{"title":"New","description":"","products":[{"product_id":"forthcoming-yumna-al-arashi-aisha","title":"Yumna Al-Arashi – Aisha","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eAisha\u003c\/i\u003e is Yemeni Egyptian American photographer and filmmaker Yumna Al-Arashi’s first artist’s book. This powerful, delicate publication, inspired by Al-Arashi’s great-grandmother, Aisha, is an homage to the lineage of women that she descends from; women of the multidimensional and many-layered landscapes of the MENA region. Searching for an understanding of the tattoos that graced her great-grandmother’s body, Al-Arashi embraces the complexities of a symbolic matriarchal tradition. Unable to visit one of her places of origin, the war-stricken Yemen, Yumna traveled through Northern Africa meeting and photographing a diverse group of women belonging more or less to the same generation: all standing, sitting, looking, moving and laughing with assuredness and joy. By refusing the violence of selection and definition surrounding women’s practices, Al-Arashi publishes every single photograph from her journey in this 392 page monograph, moving the work into an ethereal cinematic celebration.\u003cbr\u003e\u003cbr\u003eAl-Arashi’s images are gentle yet strong in composition, conscientiously connecting the woman to the land surrounding her and vice versa; they are incredibly rich in detail and color; and they are intimate, beautifully defiant and full of community and alliance. \u003ci\u003eAisha\u003c\/i\u003e also includes Al-Arashi’s writing and poetry in which she reflects on memories of her great-grandmother and the scent of oudh 'that left a trail of magic wherever she floated in that home.' In her genre-stretching texts, Al-Arashi also speaks on colonial archives, intergenerational storytelling and on the complexities of transnational female identity in patriarchal, capitalist, and imperialist societies at-large.\u003cbr\u003e\u003cbr\u003e392 pages, 23.2 x 16.5 cm, softcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41804281446471,"sku":null,"price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/aisha_1000px.jpg?v=1752455278"},{"product_id":"forthcoming-chelsea-watego-black-thoughts-matter","title":"Chelsea Watego – Black thoughts matter","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eProviding critical context to some of the groundbreaking essays published across a range of digital platforms, \u003ci\u003eBlack thoughts matter\u003c\/i\u003e honours the Black thinkers that have shaped Chelsea Watego’s intellectual and political formation to date. It is a testament to the love, power and joy that is at the heart of Black thinking and writing in the fight against racial violence in so-called ‘Australia’.\u003cbr\u003e\u003c\/p\u003e","brand":"Common Room","offers":[{"title":"Default Title","offer_id":41804312313927,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/blackthoughtsmatter_1000px_aa6a0eb7-fb1f-40a0-8187-dd266f4b8541.jpg?v=1753077449"},{"product_id":"forthcoming-dangar-barin-smith-natural-order","title":"Dangar Barin Smith – Natural Order","description":"\u003cp\u003eOCTOBER 17 RELEASE\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eNatural Order\u003c\/i\u003e celebrates Dangar Barin Smith’s uniquely collaborative approach to landscape architecture and design. The book is a journey through a series of twenty highly-considered contemporary residential Australian gardens. Each garden is accompanied by a beautifully hand-drawn planting plan and photographed at its optimum moment – when nature has reasserted itself, creating a certain expressiveness where the natural world blends with the built environment. Each project is narrated through a conversation between editor Karen McCartney and a Dangar Barin Smith partner chronicling the design challenges, the horticultural solutions and the close collaborations with clients and practitioners that lead to the creation of these significant and enduring gardens.\u003cbr\u003e\u003c\/p\u003e","brand":"Formist","offers":[{"title":"Default Title","offer_id":41804400230471,"sku":null,"price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/naturalorder_1000px.jpg?v=1752454551"},{"product_id":"forthcoming-john-c-welchman-homing-in-sharing-knowledge-notes-and-essays-on-hisk-laureates-2016-23","title":"John C. Welchman – Homing In, Sharing Knowledge: Notes and essays on HISK laureates, 2016–23","description":"\u003cp\u003eThe 13 book and catalogue essays, conversations, emails and occasional texts collected here sample a decade or more of work by noted art historian and critical theorist John C. Welchman, Distinguished Professor at the University of California – in studio visits, lectures, workshops and other collaborations – with HISK (Higher Institute for Fine Arts Advanced Studies \u0026amp; Practice-based Research in Visual Arts) until its summary defunding in 2022. They pay tribute to the creative vitality, powerful, research-driven investigations, and engaged critical thinking of the rich material and conceptual activities of HISK laureates in a full spectrum of media and genres during the last decade or so.\u003c\/p\u003e\n\u003cp\u003eThe texts offer amplified meditations on the possibilities—but also defaults and limits—of the studio visit and on how this scene of encounter sets engagements with work that are dialogical and critically robust; respectful but also challenging; full of seeing into and through; and tactically combustible, in the sense of sparking future allusions. In his preface Welchman reflects candidly on his time at HISK, but also on the stakes and consequences of the signal forms of knowledge co-production generated though work-mediated conversation—with its revelations and risks, silences and aporia, seasoned by occasional unexpected, unpredictable, even uncanny, insight.\u003c\/p\u003e\n\u003cp\u003eThe book is a thinking out loud; but everything it delineates and suggests derives from what was seen and then animated in the complex mutuality of shared encounters.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIncluded artists are Femmy Otten, Chloé Op de Beeck, Lisa Wilkens, Ariane Loze, buren, Vesna Faassen \u0026amp; Lukas Verdijk, Adja Yunkers and Indrikis Gelzis, Katya Ev, Sofia Caesar, Nikolay Karabinovych, Helen Anna Flanagan, Nelleke Cloosterman and Danielle Kaganov.