u003e.\u003cdirectlink id=\"dl_13926350\" link=\"https:\/\/perimeterbooks.com\/mono-kultur-47-Iris-van-Herpen-The-Unknownness-of-Everything\"\u003e\u003c\/directlink\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"content_container\"\u003e\n\u003cdiv id=\"maincontainer\" class=\"bodycopy\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_13926350\" page_type=\"project\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"project_bottom\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e48 pages, softcover, 20 x 15 cm, mono.kultur (Berlin).\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bottompad\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"foot_container\"\u003e\n\u003cfullscreen_option data=\"fill\"\u003e\u003c\/fullscreen_option\u003e\n\u003cdiv class=\"bottompad\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803824070727,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0381_03132807-38fb-4327-9da9-0dc528f1ae7c.jpg?v=1752044706"},{"product_id":"do-pause-you-are-not-a-to-do-list","title":"Do Pause: You are not a To Do list","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eMachines are designed to run constantly; people aren’t. Our coping mechanisms are meditation apps, weekend breaks and annual holidays, but things soon revert. To prosper, we need a more sustainable approach – an ability to pause.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eRobert Poynton\u003c\/b\u003e's\u003cb\u003e\u003ci\u003e Do Pause\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e looks at the importance of this subtle yet powerful idea to creativity, communication and relationships – as well as our wellbeing and sanity. With practical tools to help you create new habits or make more significant lifestyle choices, you’ll discover ways to reset and regenerate, deepen your thinking and experiences, take back control of your time, and reconnect with other people – and yourself.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom taking a breath to taking a sabbatical, a pause can be many things. And the good news is, even just a small pause every now and again can make a real and lasting difference.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e128 pages, softcover, 17.8 x 12 cm, The Do Book Co. (London).\u003c\/p\u003e","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":41803830427719,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/dopause_cover.jpg?v=1752045108"},{"product_id":"do-inhabit-style-your-space-for-a-creative-and-considered-life","title":"Do Inhabit: Style your space for a creative and considered life","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHome is where we make space for our senses to come alive – and come to rest. Somewhere that is both restorative when we need to be, and inspiring when we need to do. Yet so often, we settle into a place without considering how the things around us affect our mood and ability to get things done.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eDo Inhabit\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e will help you to create a home (and work space) that invites connection and creativity. With room-by-room guides and an emphasis on nature as a source of inspiration – regardless of the size of your space, you will discover a few simple rules of interior design, the importance of evoking all five senses\u2028, how to style your objects, hang art and lay a supper table, and more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e125 pages, 17.8 x 12 cm, soft cover, The Do Book Co. (London)","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":41803835080775,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/doinhabit.jpg?v=1752045377"},{"product_id":"do-preserve-make-your-own-jams-chutneys-pickles-cordials","title":"Do Preserve: Make your own jams, chutneys, pickles \u0026 cordials","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHow do you capture the intense flavour of freshly picked seasonal produce to enjoy all year round? Combining their experience as cooks, caterers, foragers and farmers, three friends bring you the essential guide to preserving. With techniques and recipes handed-down through the generations and deliciously inventive recipes from their own kitchens, you’ll soon learn the basic principles and methods of preserving, equipment and ingredients you need to get started, the best preserving agents to use: sugar, vinegar, alcohol, oil and salt, with over 80 stunning recipes from Green Tomato Chutney to Strawberry Gin Fizz. Let the slow art of preserving become your new favourite pastime – and delight in having nature’s most vibrant flavours and colours in your kitchen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e176 pages, 12 x 17.8 cm, paperback, The Do Book Co. (London).","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":41803836686407,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/dopreserve.jpg?v=1752045545"},{"product_id":"do-design-why-beauty-is-key-to-everything","title":"Do Design: Why beauty is key to everything","description":"\u003cp\u003e\u003cspan\u003eSo much passes us by, unnoticed. We multi-task, switch between screens, work faster. When was the last time you paused to consider a beautifully made object or stunning natural landscape? Yet this is when our spirits lift, our soul is restored. Designer \u003c\/span\u003e\u003cb\u003eAlan Moore\u003c\/b\u003e\u003cspan\u003e invites us to rethink not only what we produce – whether it’s a website, a handmade chair, or a business – but how and why. With examples from Pixar, Apple, Yeo Valley and Blitz Motorcycles, we are encouraged to ask: Is it useful and considered. Is it a thing of beauty? \u003c\/span\u003e\u003ci\u003eDo Design\u003c\/i\u003e\u003cspan\u003e will inspire you to improve your creative process, raise the quality and craft of your work, consider the experience as much as the product and adopt simplicity, utility and honesty as guiding principles.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe are creative beings. We love to make things. This book will inspire you to create better things for better reasons. Things that people will love – for a long time to come. Some say beauty is a luxury. But what if it is key to creating a better world for us all?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e112 pages, 12 x 17.8 cm, paperback, The Do Book Co. (London).