{"title":"Perimeter Editions","description":"\u003cp\u003eNaarm \/ Melbourne, Australia\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePerimeter Editions is the award-winning publishing imprint of Melbourne-based bookstore \u003c\/span\u003e\u003ca href=\"https:\/\/perimeterbooks.com\/\" target=\"_blank\"\u003ePerimeter Books\u003c\/a\u003e\u003cspan\u003e and distribution house \u003c\/span\u003e\u003ca href=\"https:\/\/perimeterdistribution.com\/\" target=\"_blank\"\u003ePerimeter Distribution\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eReleasing its first publication in 2012 – and since releasing over one hundred titles – Perimeter Editions’ focus rests on publishing autonomous books in close collaboration with photographers, artists, curators and writers. Its publications exhibit a criticality and sensitivity to content and form.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"riley-payne-mad-deep-thoughts","title":"Riley Payne - Mad Deep Thoughts","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTracing the Melbourne artist’s photorealist graphite renderings of fruit, foliage and figure, \u003c\/span\u003e\u003ci\u003eMad Deep Thoughts\u003c\/i\u003e\u003cspan\u003e captures \u003c\/span\u003e\u003cb\u003eRiley Payne\u003c\/b\u003e\u003cspan\u003e’s technical acumen and offbeat humour to equal effect. Comprising uncanny accumulations and pairings of classical forms and Google image search results, \u003c\/span\u003e\u003cb\u003ePayne\u003c\/b\u003e\u003cspan\u003e’s fastidiously realised drawings might be considered in terms of collage.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cb\u003e \u003cbr\u003e\u003c\/b\u003e\u003c\/b\u003e32 pages, 24cm x 17cm, soft cover, dust jacket, \u003cmeta charset=\"utf-8\"\u003ePerimeter Editions (Melbourne).","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803592368199,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Riley1.jpg?v=1752035910"},{"product_id":"gifts-from-david-mcdiarmid","title":"Gifts from David McDiarmid","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eDavid McDiarmid\u003c\/b\u003e\u003cspan\u003e (1952–1995) was an artist, designer, DJ and activist who made an indelible impact on the intersecting histories of art, craft, fashion, graphic design, gay liberation and AIDS awareness in Australia and New York. Working alongside friends and contemporaries including \u003c\/span\u003e\u003cb\u003eJenny Kee\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLinda Jackson\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003ePeter Tully\u003c\/b\u003e\u003cspan\u003e, McDiarmid’s salacious, darkly humorous and deeply personal output left an unmistakable mark on the shifting cultural landscape and discourse throughout the 1970s, 80s and 90s – “from camp to gay to queer”. Edited by \u003c\/span\u003e\u003cb\u003eDr Sally Gray\u003c\/b\u003e\u003cspan\u003e (executor of the David McDiarmid estate) and \u003c\/span\u003e\u003cb\u003eDan Rule\u003c\/b\u003e\u003cspan\u003e – and published to coincide with McDiarmid’s major retrospective at the National Gallery of Victoria in Melbourne – \u003c\/span\u003e\u003ci\u003eGifts from David McDiarmid\u003c\/i\u003e\u003cspan\u003e traces the artworks, clothing, mix-tapes, objects and keepsakes McDiarmid made for his closest friends and family up until his death from AIDS-related conditions in 1995. Photographed as still-lifes, McDiarmid’s gifts forge an at once colourful, playful and poignant taxonomy that points to the act of giving as both creative practice and an articulation of the specificity of interpersonal relationships.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e88 pages, 22.8cm x 20cm, hard cover, \u003cstrong\u003ePerimeter Editions \u003c\/strong\u003e(Melbourne).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803596333127,"sku":null,"price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_6063.jpg?v=1752036544"},{"product_id":"georgia-hutchison-arini-byng-moved-objects","title":"Georgia Hutchison \u0026 Arini Byng – Moved Objects","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eMoved Objects\u003c\/i\u003e\u003cspan\u003e traces the collaborative practice of young Australian artists \u003c\/span\u003e\u003cb\u003eGeorgia Hutchison\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eArini Byng\u003c\/b\u003e\u003cspan\u003e. 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Drawing on key works from the last three years, the book forwards MacDonald's quietly idiosyncratic take on the more traditional genres of figuration and landscape painting, revealing a sensitivity and wit that extends to both his surroundings and that of art history. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt once dreamlike in its atmosphere and palette, and dry in its humour, \u003c\/span\u003e\u003ci\u003eThe Cavern\u003c\/i\u003e\u003cspan\u003e speaks not so much to a wider historical narrative, but to fragments of time within it. These works read as untethered; anomalies and oddities (some subtle, some silly) punctuate and reanimate otherwise nondescript, potentially nostalgic scenes. 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Utilising the trickery of photography, Walker reframes and appropriates fragments of the everyday to imbue them with the loaded atmosphere of the ephemeral and the arcane. The resulting body of work proves as speculative and enigmatic as it is arresting and dynamic – a space where the image of refracted light, moving water or birds in flight becomes a foil for arcing bodily gestures, clasped hands, arrangements of rocks and abstracted, deconstructed portraiture. Here, we find ourselves enmeshed in the artifice of this fraught search for meaning, where each and every instance becomes a potential sign. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Photography itself is ritualistic and performative, and at times requires repetitive action to achieve its intended results,” writes the artist. “It has a creator.” As such, Walker posits her photographic practice to operate in a kind of unlikely parallel to that of spiritual practices. “Similar to those who project meaning onto refracted light, this body of work re-contextualises and uses the connection between images to depict a new grasp on reality. My own spiritual space.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSarah Walker\u003c\/b\u003e\u003cspan\u003e (b. 1991) is a photographer based in Melbourne, Australia. Her work includes the use of found imagery, video and sculptural works. She is interested in using photography to deconstruct reality and examine ideas relating to the human condition. Walker’s work has featured in various publications including \u003c\/span\u003e\u003ci\u003eDer Greif Guest-Room \u003c\/i\u003e\u003cspan\u003ecurated by Jörg Colberg, \u003c\/span\u003e\u003ci\u003ePhases Magazine\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eThe Heavy Collective\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eThe Latent Image\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eTerra Firma \u003c\/i\u003e\u003cspan\u003eand the book \u003c\/span\u003e\u003ci\u003eA Place Both Wonderful and Strange \u003c\/i\u003e\u003cspan\u003e(Fuego Books, Murcia). She has exhibited in Australia and abroad. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e104 pages, 28.5 x 20.5cm, cold glue, section-sewn, soft cover, \u003cstrong\u003ePerimeter Editions\u003c\/strong\u003e (Melbourne).\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803742117959,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Sarah3_lo.jpg?v=1752042955"},{"product_id":"preorder-hugh-strange-max-creasy-elizabeth-hatz-footnotes-backgrounds-sheds","title":"Hugh Strange, Max Creasy \u0026 Elizabeth Hatz – Footnotes, backgrounds, sheds","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIt is the seemingly peripheral details and gestures that come to anchor this collection of images. Like the building they document, these photographs of the \u003c\/span\u003e\u003cb\u003eDrawing Matter Archive\u003c\/b\u003e\u003cspan\u003e at the working Shatwell Farm in Somerset, UK, find their bearings in the backgrounds, the contextual minutiae and the footnotes. Taking the form of a three-way conversation between the Archive’s architect, \u003c\/span\u003e\u003cb\u003eHugh Strange\u003c\/b\u003e\u003cspan\u003e, Norwegian-Australian photographer \u003c\/span\u003e\u003cb\u003eMax Creasy\u003c\/b\u003e\u003cspan\u003e, and Swedish academic, architect and writer \u003c\/span\u003e\u003cb\u003eElizabeth Hatz\u003c\/b\u003e\u003cspan\u003e, this book not only offers a subtly poetic and expansive vantage on the Archive, the collection it houses and its place in the surrounding farm, but also forwards a wider précis on the built form; one in which architecture is layered, living and lived.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLondon-based office \u003c\/span\u003e\u003cb\u003eHugh Strange Architects \u003c\/b\u003e\u003cspan\u003ehas developed a reputation for producing buildings that marry an attention to material and structure with precise, contextually considered responses to sensitive urban and rural sites. Strange's Architectural Archive was nominated for the 2015 European Union Prize for Contemporary Architecture – Mies van der Rohe Award, and won RIBA National and Regional Awards the same year.