\u003c\/em\u003e\u003c\/p\u003e","brand":"Set Margins","offers":[{"title":"Default Title","offer_id":41865910845511,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/homingin_1000px.jpg?v=1754292945"},{"product_id":"rose-nolan-breathing-helps","title":"Rose Nolan – Breathing Helps","description":"\u003cp class=\"p1\"\u003eAcross a four-decade career, acclaimed Naarm\/Melbourne-based artist Rose Nolan has made a name for her experimentation with scale, material, and medium. Utilising painting, sculpture, photography, and printmaking to playfully engage with the legacies and residues of modernism, her crystallised use of colour and powerfully graphic sensibility has formed a bridge between the codes of architecture, spatial practice, sculpture, and language.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished alongside the major solo exhibition of the same name at TarraWarra Museum of Art, the major new book \u003cem\u003e\u003cspan class=\"s1\"\u003eBreathing Helps\u003c\/span\u003e\u003c\/em\u003e highlights the recurring spatial and performative threads that play out across Nolan’s practice, alongside documentation of new site-specific commissions that respond to the museum’s architecture. Spanning installations, screenprints, photography, and text-based works, \u003cem\u003e\u003cspan class=\"s1\"\u003eBreathing Helps\u003c\/span\u003e\u003c\/em\u003e offers a fresh encounter with Nolan’s radically reduced red-and-white aesthetic, and her enduring interest in material, process, and repetition. Constructed from utilitarian materials such as hessian and cardboard, her bold forms are often shaped by physical labour and seriality. Within the publication – as within the exhibition – viewers are encouraged to move in and around Nolan’s forms, encountering the work via multiple spatial perspectives, and revealing embedded texts through motion and participation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCo-published by Perimeter Editions and TarraWarra Museum of Art, \u003cem\u003e\u003cspan class=\"s1\"\u003eBreathing Helps\u003c\/span\u003e\u003c\/em\u003e features new texts by Dr Victoria Lynn, Sue Cramer, Amelia Winata, and Lisa Radford, and a conversation between Rose Nolan and Augusta Vinall Richardson. The publication also includes images from Nolan’s ongoing \u003ci\u003eMe Working\u003c\/i\u003e series, which features everyday process documentation from the studio, and a performance map from artist and choreographer Shelley Lasica, who – in an interdisciplinary gesture – was invited by Nolan to present a series of choreographic performances, titled \u003cem\u003e\u003cspan class=\"s1\"\u003eCOLLOQUY\u003c\/span\u003e\u003c\/em\u003e, that navigate the spaces and ideas of the exhibition.\u003c\/p\u003e","brand":"Perimeter Editions x TarraWarra Museum of Art","offers":[{"title":"Default Title","offer_id":41917500227655,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/RN_BH_1000px_1.jpg?v=1754973957"},{"product_id":"forthcoming-izabela-pluta-lumina","title":"Izabela Pluta – Lumina: The Photic Atlas","description":"\u003cp class=\"p2\"\u003eThe work of Izabela Pluta may enlist the optical, chemical, and technical processes of the camera and darkroom as its central pillar, but to describe her practice in terms of photography would seem insufficient. Over a career stretching the best part of two decades, the Polish-born Australian-based artist has forged a rigorous body of work that critically excavates the underpinnings of the photographic process, its modes of presentation, its fallibilities, and its broader implications. Her work is expressly photographic, but its bearings stretch far beyond the lens.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eLumina: The Photic Atlas\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e– Pluta’s third book for Perimeter Editions – works to map and expand upon the artist’s site-responsive project,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eLumina\u003c\/i\u003e\u003c\/span\u003e, at Heide Museum of Modern Art in Melbourne, which explores the intersection of photography with concepts of time, memory, notions of impermanence, and questions of place. Made over the course of a year, and aligned with each change of season, Pluta worked in situ with curator Melissa Keys at Heide Modern, exposing lengths of silver gelatin photographic paper to the changing natural light. Laid out across the terrazzo floor, the artist used the modernist building as a type of camera and an unwitting collaborator, registering subtle shifts of shadows and streams of light as they passed through the glass walls and windows. Other similarly unconventional approaches to recording and spatial intervention unfold throughout the former home, engaging the senses and drawing our eye to things often unseen. Extending from the exhibition, the book takes on the role of a compendium or workbook, gathering the peripheral and actual processes of the project. In this way, it functions both as a continuation of the exhibition and a critical ledger of its conditions of possibility.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFeaturing essays by Melissa Keys and Witold Kanicki, alongside creative texts by critical art and poetry collective Snack Syndicate (Andrew Brooks and Astrid Lorange), the book also features photographs and video stills depicting Pluta’s childhood home in Warsaw, Poland, the interior of which was gutted and stripped back by its current owner, with tree stumps marking the places where conifer trees once flourished in the yard. These images forensically map out this personally significant place that still holds the patina of her family’s presence. In direct contrast to the fixity associated with the photographic image as a record of a moment in time, Pluta’s fieldwork methodology reveals a dynamic sense of continuous unfolding and entropy, articulating a fluid mode of moving through and being in the world.\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41937836310599,"sku":null,"price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IP_L_01.jpg?v=1755741210"},{"product_id":"forthcoming-patrick-pound-double-feature","title":"Patrick Pound: Double Feature","description":"\u003cp class=\"p1\"\u003eEdited by Mark Alice Durant\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOver 200 vernacular images from the collection of artist Patrick Pound accompanied by ekphrastic texts from 44 writers exploring ideas of  doubling \/ layering \/ twinning \/ mimicked gestures \/ simultaneous realties \/ blurring boundaries evoked by the photographs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTexts: Kim Beil, Rebecca Bengal, Susan Bright, David Campany, Tim Carpenter, Melissa Catanese, Clément Chéroux, Kelli Connell, Danielle Dutton, Danielle Ezzo, Cherine Fahd, Gem Fletcher, Sophie Haigney, Jane Ursula Harris, Vanessa Holyoak, Christine Hume, Emmanuel Iduma, Jenny Irish, Kristin Keane, Brad Kessler, E.J. Koh, Jennifer Krasinski, Laura Larson, Ayden LeRoux, Jonathan Lethem, Nate Lippens, Klea McKenna, Lucy McKeon, Qiana Mestrich, Daniel Palmer, Ahndraya Parlato, Miranda Ramírez, Margaret Rhee, Margaret Sartor, Christina Seely, Jessica Shearer, Brea Souders, Danika Stegeman, David Levi Strauss, Shannon Taggart, Lynne Tillman, Genya Turovskaya, Jeannie Vanasco, Orin Zahra\u003c\/p\u003e","brand":"Saint Lucy Books","offers":[{"title":"Default Title","offer_id":41947958575175,"sku":null,"price":88.