\u003c\/p\u003e","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":41803837145159,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/dodesign_cover.jpg?v=1752045588"},{"product_id":"do-grow-start-with-10-simple-vegetables","title":"Do Grow: Start with 10 simple vegetables","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEver wanted to grow your own but don’t have the time, the space, or even know where to start? \u003cstrong\u003eAlice Holden\u003c\/strong\u003e, one of Britain’s most pioneering female growers, has spent her life outdoors working on small and large scales – from kitchen gardens to commercial farms. In this, her first book, she’ll help optimise the space and time available to you – even if it’s a window box and 10 minutes a week.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith delicious recipes from \u003cstrong\u003eHugh Fearnley-Whittingstal\u003c\/strong\u003el and others that Alice has worked with over the years, \u003cem\u003e\u003cstrong\u003eDo Grow\u003c\/strong\u003e\u003c\/em\u003e will inspire you to change your view. And plant an edible garden.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e158 pages, 12 x 17.8 cm, paperback, The Do Book Co. (London).","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":41803837636679,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/dogrow.jpg?v=1752045630"},{"product_id":"fiction-practice","title":"Fiction Practice","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFiction Practice\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e explores the radical potential of fiction as a tool for social change through speculative design, afro-surrealism, critical fabulations and alternative pedagogies.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e128 pages, 11 x 10 cm, softcover, Onomatopee (Eindhoven).\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803844288583,"sku":null,"price":37.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2306_0edcb850-03db-4c0c-a25b-6d5b709cf298.jpg?v=1752045846"},{"product_id":"do-sourdough-slow-bread-for-busy-lives","title":"Do Sourdough: Slow bread for busy lives","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOne of the oldest yet simplest, tastiest and most nutritious breads you can make, Sourdough needs only flour, water, salt – and a little time. But what if time is the one thing you don’t have? In \u003cem\u003e\u003cstrong\u003eDo Sourdough\u003c\/strong\u003e\u003c\/em\u003e, \u003cstrong\u003eAndrew Whitley\u003c\/strong\u003e – a baker of over 30 years who has ‘changed the way we think about bread’– reveals how the slow fermentation that’s key to real sourdough can happen while we’re asleep or at work. And by using his simple and fuss-free method, everyone can make this wonderful bread at home. The result isn't just fresh bread made with your own hands and in your own time. It’s the chance to learn new skills, make something to share with family and friends, and change your world – one loaf at a time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e158 pages, 12 x 17.8 cm, paperback, The Do Book Co. (London).","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":41803848974407,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/dosourdoughcover.jpg?v=1752046070"},{"product_id":"natural-enemies-of-books-a-messy-history-of-women-in-printing-and-typography","title":"Natural Enemies of Books: A Messy History of Women in Printing and Typography","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNatural Enemies of Books\u003c\/strong\u003e\u003c\/em\u003e is a response to the groundbreaking 1937 publication \u003cem\u003eBookmaking on the Distaff Side\u003c\/em\u003e, which brought together contributions by women printers, illustrators, authors, typographers, and typesetters, highlighting the print industry’s inequalities and proposing a takeover of the history of the book. Edited by feminist graphic design collective \u003cstrong\u003eMMS\u003c\/strong\u003e, the publication includes newly commissioned essays and poems, conversations with former typesetters \u003cstrong\u003eInger Humlesjö\u003c\/strong\u003e, \u003cstrong\u003eIngegärd Waaranperä\u003c\/strong\u003e, \u003cstrong\u003eGail Cartmail\u003c\/strong\u003e, and \u003cstrong\u003eMegan Downey\u003c\/strong\u003e, and reprints of the original book and other publications.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e176 pages, 11 x 19 cm, paperback, Occasional Papers (London).\u003c\/span\u003e\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41803850350663,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/naturalenemies_1000px.jpg?v=1754368143"},{"product_id":"mono-kultur-48-eyal-weizman-forensic-architecture","title":"mono.kultur #48 Eyal Weizman \/ Forensic Architecture","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this strange year of a global pandemic, race riots, and an increasingly toxic discourse in politics and society, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003emono.kultur\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's new issue couldn’t come more timely, featuring \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEyal Weizman\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the outspoken founder of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eForensic Architecture\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMade up of architects, lawyers, journalists, scientists, designers, and more, Forensic Architecture is part investigative research lab, human rights activism hub, political think tank, journalism bureau, artists’ collective, and detective agency. Based at Goldsmiths, University of London, the group investigate the wider repercussions of human rights and environmental violations by the means of architectural thinking. In 10 years of work, they have researched illegal detention sites in Cameroon, examined police shootings in Chicago and elsewhere, modelled a prison in Syria using victims’ memories of sound, and digitally recreated the fires at Grenfell Tower in London. At its forefront is Eyal Weizman, a British Israeli architect.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBorn in 1970 in Haifa, Weizman studied at the Architectural Association in London before gaining international recognition with an exhibition of models of Jewish settlements built in the occupied Palestinian territories. The work spoke of his projects to come: of his use of architecture as a means of investigation, and refusal to be silenced by those in a position of power.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eForensic Architecture has since used a range of pioneering techniques, from reading the ‘fingerprints’ of smoke clouds left behind by missile strikes, to programming algorithms to sift through thousands of online videos. Their research is used mainly as evidence in court cases and tribunals, but has also leaked into the public spheres of museums and art exhibitions – including their contribution to last year’s Whitney Biennial in New York, where they exposed the vice chair of the Whitney board as owner of Safariland, a corporation earning their fortunes with the manufacturing of ‘less-lethal weapons’. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith \u003cem\u003emono.kultur\u003c\/em\u003e, Eyal Weizman talked about obsessing over split seconds, information as a form of power, and the smell of tear gas.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e44 pages, 20 x 15 cm, softcover, mono.kultur (Berlin).\u003c\/p\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":41803864211527,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1429_ceea89fe-05f4-47bd-91d8-4847c3885215.jpg?v=1752046777"},{"product_id":"pre-order-james-otter-do-make-the-power-of-your-own-two-hands","title":"James Otter – Do Make: The power of your own two hands","description":"\u003cp\u003eWe are all makers. From brewing our morning coffee to folding a paper aeroplane, we find it satisfying to create something that didn’t exist before. And it isn’t just about the outcome. Making requires us to slow down and become absorbed in the process: an antidote to our fast-paced world.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eJames Otter\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an award-winning wooden surfboard maker with a passion for craftsmanship — and the ocean. In \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDo Make\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, he invites us to rediscover the joy of making. By using our hands to transform natural materials into objects of beauty and utility, we reconnect with our creativity, our environment, and back to ourselves. Learn about:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Preparation: what to make, where and how to get started\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Process: learn to trust it and let go of perfection\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Power: develop confidence in your natural skills and ability\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith incredible photography, plenty of encouragement and even a ‘how to’ guide to make your own handplane to take bodysurfing, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDo Make\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e reminds us that nothing quite beats the feeling of having made something with our own hands.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsn’t it time to make your mark on the world?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e12 x 17.8 cm, paperback, The Do Book Co. (London).\u003c\/p\u003e","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":41803867127879,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/domakecover.jpg?v=1752046971"},{"product_id":"one-and-many-mirrors-perspectives-on-graphic-design-education","title":"One And Many Mirrors: Perspectives On Graphic Design Education","description":"\u003cp\u003eThis ambitious book brings together a wide international selection of new and recent writing by educators and practitioners who question the rules and hierarchies of graphic design education today. It holds a vivid mirror up to the ways in which graphic design is imagined, taught, received, and reproduced. Edited by two designer-educators (\u003cstrong\u003eBrad Haylock\u003c\/strong\u003e and \u003cstrong\u003eLuke Wood\u003c\/strong\u003e), \u003cem\u003e\u003cstrong\u003eOne and Many Mirrors\u003c\/strong\u003e\u003c\/em\u003e provides an urgent overview of the field of contemporary graphic design education for all those concerned with its past, present, and possible futures.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e256 pages, 16 x 24 cm, paperback, Occasional Papers (London).\u003c\/span\u003e\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41803868602439,"sku":null,"price":52.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0153_bf910dc5-b9ea-431f-8084-46ba4502f5d4.jpg?v=1752047056"},{"product_id":"eddie-martinez-more-drawings","title":"Eddie Martinez – More Drawings","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMore Drawings\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e documents over three hundred works from the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEddie Martinez\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s archive and is a continuation of his first book \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDrawings\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e published in 2017. With a selection ranging from 2005 to the present year, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMore Drawings\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e presents a juxtaposed, achronological montage of the evolution of Martinez’s aesthetic and his indefatigable imagination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e448 pages, 17.7 x 23.6 cm, hardcover, Triangle Books (Brussels).","brand":"Triangle Books","offers":[{"title":"Default Title","offer_id":41803871027271,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0322_aa80e341-7a66-4317-b53a-df024cd88b05.jpg?v=1752047245"},{"product_id":"daniel-palmer-and-martyn-jolly-installation-view","title":"Daniel Palmer and Martyn Jolly – Installation View","description":"\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eInstallation View: Photography Exhibitions in Australia (1848-2020)\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e offers a significant new account of photography in Australia, told through its most important exhibitions and modes of collection and display. From colonial records to contemporary art, the book presents a chronology of rarely seen installation views from both well-known and forgotten exhibitions, along with a series of essays that tell the story of the individuals and institutions that have proved intrinsic to the public circulation of photographs. At once specific and widely contextual in its scope, this longterm research project from two of Australia’s leading academics and educators in the field enriches our understanding of the diversity of Australian photography by looking at what lies beyond the frame. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eInstallation View\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e speaks not only to pictures, but to the people and the places that nurture them.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e424 pages with 16 page insert, 15.4 x 23 cm, section-sewn hardcover, Perimeter Editions (Melbourne).