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMax Creasy\u003c\/b\u003e\u003cspan\u003e is a Norwegian-Australian photographer living and working between London and Berlin. His photographic practice explores systems of meaning through architecture, the archive and still life. His work has been widely exhibited at commercial and institutional galleries including the Centre for Contemporary Photography (Melbourne), West Space (Melbourne) and the Australian Pavilion at the Venice Architecture Biennale. He regularly collaborates with other artists, curators and architects including James Taylor-Foster, OK-RM and the REAL Foundation, and his editorial work is published widely. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eElizabeth Hatz\u003c\/b\u003e\u003cspan\u003e is a practicing architect, professor and art curator, sharing her time between practice, research and teaching positions at the University of Limerick and KTH Stockholm. Her built work includes Kodak Headquarters, Gothenburg; Stockholm Globe Arena; and buildings for AKSO-Nobel, Stockholm. Hatz curated \u003c\/span\u003e\u003ci\u003eev+a 2010\u003c\/i\u003e\u003cspan\u003e, Ireland’s pre-eminent art event. As head of SAR (Swedish Architects Association), she co-founded Fargfabriken, a renowned site for art and architecture in Stockholm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e72 pages, 29 x 24 cm, saddle stitch with dust jacket, softcover, Perimeter Editions (Melbourne).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803742412871,"sku":null,"price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Footnotes1_lo.jpg?v=1752042981"},{"product_id":"preorder-ari-marcopoulos-boarding-pass","title":"Ari Marcopoulos – Boarding Pass","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAir travel has informed \u003c\/span\u003e\u003cb\u003eAri Marcopoulos\u003c\/b\u003e\u003cspan\u003e’ life more than most. 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He recalls wandering the tarmac, studying the underside of the wings and fuselage; he remembers riding in the cockpit on an overbooked flight en-route to a Euro Cup final; he flaunts an almost encyclopaedic knowledge of new, old and mothballed commercial airplanes – the Lockheed Super Constellation, Douglas DC-8 Stretch and the Boeing 737-MAX among them.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eBoarding Pass\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, Marcopoulos’ new book for \u003c\/span\u003e\u003cb\u003eNieves\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003ePerimeter Editions\u003c\/b\u003e\u003cspan\u003e, takes this experience of flight, and the machines that make it possible, as its defining motifs. 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The new series of works – which were made in collaboration with model Sibylla Phipps, who also contributes a compelling psychoanalytic text to the book – serves as a dramatic, almost surrealistic expansion of Borland’s visual language, with her attention to colour and reimagining of form coming to the fore. At once tender and troubling, the works that populate \u003c\/span\u003e\u003ci\u003eMorph\u003c\/i\u003e\u003cspan\u003e, the artist’s second book for \u003c\/span\u003e\u003cb\u003ePerimeter Editions\u003c\/b\u003e\u003cspan\u003e, are poignantly human and pointedly not. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePolly Borland\u003c\/b\u003e\u003cspan\u003e is one of Australia’s foremost photographic artists. Famed for her early editorial work and portraiture – which saw her photograph the likes of Queen Elizabeth II, Nick Cave, Donald Trump, Susan Sontag, Monica Lewinsky and Cate Blanchett for a host of clients such as \u003c\/span\u003e\u003ci\u003eThe Guardian\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003eThe New Yorker\u003c\/i\u003e\u003cspan\u003e – her art practice has seen her exhibit widely in Australia, the UK, Europe and the United States, including the major exhibition \u003c\/span\u003e\u003ci\u003ePolyverse\u003c\/i\u003e\u003cspan\u003e at the National Gallery of Victoria, Melbourne, in late 2018. 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The publication draws on a vibrant series of photographs taken during her travels through Iran in 2016 and 2017, which saw her navigate vast stretches of the country. On her first visit, she travelled from the capital, Tehran, north to Qazvin and west to Tabriz, south to Isfahan and Shiraz, and east to Kerman and Yazd, while on her second trip she explored regions such as the Gilan Province, which borders the Caspian Sea, and Kurdistan in the mountainous region bordering Iraq.