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/doublefeature_1000px.jpg?v=1756091150"},{"product_id":"forthcoming-curran-hatleberg-blood-green","title":"Curran Hatleberg – Blood Green","description":"\u003cp dir=\"ltr\"\u003e\u003cem\u003eShipping in November\u003c\/em\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eConceived as a coda to \u003cmeta charset=\"utf-8\"\u003eCurran Hatleberg’s acclaimed 2022 monograph,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRiver’s Dream, Blood Green\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers an alternate vision—less an outtake than a parallel dream, a shadow of the original, expanding on the darker themes of contemporary American life.\u003c\/p\u003e\n\u003cp\u003eContinuing his journey through the American Southeast, Hatleberg travels further downriver and deeper into its swamplands. These new images are dense and disorienting. In thickets and backwaters, animals appear only to vanish, while violence is ever-present in the human need to contain what ultimately cannot be tamed.\u003c\/p\u003e\n\u003cp\u003eThis haunting dialogue continues the conversations between nature and civilization, and between beauty and mortality, that Hatleberg adeptly began in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRiver’s Dream.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eAs always, Hatleberg’s frame carries a rare sensitivity, built not from observation alone but from time shared—both with the landscape and with those befriended along the way.\u003c\/p\u003e\n\u003cp\u003ePrinted with the same precision, exactitude and dimensions as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRiver’s Dream, Blood Green\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis limited to 1,000 copies. The book is printed in both full color and duotone, offering an intimate reconciliation to Hatleberg’s evolving American portrait.\u003c\/p\u003e","brand":"TBW Books","offers":[{"title":"Default Title","offer_id":41987565322311,"sku":null,"price":199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Blood_Green.jpg?v=1757478465"},{"product_id":"forthcoming-curran-hatleberg-lost-coast","title":"Curran Hatleberg – Lost Coast","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTBW Books is proud to announce the long-awaited reprint of \u003c\/span\u003e\u003cspan\u003eLost Coast\u003c\/span\u003e\u003cspan\u003e, the debut monograph by Curran Hatleberg. First published in 2016 and out of print for nearly a decade, \u003c\/span\u003e\u003cspan\u003eLost Coast\u003c\/span\u003e\u003cspan\u003e has become one of the most sought-after titles in contemporary photography—rarely, if ever, seen on the secondary market. This new edition, faithful in every way to the original sequence and edit, features vastly improved production: newly remastered files, elevated print quality, richer color reproduction, and upgraded materials, all executed with the precision and care that have come to define Hatleberg’s work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eLost Coast\u003c\/span\u003e\u003cspan\u003e, Hatleberg presents an episodic narrative centered on Eureka, California. The photographs move fluidly between intimate portraits and the surrounding landscape, between moments of shared connection and quiet dislocation. Each image feels like a short story, rich with detail and ambiguity—offering a layered portrait of a place shaped equally by natural grandeur and the slow erosion of economic promise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe book’s title references the remote stretch of California’s northern coast, but also gestures to a deeper sense of disappearance—of lives lived in the margins, of dreams cast aside, of overlooked beauty. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLost Coast marked the beginning of Hatleberg’s acclaimed photographic practice exploring contemporary American life. This reprint reintroduces that start with greater clarity and presence than ever before.\u003c\/p\u003e","brand":"TBW Books","offers":[{"title":"Default Title","offer_id":41993199616071,"sku":null,"price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/CH_LC.jpg?v=1757638934"},{"product_id":"forthcoming-ria-verhaeghe-provisoria","title":"Ria Verhaeghe – Provisoria","description":"\u003cp class=\"p1\"\u003e\u003ci\u003eProvisoria\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis an alternative image archive curated by Ria Verhaeghe since the early 1990s, sourced from international newspapers. Organised by keywords, dates, and thematic groupings, the archive is an effort to explore a different dimension of photojournalism. The images – often dramatic, ambiguous, or unsettling – explore the raw and layered emotional dimensions of photojournalism. With over 60,000 images, the collection spans from the striking and dramatic to the ambiguous, grotesque, and unexpectedly tender. Three sections – Human Interest, Fusion and Mindwaves – offer insight into the archive’s conceptual range.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFusion explores how we interpret images, grouping photographs by visual or symbolic qualities: featuring categories like shadows (simulacre), icons (icon), double images (glende), traces (trace), as well as those that are surreal (alien), aesthetically compelling (beauty), or energetically charged (move or MUD, for 'multi-use dimension'). Mindwaves, by contrast, is structured around formal visual qualities: packaging (emballage), texture (such as Fourche, Circle, Amorf, or Geometric), and connection (connection, including subcategories like Human, Realea, and Strip).\u003cspan\u003e \u003c\/span\u003eThe Human Interest section (\u003cspan\u003eIcarus, Verticals , WWEB and Trümmerfrauen)\u003c\/span\u003e contains images and notes focused on human emotion, empathy, and compassion.\u003cbr\u003e\u003cbr\u003eThis book presents a curated selection of over 3,500 images – a glimpse into a vast and richly layered archive that reimagines how we see, sort, and understand the photographic world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe project is supported by Be-Part, Platform for Contemporary Art in Waregem and Kortrijk.