\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803892326471,"sku":null,"price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/InstallationView_cover_ed394ee7-c0ca-4d66-a421-37f2b62ff352.jpg?v=1753078900"},{"product_id":"charlie-gladstone-do-team-how-to-get-the-best-from-everyone","title":"Charlie Gladstone – Do Team: How to get the best from everyone","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book is about working with other people. It’s about making that experience a positive one. It’s about how a happy, engaged and motivated team becomes an unstoppable force. In \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDo Team\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, entrepreneur \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCharlie Gladstone\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e draws on three decades of experience as an employer of over 100 people and father of six, to share practical, honest and insightful advice on such matters as:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Choosing the right people\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Getting through tough times\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Team building for introverts\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- The power of (very) small teams\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Why good manners and kindness matter most\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith easy-to-follow entries on hiring, gentle leadership, emotional intelligence and retaining a sense of humour, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDo Team\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ewill help you get the best from everyone so that you, your team and your business can thrive.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e12 x 17.8 cm, paperback, The Do Book Co. (London).","brand":"The Do Book Co.","offers":[{"title":"Default Title","offer_id":41803918671943,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/doteam1000.jpg?v=1752049654"},{"product_id":"adam-higton-fall-is","title":"Adam Higton – FALL IS...","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFALL IS...\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, from British artist and illustrator Adam Higton, offers a delightful and distinctive take on an alphabet of autumnal activities.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e64 pages, 17.3 x 17.3 cm, softcover, Actual Source (Provo).","brand":"Actual Source","offers":[{"title":"Default Title","offer_id":41803928895559,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2947_9a611538-0b7a-4949-b134-6dac057656b9.jpg?v=1752049950"},{"product_id":"jacob-haupt-did-i-scare-you","title":"Jacob Haupt – Did I Scare You?","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom Jacob: \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThis is a book of pictures I took in my haunted apartment.\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e112 pages, 19 x 27cm, hardcover, Actual Source (Provo).\u003cb data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/b\u003e","brand":"Actual Source","offers":[{"title":"Default Title","offer_id":41803929354311,"sku":null,"price":77.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0031_840a6653-b0e6-425e-b899-bf7f208e749f.jpg?v=1752049972"},{"product_id":"matt-johnston-photobooks-a-critical-companion-to-the-contemporary-medium","title":"Matt Johnston – Photobooks \u0026: a critical companion to the contemporary medium","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePhotobooks \u0026amp;\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e presents and interrogates key themes of the contemporary photobook — from the medium’s post-digital and post-photographic situation, to the purposes of publishing, issues of accessibility and the act of reading. Informed by extensive research, interviews with key individuals from the photobook ecology and his experience with The Photobook Club project, Johnston examines current trends and practices, emphasising connections (made and missed) between makers and readers. Ultimately, this book proposes a critical framework for considering our uses and encounters with the photobook, calling for a recalibration of a maker-centric discourse to address the communicative potential of the medium: aligning making, with making public.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMatt Johnston\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a visual practitioner, educator and researcher currently based in the School of Media and Performing Arts at Coventry University, where he is an Assistant Professor in photography. For the last decade, his research and visual practice has been concerned with the post-millennium situation of the contemporary photobook, how the medium has become central to a small but dedicated ecology, and how it may become better equipped to engage new readerships.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e210 pages, 17 x 24cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803933974599,"sku":null,"price":54.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0698_0a65a6ea-a728-4298-a366-441b0bb4b448.jpg?v=1752050303"},{"product_id":"kirstine-roepstorff-the-archive-of-dark","title":"Kirstine Roepstorff – The Archive of Dark","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA spectacle, a theatre, a multi-dimensional document. An effort to merge language and formlessness in a yearn for a cyclic work. A stage for these merges to play out. A reminder that when we grow we don’t only grow upwards. The already porous membrane seemingly separating dark from light, pain from joy, active from passive becomes intensely insignificant when we occasionally get a chance to observe ourselves from the other side of the mirror. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Archive of Dark\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a book project acting as an epilogue to a body of work investigating darkness that included two separate yet coherent exhibitions; \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eInfluenza\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTheatre of Glowing Darkness\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 2017 and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRenaissance of the Night\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 2018. The book weaves together a dense collection of historic imagery into an organic and emotive narrative. It features a series of letters from a variety of contributors that include perceptual, intellectual, spiritual, scientific and artistic reflections.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book is case-bound with a linen cloth and has four cover variations, each with a different combination of plate sunk images.