\u003c\/p\u003e\n\u003cp\u003eBeyond that of a mere travelogue, the book assumes a position that flits between the poetic, intimate, incisive and playful in its un-layering of contemporary Iran’s visual, cultural and architectural languages and subjectivities. Across photographic modes spanning portraiture, landscape, architecture and impromptu formalism, Pannell offers a series of vantages on a place that proves at once familiar, foreign and happily jarring in its multiplicity.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSarah Pannell\u003c\/b\u003e\u003cspan\u003e (b. 1988, Melbourne, Australia) is an Australian documentary photographer whose work concerns culture, landscape, tradition and community. 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By embarking in the process of burning brown coal – a substance that was formed from vegetation that grew more than 25 million years ago, which can be traced though fossilised remains found during the mining process – we artificially irradiate our modern city, decimate species, and in-turn, entwine our contemporary pursuits and follies with that of deep time. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHinting towards Allan Sekula’s more speculative mode of photographic enquiry – in league with American anthropologist Anna Tsing and late Australian philosopher and eco-feminist Val Plumwood’s broader perspectives on ecology – Wilson’s debut book \u003c\/span\u003e\u003ci\u003e\u003cb\u003eNocturnal Ecologies\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e doesn’t so much make a case or establish a steadfast position in this wider schema. 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Here, as with much of his broader practice, Polo subtly and poetically withholds as much as he reveals.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eTom Polo\u003c\/b\u003e\u003cspan\u003e (b. 1985, Sydney, Australia) uses painting and painted environments to explore how conversation, doubt, gesture and ways of looking are embodied within abstracted acts of portraiture. Frequently incorporating text and figurative elements, his works draw on acute observations, absurdist encounters and personal histories. An ongoing interest across his practice is the emotional and performative relationships between people within social space. He has exhibited at major institutions including \u003c\/span\u003e\u003cb\u003eMuseum of Contemporary Art\u003c\/b\u003e\u003cspan\u003e (Sydney), \u003c\/span\u003e\u003cb\u003eArt Gallery of New South Wales\u003c\/b\u003e\u003cspan\u003e (Sydney) and \u003c\/span\u003e\u003cb\u003eAustralian Centre for Contemporary Art\u003c\/b\u003e\u003cspan\u003e (Melbourne). \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e80 pages, 30 x 22cm, ota bind, softcover with flaps, Perimeter Editions (Melbourne)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803815780423,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/TOM-POLO-_0001_IMG_4386.JPG_08b48d35-dae1-4bf4-b455-cf1570d2e77c.jpg?v=1752044338"},{"product_id":"mike-slack-walking-in-place-second-edition","title":"Mike Slack – Walking in Place 1: New Orleans (Second Edition)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWalking in Place 1: New Orleans\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e is the first in a series of standalone books by Los Angeles-based photographer Mike Slack, each taking in a different city, town or geographical locale. In this volume, first published in 2016, Slack records various points of reference on a five day meander through The Big Easy, creating an inner travelogue both meditative and playful. Driven by an almost unconscious process of seeing, recording and cumulation, his gaze settles on architectural details, local flora, street ephemera, and the curious neighborhood cats that cross his path. Led by his keen eye for street-side formalism, and a canny sensitivity to the poetics of light and tonality — and their unlikely urban iterations and combinations — Slack has crafted another telling contribution to what has emerged as a genuinely unique photographic language. The book itself assumes the form of an elegant, pocket-sized paperback — a non-linear, non-verbal journal for the perpetual wanderer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e84 pages, 18.5 x 11cm, paperback, \u003cstrong\u003ePerimeter Editions\u003c\/strong\u003e (Melbourne) \u0026amp; \u003cstrong\u003eThe Ice Plant\u003c\/strong\u003e (Los Angeles)\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Regular Edition","offer_id":41803826167879,"sku":null,"price":36.0,"currency_code":"AUD","in_stock":false},{"title":"Signed Edition","offer_id":41803826200647,"sku":null,"price":36.