\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":42019565764679,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Provisoria_1000px.jpg?v=1758079489"},{"product_id":"forthcoming-alick-phiri-lusaka-street","title":"Alick Phiri – Lusaka Street","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own studio in Kanyama, making photography an integral part of his life. His unseen before photographic archive provides a rare insight into the everyday experience of people in the city. Even more importantly, his work is a document of the process of self-determination and self-representation of black Zambians at the time, recounted through situational portraits taken in the subject's domestic sphere. A testament to the relevance of lens-based media within Zambia’s geographical, historical and social context, a tool for reimagining the past and reading the present.\u003c\/span\u003e\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":42019572514887,"sku":null,"price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/lusakastreet_1000px.jpg?v=1758080674"},{"product_id":"forthcoming-michael-tummings-human-insights","title":"Michael Tummings – Human Insights","description":"\u003cp\u003eSecrets inside – the artwork of Michael Tummings discloses the wonderland of anatomy and brings secrets in sight. The visualisation of the body’s mysterium and its exploration in the framework of surgical procedures provides new perspectives onto our physical existence and modern medicine. The beauty of art photography opens our mind for an intimate contact with our organs 'under repair' and allows a glimpse into the beauty of our physical nature beyond any analytical, rationale and dissecting approach. Medicus curat—natura sanat: the physician cures but the nature heals. These views over the surgeon’s shoulder may not only display the spectrum of surgical skill and technological progress but also remind us that being connected to our physis is an important element for fighting and even prevent- ing diseases. In an era of increasing availability of artificial joints, body implants and even partial artificial organs we have to cherish the wonder of our biology and nature. – Jörg Christian Tonn\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":42022300942407,"sku":null,"price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/humaninsights_1000px.jpg?v=1758176068"},{"product_id":"forthcoming-pretenzione-intenzione-objects-of-beauty-and-bewilderment-from-the-archive-of-harald-szeemann","title":"Pretenzione Intenzione: Objects of Beauty and Bewilderment from the Archive of Harald Szeemann","description":"\u003cdiv class=\"product__text product__text--full\"\u003e\n\u003cp\u003e\u003cem\u003ePretenzione Intenzione: Objects of Beauty and Bewilderment from the Archive of Harald Szeemann\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edraws on a selection of objects in the estate of art historian and exhibition maker Harald Szeemann (1933–2005). These objects were part of what Szeemann called his\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMuseum of Obsessions\u003c\/em\u003e, a mind mirror that manifested itself through Szeemann’s exhibitions as well as in the workspace and archive known as the Fabbrica Rosa in Ticino. There he gathered the numerous and diverse objects, including papers, sketches, photographs, books, exhibition catalogues, letters, works of art and ephemera. As 'Pretenzione Intenzione' – the phrase from one of Szeemann's handwritten notes that gives the project its title - suggests, a desire lies dormant in these objects. It makes itself felt intuitively while intimating a purpose that attains only passing concretion in the telling of stories. Starting from this mysterious casualness, the authors have embarked on an archaeological journey. While Hayat Erdogan, Simone Lappert, Raimundas Malasauskas, Michele Robecchi, Una Szeemann and Michael Taussig unearth, explore, describe and reimagine the object, Bohdan Stehlik captures their auratic presence through photography. Texts and photographs bear witness to the inspiring illegibility and secrecy of these objects, which meander somewhere between preciousness and ephemera, encouraging readers to let their own thoughts drift.\u003c\/p\u003e\n\u003cp\u003eHayat Erdoğan is a dramaturg, theatre maker, curator, lecturer, and author. Elsa Himmer is an art historian and curator. Simone Lappert is a writer and poet. Raimundas Malašauskas co-wrote an opera libretto, co-produced a TV show, published several books, and curated a number of projects, and exhibitions. Michele Robecchi is an independent curator, author, and editor specializing in contemporary art. Bohdan Stehlik is an artist and psychologist. Una Szeemann is a visual artist. Michael Taussig is an emeritus professor of anthropology at Columbia University in New York.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003csection class=\"product__images product__images--full\"\u003e\n\u003csection class=\"popup-gallery\"\u003e\n\u003cdiv class=\"popup-gallery__wrapper\"\u003e\u003ca class=\"popup-gallery__item\" href=\"https:\/\/www.editionpatrickfrey.com\/sites\/default\/files\/styles\/default_xxl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg\" data-photoswipe='[{\"fileName\":\"2025-08\\\/2024_EPF-SZEEMANN-Cover.jpg\",\"w\":1920,\"h\":1294}]'\u003e\n\u003cfigure class=\"media media--image\"\u003e\u003cpicture\u003e\u003csource type=\"image\/webp\" sizes=\"1028px\" width=\"2560\" height=\"1726\" data-srcset=\"\/sites\/default\/files\/styles\/default_xs\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 320w, \/sites\/default\/files\/styles\/default_s\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 640w, \/sites\/default\/files\/styles\/default_m\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 960w, \/sites\/default\/files\/styles\/default_l\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 1280w, \/sites\/default\/files\/styles\/default_xl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 1440w, \/sites\/default\/files\/styles\/default_xxl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 1920w, \/sites\/default\/files\/styles\/default_xxxl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 2560w\" srcset=\"\/sites\/default\/files\/styles\/default_xs\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 320w, \/sites\/default\/files\/styles\/default_s\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 