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e304 pages, 21.5 x 30cm, hardcover, InOtherWords (London).","brand":"InOtherWords","offers":[{"title":"Default Title","offer_id":41803940429895,"sku":null,"price":135.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1667_1229205c-58ee-4fac-b861-9b84cbfaa887.jpg?v=1752050839"},{"product_id":"softspot-a-container-for-the-near-and-close","title":"softspot: a container for the near and close","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003esoftspot\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a fragile space seeking to make sense of a complex now. Through a collaborative process of editing and exchange between James Taylor-Foster and OK-RM, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003esoftspot\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis a dive into the recent past. Imagined as a container for the near and the close, it contains a patchwork of prose, verse and visual work that oscillate between the subjective and the objective. Written through the lens of one writer and augmented by a conversation of contributions and references, the book represents a study in how words can be written — and how they can be held in a hand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConceived of and compiled during 2020 and 2021 with Esther Cloe Theaker, Max Creasy, Rosita Kær, Smari R. Robertsson, Tony Karlsson Savci, and Michela Zoppi. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEach \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003esoftspot\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e contains three copies of the same book. You are invited to keep one and to gift the others as you wish.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e406 pages, 13.5 x 7.5cm, softcover, InOtherWords (London).\u003c\/p\u003e","brand":"InOtherWords","offers":[{"title":"Default Title","offer_id":41803940462663,"sku":null,"price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/softspot_1000px.jpg?v=1754368989"},{"product_id":"pre-order-shoplifters-10-new-type-design-vol-2","title":"Shoplifters 10: New Type Design Vol. 2","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003e156 Typefaces.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e832 Pages.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures: Nick Benson, Elias Hanzer, Sascha Lobe, AllCaps\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e+ Character overview and index by designer and foundry.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e832 pages, 16.5 x 23.7 cm, hardcover, Actual Source (Provo).\u003c\/p\u003e","brand":"Actual Source","offers":[{"title":"Default Title","offer_id":41803943968839,"sku":null,"price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2499_f5bf55eb-83d2-460f-8bc5-d354a9578330.jpg?v=1752051091"},{"product_id":"off-the-grid-histories-of-belgian-graphic-design","title":"Off the Grid: Histories of Belgian graphic design","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book offers a collaborative panorama of Belgian graphic design history from a multiplicity of perspectives, with essays on type design, colonisation and labour relations among other subjects. Contributors include historians, practicing designers, teachers and first-hand accounts. With hundreds of previously unpublished illustrations such as posters, signage, typography, book design, logos and archival photographs.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInterviews with Sophie Alouf-Bertot, Rob Buytaert, Boudewijn Delaere, Paul Ibou, and Herman Lampaert.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEssays by Jo De Baerdemaeker,\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e Pia Jacques and Leroy Meyer (\u003c\/span\u003eBelgian Institute Graphic Design), Sara De Bondt, Jan Ceuleers, Katrien Van Haute, Richard Hollis, Jean-Michel Meyers, Hilde Pauwels, Hugo Puttaert, and Katarina Serulus.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e272 pages, 17 x 24 cm, softcover, Occasional Papers (London).\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41803947376711,"sku":null,"price":52.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2860_a06ff17f-e7ae-4505-bdf0-e39eaf612aa3.jpg?v=1752051393"},{"product_id":"dna-13-artificial-music","title":"DNA #13: Artificial Music","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCan processors now make better music than human producers? How do algorithms alter our sense of authorship? What historical and social fault lines can be felt juddering in the design of autonomous sound generators? Be it in the home studio, on streaming platforms, or in the corporate business plans of global companies, artificial intelligence is defining the sound of the future. The essays in \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eArtificial Music\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e focus on the key developments, extending beyond digital little helpers to examine the balance between humans and machine learning and the process that enables non-human creativity to become a resonance chamber for new synergies. What sound might be produced in the dialogue between man and machine?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e80 pages, 15 x 23 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803947573319,"sku":null,"price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2904_46eb83df-f710-4651-825c-872cef9f131a.jpg?v=1752051422"},{"product_id":"in-these-circumstances-on-collaboration-performativity-self-organisation-and-transdisciplinarity","title":"In these circumstances: On collaboration, performativity, self-organisation and transdisciplinarity","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eIn these circumstances: On collaboration, performativity, self-organisation and transdisciplinarity in research-based practices\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e assembles curatorial, artistic and pedagogical practices inspired by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ea.pass\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e: an international artistic and educational research environment focusing on performativity and scenography.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book discloses a history of the methods of artistic research in the context of the academisation of art education, and an abrasion of the once unbridled scene of artist-run organisations in Northern Europe. There are 35 contributions, many of them collaborative, ranging from concrete projects to interrogative speculations about artistic research. It aims to demonstrate how artistic research operates institutionally through a complex intertwinement of practices and how \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ea.pass\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, over the past 14 years, has carved out a space for artistic research to imbricate in fields of both art and education, and stir the sediments of disciplinary enclosures.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e240 pages, 13 x 20.5 cm, softcover, Onomatopee (Eindhoven).\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803949211719,"sku":null,"price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_3204_e206c77f-d5f1-4029-9a32-57f9f32715e2.jpg?v=1752051557"},{"product_id":"ettore-sottsass-architetture-attenuate","title":"Ettore Sottsass – Architettura Attenuata","description":"\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eEttore Sottsass\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1917–2007) was an architect and designer, labeled the godfather of Italian design. Born in Austria and based in Milan, Sottsass studied architecture at the Politecnico di Torino in Turin. After spending most of World War II in a concentration camp in Yugoslavia, Sottsass returned to Italy, where he set up his studio.\u2028\u2028 In 1958, he was hired as a design consultant for the Olivetti company, a position he held for more than 20 years. While there, he produced many designs, including the Elea 9003 computer and the red plastic Valentine portable typewriter. His aim was to produce objects that went beyond typical consumerist products.\u2028\u2028\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs Sottsass distanced himself from pure functionalism, he started experimenting with designs that had social and historical components. During this time, Sottsass became a leading figure in the Radical-Design movement. In 1981, Sottsass led a group of designers who came to be known as the Memphis group. This group experimented with colors and materials, creating multifunctional pieces and breaking with convention. Their new materials included neon, unusual finishes, and patterned plastic laminates. After Memphis, Sottsass continued to produce provocative work, constantly challenging the accepted practices of the day. He also established the architectural firm Sottsass Associati, with the aim of producing large-scale designs.\u2028\u2028\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSottsass’s work has been the subject of retrospective exhibitions at the Centre Pompidou in Paris, the Los Angeles County Museum of Art, and the Design Museum in London, among others. His numerous awards included the title of Office of the Ordre des Arts et des Lettres of the French Republic in 1992, an honorary degree from the Rhode Island School of Design in 1993 an Honorary Doctor of the Royal College of Art in London in 1996, an Oribe Award in Japan in 1997, and a Sir Misha Black Award in 1999.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e16 pages, 19.5 x 25.5 cm, softcover, Nieves (Zurich).\u003c\/b\u003e\u003c\/p\u003e","brand":"Nieves","offers":[{"title":"Default Title","offer_id":41803966677063,"sku":null,"price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_4773_80957c2f-9391-471e-af9f-a3b50ffd66cc.jpg?v=1752052986"},{"product_id":"forthcoming-deforrest-brown-jr-assembling-a-black-counter-culture","title":"DeForrest Brown, Jr. – Assembling a Black Counter Culture","description":"\u003cp\u003e\u003ci\u003eAssembling a Black Counter Culture\u003c\/i\u003e\u003cspan\u003e is a general history of techno and adjacent electronic music with a focus on Black experiences in industrialised labour systems, and explores the development of on-the-ground culture in relation to a unique American art form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRevisiting Detroit’s techno roots through the 1980s, writer and musician \u003c\/span\u003e\u003cb\u003eDeForrestBrown, Jr.\u003c\/b\u003e\u003cspan\u003e follows the extended thinking and techniques behind key early players and places them in conversation with the African-American working class in the historically emblematic Motor City. From The Belleville Three to today’s international club floor, \u003c\/span\u003e\u003ci\u003eAssembling a Black Counter Culture\u003c\/i\u003e\u003cspan\u003e illuminates the mechanics of American mainstream cultural production and reinstates electronic music from a Black theoretical perspective.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA critical reconsideration emerges with references to \u003c\/span\u003e\u003cb\u003eTheodore Roszak\u003c\/b\u003e\u003cspan\u003e’s \u003cem\u003eMaking of a Counter Culture\u003c\/em\u003e, writings by African-American autoworker and political activist \u003c\/span\u003e\u003cb\u003eJames Boggs\u003c\/b\u003e\u003cspan\u003e, and the 'techno rebels' of \u003c\/span\u003e\u003cb\u003eAlvin Toffler\u003c\/b\u003e\u003cspan\u003e’s Third Wave, among others, tracing parallels between movements in Black electronic music and attempts to evade and subvert the race and class-essentialist status quo established by American technocratic distribution of labor and capital.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e128 pages, 17.5 x 10.5 cm, softcover, Primary Information (New York).\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41803967168583,"sku":null,"price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/assemblingablackcounterculture_1000px.jpg?v=1754368885"},{"product_id":"vincent-ferrane-inner","title":"Vincent Ferrané – Inner","description":"\u003cp class=\"\"\u003e\u003cspan\u003eIs the title of this series the first segment of a phrase such as inner circle, inner room, or inner light? Looking at these images made of fragments of a body, a face and daily gestures that a permanent sun cuts out and includes in a room of a living space, we will simply understand that it is a question of interior, interiority and intimacy that can be shared with someone.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"\"\u003e48 pages, 22.5 × 32.5 cm, hardcover, Art Paper Editions (Ghent).\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":41803969888327,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5310_d2433577-c462-4f72-a519-c626ee8849cc.jpg?v=1752053485"},{"product_id":"real-review-13","title":"Real Review 13","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMINING THE PAST\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll times appear equally and at once. The past no longer recedes in an orderly way, but threatens to resurface at any moment in the guise of the contemporary. Nostalgia cycles are getting faster. Old material artefacts return as integral components of current trends. The future is no longer desirable or unforeseen. Simultaneously, the chaos of our epoch masks a vast project of algorithmic derisking to make tomorrow identical to today: who controls the past controls the future; who controls the present controls the past.