640w, \/sites\/default\/files\/styles\/default_m\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 960w, \/sites\/default\/files\/styles\/default_l\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 1280w, \/sites\/default\/files\/styles\/default_xl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 1440w, \/sites\/default\/files\/styles\/default_xxl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 1920w, \/sites\/default\/files\/styles\/default_xxxl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.webp 2560w\"\u003e\u003csource type=\"image\/jpeg\" sizes=\"1028px\" width=\"2560\" height=\"1726\" data-srcset=\"\/sites\/default\/files\/styles\/default_xs\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 320w, \/sites\/default\/files\/styles\/default_s\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 640w, \/sites\/default\/files\/styles\/default_m\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 960w, \/sites\/default\/files\/styles\/default_l\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 1280w, \/sites\/default\/files\/styles\/default_xl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 1440w, \/sites\/default\/files\/styles\/default_xxl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 1920w, \/sites\/default\/files\/styles\/default_xxxl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 2560w\" srcset=\"\/sites\/default\/files\/styles\/default_xs\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 320w, \/sites\/default\/files\/styles\/default_s\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 640w, \/sites\/default\/files\/styles\/default_m\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 960w, \/sites\/default\/files\/styles\/default_l\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 1280w, \/sites\/default\/files\/styles\/default_xl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 1440w, \/sites\/default\/files\/styles\/default_xxl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 1920w, \/sites\/default\/files\/styles\/default_xxxl\/public\/2025-08\/2024_EPF-SZEEMANN-Cover.jpg 2560w\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/figure\u003e\n\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":42022331416647,"sku":null,"price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/PretenzioneIntenzione_1000px.jpg?v=1758178202"},{"product_id":"forthcoming-nick-haymes-dancing-on-the-fault-line","title":"Nick Haymes – Dancing on the Fault Line","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn intimate portrait of friendship and metamorphosis taken over a decade and a half, \u003c\/span\u003e\u003cem\u003eDancing on the Fault Line\u003c\/em\u003e\u003cspan\u003e is centred around Love Bailey and her extended queer community. Equally an entertainer and activist, Bailey is based in Temecula – a notably conservative region of Southern California – where she founded the Savage Ranch, a desert-based safe house, residence, and gathering place for friends, family, and extended members of the LGBT+ community. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePresented in chronological order from 2010 to 2024, the book follows Bailey from California to New York and back as she traces her simultaneous journey of self awareness and discovery. Nick Haymes captures a wide circle of friends and lovers in situations that vacillate between flamboyant fantasy, the quotidian, and sobering reality. Beneath moments of provocation and extravagance, is a story of resilience and perseverance. Culminating in revealing the emotional and physical results of Bailey’s transition, Haymes’ sense of compassion and care is clear beneath it all. Nick Haymes was born in 1969 in Stratford-Upon-Avon, UK, and has spent several decades living in the USA. \u003c\/span\u003e\u003cem\u003eDancing on the Fault Line\u003c\/em\u003e\u003cspan\u003e is Nick Haymes’ second publication with Kodoji Press.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kodoji Press","offers":[{"title":"Default Title","offer_id":42022383059015,"sku":null,"price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/dancingonthefaultline_1000px.jpg?v=1758180473"},{"product_id":"forthcoming-with-a-bird-a-reader-on-avian-kinship","title":"With a Bird, A Reader on Avian Kinship","description":"\u003cdiv class=\"publication__description\"\u003e\n\u003cp\u003e\u003cem\u003eWith a Bird, A Reader on Avian Kinship,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eedited by Marjolein van der Loo, invites readers into an expansive, cross-disciplinary conversation about how we live with and think alongside birds. In a time of climate breakdown and ecological grief, this book offers birds not as metaphors or curiosities, but as kin-creatures with their own histories, desires, and forms of knowing.\u003c\/p\u003e\n\u003cp\u003eSpanning speculative fiction, ancestral memory, critical ornithology, personal essay, and visual art, its contributions explore the fragile, often overlooked relationships between humans and birds across myth, science, migration, and dream. Through listening and attention, the book explores how birds shape landscapes, signal planetary change, and offer new ways of understanding time, voice, and relation.\u003c\/p\u003e\n\u003cp\u003eContributors draw on decolonial, feminist, and ecological practices to unsettle dominant narratives and invite forms of care, reciprocity, and repair. From the mimicry of the lyrebird to the silence of vanished species, from winter dreaming to co-domestication and spectral presence, each chapter gestures toward multispecies futures grounded in presence and poetic attention. This reader, both a continuation of an exhibition and a gathering of distinct voices, becomes a spell — woven from memory, sound, and image — that reimagines kinship in flight.\u003c\/p\u003e\n\u003cp\u003eWith contributions by John Berger, Ignace Cami, Monika Czyzyk, Bryony Dunne, Daniel Godínez Nivón, Daisy Hildyard, Manjot Kaur, Natalie Lawrence, Marianne Elisabeth Lien, Michelle J. Moyer, Evangeline M. Rose, Bernard Lohr, Karan J. Odom, Kevin E. Omland, Nicholas Mirzoeff, Ai Ozaki, Maria Popova, Sergio Rojas Chaves, Sara Sejin Chang (Sara van der Heide), Anna Lowenhaupt Tsing, Yuri Tuma, and Suzanne Walsh.