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eINSIDE REAL REVIEW 13\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWho owns the past? We interview columnist ROBIN GIVHAN on pluralist history. Artist GERHARD RICHTER reproduces a reproduction of an overpainted photograph. Author PHILIPPA SNOW reviews leather jackets. Balenciaga CCO MARTINA TIEFENTHALER and JACK SELF discuss fashion's cyclical relationship with the past, while philosopher CHRISTOPHER SCHABERG reviews airline travel chaos. Director DARCY THOMAS reviews climate reparations and the history of slavery. SOPHIA ALAMI reviews conscious parties and LEON BATCHELOR reviews the Carboniferous Period.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHistorian MINA POLO was born in 2001 and reviews the 20th century. Designer MARTIN SIGLER reviews Black Being, HEIDEGGER and NEGRITUDE; Artist JORDAN\/MARTIN HELL reviews the blasphemy of asking. JACK SELF reviews deferred fulfilment and the housing crisis, while PATRICK MCGRAW and LIAM DENHAMER review a two-room apartment. HALIMA ALI reviews domestic (non)functionalism. EMILY SANDSTROM reviews MODEM's vision of the smart city. DIANE POLHEMUS reviews Trussonomics. TANYA ANAND reviews keywords and generative art; CHRISTINE SMITH reviews the dreams of spiders.\u003c\/span\u003e\u003c\/p\u003e\n26 x 11.5 cm, softcover, Real Review (London).","brand":"Real Review","offers":[{"title":"Default Title","offer_id":41803982209095,"sku":null,"price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5850_063d8ce2-a5b8-4825-920f-db45f95adf9e.jpg?v=1752053914"},{"product_id":"too-much-magazine-issue-9","title":"TOO MUCH Magazine Issue 9","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTOO MUCH\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a magazine about romantic geography. Its purpose is to document our collective experience of cities and look at the ways people and landscapes make and remake one another. Issue 9 began with a question that arose from events that occurred underneath our own city of Tokyo 27 years ago – the Tokyo subway sarin attacks of March 20, 1995. Revisiting this devastating event – largely through Haruki Murakami’s seminal nonfiction, 'Underground' – pushed us to examine the power of human narratives, particularly those pertaining to the divine. It has also led us to understand how our own experiences have been shaped by a belief in the power of other, more positive narratives of a world in flux.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis volume of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTOO MUCH\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Magazine asks: Who is to say what is sacred?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe begin on the shores of the Okinawan islands, where we meet the Yuta shaman, who see people as characters play- ing roles in a larger narrative arc of life. We venture to the beguinages of medieval Europe to learn how women have related to the divine in ways that ensure their own earthly survival and independence. We visit mosques in contemporary Japan and elaborate festivals for ancestor worship in China. We look at the work of Jae-Eun Choi and Camille Henrot, which shows us how plants and trees can grow tall in desolate landscapes and emotional wastelands. We travel to the slopes of Osore-zan and hear the cries of crows and the bereaved before peering into the living room of Tadanori Yokoo and beholding the reclining Budhha and the Odalisque.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIssue 9 of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTOO MUCH\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Magazine ultimately explores the nature of the sacred in an increasingly profane world, taking us into our own belief structures – both old and new – and questioning what will remain and what may evolve as we move forward into the unknown.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e284 pages, 18.2 x 25.7 cm, softcover, Editions OK Fred (Tokyo).\u003c\/b\u003e","brand":"TOO MUCH","offers":[{"title":"Default Title","offer_id":41803982995527,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/toomuch9_1000px.png?v=1753960767"},{"product_id":"durable-discussions-essays-from-the-disarming-design-department","title":"Durable Discussions: Essays from the Disarming Design Department","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDurable Discussions\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e brings together seventeen essays written by designers and artists from the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDisarming Design Department\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e of Sandberg Instituut in Amsterdam. Engaged in social, material, and political struggles, they generously retell their personal histories, writing across objects, events, places, and habits. In research through writing, they sense and transform the poetics and politics of the everyday. This publication presents life-making practices through language, typography, weaving, aesthetics, cooking, land, speculation, and pedagogies.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOffering perspectives in thinking about art and design as emancipatory politics, and as a practice of hope, the essays speak of making what is deemed impossible possible.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe authors of this book are: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLama Aloul, Saja Amro, Julina Vanille Bezold, Rasha Dakkak, Farah Fayyad, Mohamed Gaber, Anna Garcia Gómez, Ayman Hassan, Siwar Kraitem, Ott Metusala, Naira Nigrelli, Karmel Sabri, Qusai Al Saify, Sarah Saleh, Mohammed Tatour, Jara van Teeffelen, Samira Vogel.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e432 pages, 11.5 x 17.5 cm, softcover, Onomatopee (Eindhoven).\u003c\/b\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803983552583,"sku":null,"price":48.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/durablediscussions_1000px_4c5c2a86-d773-4e82-8547-6109f09e0e14.png?v=1753740595"},{"product_id":"marten-lange-and-daniel-everett-vantage-point","title":"Mårten Lange and Daniel Everett – Vantage Point","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBeginning with two nearly identical images of City Tower in Shinjuku, Tokyo, Actual Source books’ \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eVantage Point\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the collaborative effort of Swedish artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMårten Lange\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and American artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDaniel Everett\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. In 2016, Lange recognised a familiar image when looking through Everett’s monograph \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThroughout the Universe in Perpetuity\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Études, 2015), when he found a photograph that almost exactly mirrored one he had taken years before: the same subject, same crop, shot from the same spot. The two began a discussion about this coincidence, and over several years and as many trips to Tokyo, a body of work examining that convergence was formed. Both artists operate from a place of observation, with architecture and likewise manufactured landscapes as their chosen visual conceit, using the idea of a metropolis as a vehicle to explore their individual preoccupations of what makes a civilisation.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book is built around its central spread, showing both Everett’s and Lange’s renditions of City Tower. From this starting point, the two work outward to photograph the city according to their unique modes of operation, but with the common goal of documenting the perspective of a foreigner, an outsider to a culture and its customs. As the artists move away from their chance meeting in Shinjuku, two distinct stories emerge; in conversation, their combined efforts colour a detailed picture of Tokyo and its visual eccentricities, and by proxy, begin a comprehensive study of a larger, prosaic melodrama.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes sssays by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJesús Vasallo\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePaola Paleari\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e176 pages, 23 x 28cm, hardcover, Actual Source (Provo).\u003c\/b\u003e\u003c\/p\u003e","brand":"Actual Source","offers":[{"title":"Default Title","offer_id":41803983814727,"sku":null,"price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/vantagepoint_1000px.png?v=1753929904"},{"product_id":"heads-together-weed-and-the-underground-press-syndicate-1965-1973","title":"Heads Together: Weed and the Underground Press Syndicate 1965-1973","description":"\u003cmeta charset=\"utf-8\"\u003eThe youth uprising, now simply called 'The Sixties', was fed by one of the greatest booms in publishing history. The Underground Press Syndicate (UPS) began as a loose confederation of five papers in 1966, and within a few years swelled to over 500 across the world, reaching millions of readers. They 'spread like weed', said the UPS director, weed-dealer, and eventual founder of High Times, Tom Forcade. The metaphor was apt: the UPS spurred the legalisation movement, and weed became its totem.\u003cbr\u003e\u003cbr\u003eWeed was so pervasive it became a helpful means for government agencies to crack down on the UPS. Weed came to emblematise activist groups, and added a touch of flair to the mastheads of UPS titles. Weed permeated UPS pages, with gaps in text crammed with weed-inspired 'spot illustratios'.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eHeads Together\u003c\/i\u003e collects these drawings, shining a light on lesser-known names in the stoner-art canon, and many who weren’t names at all, as no signature was attached. It also compiles guides for growing weed from the period that were treated like contraband by the CIA. Activist-oriented, psychedelic rolling papers are showcased too.\u003cbr\u003e\u003cbr\u003eAs pot now fast-tracks toward legalisation in the U.S. and beyond, its once incendiary status is brought into odd relief. Pot’s profiteers of the corporate market today do not reflect those who fought for legalisation, or the Black and Latino populations strategically criminalised for pot well before hippies were targeted, and long after.\u003cbr\u003e\u003cbr\u003eThe art in this book speaks to a time when pot was smoked with optimism, as something potentially good for society and people, capable of activating profound transformation in the face of corrupt and powerful forces.\u003cbr\u003e\u003cbr\u003e566 pages, 25 x 19cm, softcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803987386439,"sku":null,"price":119.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/headstogether_1000px_2af20bf4-8bea-4b63-b5c2-30cd34e3ce27.png?v=1753791707"},{"product_id":"jurgen-beck-sun-breakers","title":"Jürgen Beck – Sun Breakers","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDesigned by Irish architect and designer \u003c\/span\u003e\u003cb\u003eEileen Gray\u003c\/b\u003e\u003cspan\u003e (1878–1976), E-1027 has only recently taken on the status of an architectural icon. \u003c\/span\u003e\u003cb\u003eJürgen Beck\u003c\/b\u003e\u003cspan\u003e’s photographs of the house approach the building as if in search of something. He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and avoiding long shots, as these would falsely enlarge the space, which was designed as an intimate place for work and leisure activities. This establishes a dialogue between the photographs and the architecture; just like Gray herself in the space she designed, the pictures are in search of an expression of openness that admits other forms of life and work, a flexible structure to accommodate the rhythm of the days and everyday situations. Beck directs our eye to a design that takes into consideration people’s psychological and emotional needs and gives things their own name and their own relationships. The images are accompanied by an essay by Swiss author \u003c\/span\u003e\u003cb\u003eDorothee Elmiger\u003c\/b\u003e\u003cspan\u003e, who extends Beck’s view of Gray by introducing fragments of text that switch between analysis and impressionistic accounts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJürgen Beck lives and works in Zurich, Switzerland. He graduated from the Academy of Visual Arts in Leipzig, Germany. Dorothee Elmiger is an author and translator. She writes novels, essays, montaged pieces, and texts on art.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e128 pages, 23 x 30 cm, hardcover, Spector Books (Leipzig).\u003c\/b\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41804035489863,"sku":null,"price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_7610_68e6fc4d-1ce2-4064-a788-1df8b03d1f16.jpg?v=1752055027"}],"url":"https:\/\/perimeterdistribution.com\/collections\/in-stock.oembed?page=12","provider":"Perimeter Distribution","version":"1.0","type":"link"}