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":42023752138823,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/withabird_1000px.jpg?v=1758255745"},{"product_id":"forthcoming-library-of-artistic-print-on-demand-post-digital-publishing-in-times-of-platform-capitalism","title":"Library of Artistic Print on Demand: Post-Digital Publishing in Times of Platform Capitalism","description":"\u003cp\u003ePrint-on-demand has revolutionised the world of books. As analog-digital hybrids, PoD books are the very embodiment of the post-digital age. Digital printing and low-threshold online platforms such as Blurb, Lulu, or Kindle Direct Publishing make it possible for virtually anyone to publish instantly and worldwide – without financial investment or risk. This opens up spaces beyond the traditional book market and leads to a democratisation of production. At the same time, this new radius of action is fundamentally dependent on the rules and interests of the platforms themselves. Out of this tension, an entire subculture has emerged – one that tests the book once again for its possible contents, aesthetics, materialities, economies, and publics, while also critically reflecting and negotiating our digital present.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Library of Artistic Print on Demand\u003c\/em\u003e maps this field of experimentation for the first time in its global spread, historical depth, and political relevance.\u003cbr\u003e\u003cbr\u003eAnnette Gilbert researches experimental forms of writing, artists’ books, and conceptual art. Andreas Bülhoff works both artistically and academically at the intersection of text and technology.\u003c\/p\u003e\n\u003cp\u003eWith contributions by ABC, Hartmut Abendschein, Hannes Bajohr, Clara Balaguer, Ruth Brown, Manon Bruet, Florian Cramer, Karen ann Donnachie, Marc van Elburg, J. 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From its emergence – marked by the development in the 1930s of new teaching methods based on images rather than text – through to the present day, the children’s photobook has been invested in the realistic nature of photography. Covering all the different categories of children’s literature, from ABC books to reinterpretations of traditional fairy tales, it accompanies the child in their process of development and emancipation and stimulates their creativity, all with a common goal in mind: to question and nurture their view of the world. This genre, which has been explored by some of the major figures in photography, is also a field that is predominately favoured by women photographers. It is notable for the diversity of the disciplines it brings together, such as the graphic arts and live performance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnne Lacoste is director of Institut pour la photographie Hauts-de-France. Paul Cottin is an advisor for the PoBoC association, whose prime focus is on children’s photobooks. Rose Durr is a PhD candidate and researcher at Institut pour la photographie Hauts-de-France. Allegra Baggio Corradi is a research coordinator at the CIRCI International Centre for Research in the Culture of Childhood. Elisabeth Lortic is co-founder of the association Les Trois Ourses which is dedicated to children’s photobooks. Olivier Lugon is a historian of photography and a professor at the University of Lausanne.\u003c\/span\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42030741979207,"sku":null,"price":129.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/lisforlook_1000px.jpg?v=1758338124"},{"product_id":"forthcoming-david-brandon-geeting-the-marble","title":"David Brandon Geeting – The Marble","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cem\u003eThe Marble,\u003c\/em\u003e\u003cspan\u003e Geeting pushes photography to the edge of absurdity and back again. Working at the intersection of commercial gloss and fashion fantasy, stock image neutrality, and the strangeness of amateur imagemaking, Geeting builds a visual language that is both highly polished and deeply confounding in its narrative. The result is a book as humorous as it is heartfelt – an offering of staged sincerity wrapped in surreal detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eGeeting’s career began in 2012, shortly after graduating from the School of Visual Arts in 2011. While working at a juice bar, he photographed in his spare time and posted images to Tumblr, where his distinctive approach quickly drew attention and led him into commercial and fashion photography. 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It also looks ahead by exploring how a group of international designers envision the future of the discipline of Graphic Design.\u003c\/p\u003e\n\u003cp\u003eThe first part, A—Z, features all the projects, workshops, exhibitions, talks, and a wide range of activities and events initiated by A—Z, in alphabetical, cross-referenced entries. It includes contributions from designers such as Na Kim, Niklaus Troxler, and The Rodina, to name just a few, as well as a myriad of related topics, from 'Asemic Writing' and 'Rebellion Riso Posters Collab' to 'Yellow Bench', and over 100 other entries.\u003c\/p\u003e\n\u003cp\u003eThe second part, titled \u003cem\u003e—∞\u003c\/em\u003e, features 36 international designers, including April Greiman, Richard Niessen, and Loraine Furter, who were invited to envision the future of Graphic Design and how it could be enacted in a transdisciplinary space like A—Z. 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A return to fundamentals, further emphasised by the numbers '1, 2, 3,' typically recited as a countdown before setting something in motion.\u003c\/p\u003e\n\u003cp\u003eA manifesto in book form — at the intersection of memory, painterly gesture, and renewal.\u003c\/p\u003e","brand":"Chose Commune","offers":[{"title":"Default Title","offer_id":42039787290695,"sku":null,"price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/iroha_1000px.jpg?v=1758774267"},{"product_id":"forthcoming-ccp-pe-z003-yask-desai-shimla","title":"CCP.PE.Z003 Yask Desai – Shimla","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eAs a child I spent considerable time in the city of Shimla in Northern India where my father was a research scholar at the Indian Institute of Advanced Study. A visit to the Indian Coffee House some three kilometres walk away was often a part of our late afternoon routine. 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She participated in the 60th international art exhibition, La biennale di Veneza, Stranieri Ovunque, with the video and sculptural installation \u003c\/span\u003e\u003ci\u003ePrêt-à-Patria\u003c\/i\u003e\u003cspan\u003e (2024). Her works resists the traditional notions of mexicanidad and its relationship with the feminine and masculine. Whether through fashion, performance, painting or installation, all of her works present the anxieties and fears of daily life to question pleasure and domination within a hegemonic masculine society.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSofía Alazraki is a photographer and set designer working across art, fashion, and film. Formed as an art historian, her practice focuses on still life photography and installation, where she builds carefully choreographed assemblages with objects and unconscious mechanisms as active characters. Her work investigates how desire is projected onto objects and shaped within systems of consumption and representation, unfolding as a multiplicity of symbolic and affective layers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe series continues to explore Sánchez-Kane’s roots in fashion, where she began as a designer, and her obsession with clothing is still a central part of her artistic practice. As Sánchez-Kane says 'I like the possibilities of exploration…for Sofía and me, using these objects, was exciting.  My job was just putting them together in an orgy.'\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDesigned by Brooklyn based designer Alex Lin of Studio Lin the book includes an with an essay by the Mexican journalist, Guillermo Osorno. Osorno is an editor, media entrepreneur, and journalist living in Mexico City. 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During this period Moriyama worked almost exclusively for \u003c\/span\u003e\u003ci\u003eShasin Jidai\u003c\/i\u003e\u003cspan\u003e and was given a free hand to explore and experiment and in the process evolved a new aesthetic that still informs his photography today. Tragically, more than eighty percent of his negatives were lost from this pivotal body of work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003ci\u003eDaido Moriyama Shashin Jidai 1981–1988\u003c\/i\u003e\u003cspan\u003e the complete run of essays or chapters that appeared concurrently in \u003c\/span\u003e\u003ci\u003eShashin Jidai\u003c\/i\u003e\u003cspan\u003e are brought together for the first time, representing the only way to appreciate them without acquiring the original magazines themselves. Each complete essay is reproduced alongside a selected portfolio of images and written essays by Moriyama from each chapter as they appeared in the original magazines. 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Through extensive photographic documentation, critical essays, and personal reflections, it maps both the physical transformation of the space and the network of social exchanges that emerged within it. The publication functions not as a static record but as an active extension of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTorrington Project\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eitself – a site where past works, new interventions, and evolving ideas continue to circulate and unfold beyond their original context.\u003c\/p\u003e\n\u003cp\u003eFrom 2021 to 2024, Burr took up residence in a sprawling, former manufacturing facility. Neither a conventional exhibition nor a traditional studio, the project transformed the building into what Burr has called a 'living archive' – a space for revisiting, recontextualising, and, in some cases, restoring past works. Rather than a site of pure production, Burr brought together over ninety works from throughout his career, collapsing the divide between past and present. Burr also opened the space to fellow artists, inviting Gordon Hall, Maria Hassabi, and Nick Mauss to stage performances, while welcoming an evolving network of visitors as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTorrington Project\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eunfolded. The project explored the fluid interplay between an artwork’s conception, reception, and historicisation, with Burr reflecting on how his work has shifted over time – an investigation now deployed through the form of this book.\u003c\/p\u003e\n\u003cp\u003eAlongside writing from George Baker, Jordan Carter, Aria Dean, Jody Graf, Renée Green, David Joselit, Christine Messineo, Humberto Moro, Blake Oetting, as well as Burr’s recollections, the publication also features extensive documentation and archival ephemera.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTorrington Project\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003echarts the social and spatial dimensions that defined the titular endeavour, underscoring Burr’s ongoing engagement with architecture, institutional critique, personal histories, and the transformation of public space.\u003c\/p\u003e\n\u003cp\u003eTom Burr is a conceptual artist whose work examines the entanglements of architecture, identity, and public space. 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This leporello fold features eight silver prints that depict chalk-painted outlines on a rotating woman's body, highlighting the abstract representation of femininity through Maurer’s unique perspective.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBorn in 1937, Dóra Maurer is one of Hungary’s most influential artists. Her experimental practice as an artist, teacher, and curator spans over five decades, bringing together paintings and works on paper from various series that range from the late 1970s to the present day.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAbsolved her studies in 1961 at the Painting and Graphic Faculties of the Hungarian Academy of Fine Arts. Between 1975–77, she led the study circle Creativity Practices at Ganz-Mávag with Miklós Erdély. Alongside her own creative praxis, her pedagogical and organisational\/curatorial work are important. She is active in a number of genres and media. Aside from paintings, she produces graphic work, photography, film and installations. Her series that employ geometry, colour theory and various theories of perception are at once playful experiments and scientific observations. \u003cem\u003eObjectified Outline\u003c\/em\u003e is her first publication with Kodoji Press. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished in collaboration with Vintage Galéria and Archivorum\u003c\/span\u003e\u003c\/p\u003e","brand":"Kodoji Press","offers":[{"title":"Default Title","offer_id":42081957445703,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/objectifiedoutline_1000px.png?v=1759983282"},{"product_id":"forthcoming-donna-kukama-ways-of-remembering-ourselves","title":"donna Kukama – ways of remembering ourselves","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003edonna Kukama’s diverse artistic practice is informed by history: '\u003c\/span\u003eit’s history with a small \"h\"\u003cspan\u003e,' says the artist in her interview with Khwezi Gule, '\u003c\/span\u003eand it’s looking at ways of remembering ourselves\u003cspan\u003e.' This publication, designed by ATLAS Studio, includes a selection of her multi-disciplined work dating from 2006 to 2024. It is presented in a non-chronological survey that challenges the conventional book format in and of itself – opening at page 93, continuing to the colophon and title page before recommencing at page 1 in the middle of the binding – in the same way as Kukama routinely unravels accepted narratives around the institutions of art, education and documentation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003edonna Kukama has been creating performance works for several decades, works that she enacts in and outside of art events or contexts. The documentation of these performances has evolved from that of incidental 'witnessing', to being a central component in the making of the works, where the camera is imagined as its chosen audience. The former moments are reproduced for the publication in a lower grain, suggestive of the media of news-gathering and transmission. By contrast, Kukama’s tangible works are presented in high resolution. These works, which combine traditional art media like acrylic, oil stick and charcoal with intangible, 'non-visible' ingredients including revenge, instinct, tears or screams, emerged latterly in the artist’s practice – the earliest here are from 2015 – from her investigation of alternative methods of documentation and remembering, and have since become one of several distinct yet interconnected facets of her work. An extensive conversation between Kukama and Johannesburg-based writer and curator Khwezi Gule included in the book offers insights into yet further strands of her practice.  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKukama’s work, as is evident in this publication, is embedded in and indivisible from the realities of contemporary society. 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These portraits are complimented and captioned by poems from Owen Dodson; a wide-ranging interview with Van Der Zee by the sculptor and filmmaker Camille Billops, who conceptualised and edited the publication; and a foreword by acclaimed writer Toni Morrison. Rounding out this new edition is an afterword by Karla FC Holloway, author of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePassed On\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2001).\u003c\/p\u003e\n\u003cp\u003eThe publication is the most complete record of Van Der Zee’s funerary photographs, featuring over three dozen portraits by the artist, who meticulously composed the setting and subjects before using his renowned dark room and retouching skills to superimpose celestial figures, poetry, biblical scenes, or portraits onto the images to compensate for lack of adornments, such as flowers, or to fulfill the requests of his subjects or their families. Billops recognised the singular value in these portraits and collected them for the first time here, choosing to pair them with Dodson’s words to replicate a pairing of 'death’s oldest companions – the portrait artist and the poet'. Further, her introduction and interview provide a valuable service in detailing the history of Van Der Zee’s life and work, his compositional decisions in the portraits, and the lives of his subjects and the circumstances of their passing.\u003c\/p\u003e\n\u003cp\u003eDuring his lifetime, Van Der Zee was primarily known as a studio photographer, with an active portrait practice dating from 1916 to his death in 1983. His work took off between the World Wars and he is largely responsible for providing a visual record of the emergent Black middle class in the early twentieth century, capturing weddings, funerals, parades, sports clubs, community groups, and infantrymen (such as the Harlem Hellfighters). 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This referential work brings together avant-garde and traditional desires – an ambiguity that forged generations of architects.\u003c\/span\u003e\u003c\/p\u003e","brand":"monade","offers":[{"title":"Default Title","offer_id":42082047721543,"sku":null,"price":86.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/casadeserralves_1000px.png?v=1759989709"},{"product_id":"forthcoming-yaw-ofosu-asare-no-one-leaves-clean-living-breathing-and-surviving-the-postcolonial-african-economy","title":"Yaw Ofosu-Asare – No One Leaves Clean: Living, Breathing and Surviving the Postcolonial African Economy","description":"\u003cp\u003e\u003cem\u003eNo One Leaves Clean\u003c\/em\u003e is a visceral portrait of Ghana at the turn of the new millennium, where dreams, betrayals, and survival unfold in the shadows of urban life. Set against the raw streets and market circles of Takoradi and Accra, this novel traces the life of a man haunted by deferred aspirations, a wife’s unrelenting desire for wealth, and the relentless weight of a nation caught between hope and disillusionment.\u003c\/p\u003e\n\u003cp\u003eBlending realism with lyrical fragments and magical motifs,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNo One Leaves Clean\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecaptures the ghostly persistence of history in everyday rituals, political betrayals, informal economies, fleeting escapes through music, and the unspoken codes of secrecy, shame, and resilience. It is a story of masculinity undone, family bonds frayed, and identities reshaped in the crucible of Ghana’s postcolonial struggle.\u003c\/p\u003e\n\u003cp\u003eThis is a story of brilliant men made invisible, of women who carry history on their heads, of a city that counts bodies but never souls. It is about the specific shame of having once been exceptional, about marriages that have become architecture of silence, about waiting for your turn to disappear. Raw, unflinching, and devastatingly beautiful, \u003cem\u003eNo One Leaves Clean\u003c\/em\u003e announces a vital new voice in African literature, one that transforms the ordinary humiliations of poverty into something approaching the sacred.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNo One Leaves Clean\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003easks: what does it mean to live, to dream, and to leave a mark in a country where nothing – and no one – remains untouched?\u003c\/p\u003e","brand":"Set Margins","offers":[{"title":"Default Title","offer_id":42083448094791,"sku":null,"price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/nooneleavesclean_1000px.png?v=1760050399"}],"url":"https:\/\/perimeterdistribution.com\/collections\/new.oembed?page=7","provider":"Perimeter Distribution","version":"1.0","type":"link"}