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/WIP1_NewOrleans_cover.jpg?v=1752044815"},{"product_id":"pre-order-mike-slack-walking-in-place-2-berlin","title":"Mike Slack – Walking in Place 2: Berlin","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"textSerifItalic\"\u003e“His situation, insofar as he was a machine, was complex, and laughable. But the sacred part of him, his awareness, remained an unwavering band of light… At the core of each person who reads this book is an unwavering band of light.”\u003cbr\u003e\u003cspan class=\"textSerif\"\u003e— Kurt Vonnegut, Jr., Breakfast of Champions\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eWalking in Place 2: Berlin\u003c\/i\u003e\u003c\/b\u003e, Los Angeles-based photographer\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMike Slack\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eoffers a meditative, if not psychic, expansion on the threads underpinning the first title in his series of standalone books,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/shop.perimeterbooks.com\/collections\/all-titles\/products\/mike-slack-walking-in-place-second-edition\"\u003e\u003cb\u003e\u003ci\u003eWalking in Place 1: New Orleans\u003c\/i\u003e\u003c\/b\u003e\u003c\/a\u003e. While his meanderings through the Big Easy saw him piece together a playful dialogue of architectural gestures, cats, flora and street ephemera – all rendered in the almost impossibly vibrant hues unique to the famed city – his strolls through the German capital shimmer with a very different palette, syntax and philosophic hue. Here, deep foliage, fungus and soft, refracted European light assuage concrete, steel and geometrics – as if the grand themes of the picturesque and the sublime were shrunken to microcosmic proportions. But this sequence of images defies its individual referents; this is not a book about bike seats, brutalist buildings, leaves and ladybugs. Rather,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWalking in Place 2\u003c\/i\u003e, like its predecessor, is about the simple act of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eseeing,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand its relationship to both our outer and inner selves. Amidst the golden light, greenery and oblique built environment of Berlin, Slack – led by little but the specificity of awareness – renders a world that is uniquely his own. From a sea of background noise, a quality of light and a sensibility of mind awaken us to moments bordering on reverie.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e84 pages, 18.5 x 11cm, paperback, \u003c\/span\u003e\u003cstrong\u003ePerimeter Editions\u003c\/strong\u003e\u003cspan\u003e (Melbourne) \u0026amp; \u003c\/span\u003e\u003cstrong\u003eThe Ice Plant\u003c\/strong\u003e\u003cspan\u003e (Los Angeles)\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Regular Edition","offer_id":41803826298951,"sku":null,"price":36.0,"currency_code":"AUD","in_stock":false},{"title":"Signed Edition","offer_id":41803826331719,"sku":null,"price":36.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/WIP2_0009_Layer_1.jpg?v=1775103305"},{"product_id":"pre-order-bec-parsons-lone-dove","title":"Bec Parsons – Lone Dove","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eBec Parsons\u003c\/b\u003e\u003cspan\u003e has built an international career around her sensitive negotiations of the ever-elusive space between photographer and muse. Chiefly known for her work in fashion, the photographer’s output radiates with a rare collaborative dynamic. Both her photographs and her subjects share agency and voice; their underpinning is one of connection, subtlety and spontaneity. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing on from her debut publication, \u003c\/span\u003e\u003ca href=\"https:\/\/shop.perimeterbooks.com\/products\/bec-parsons-coney-island?_pos=1\u0026amp;_sid=85218c488\u0026amp;_ss=r\" target=\"_blank\"\u003e\u003cb\u003e\u003ci\u003eConey Island\u003c\/i\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cspan\u003e, Parsons’ latest book for \u003c\/span\u003e\u003cb\u003ePerimeter Editions\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eLone Dove\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e, takes this collaborative quality to new depths. Shifting her gaze to young model and champion equestrienne \u003c\/span\u003e\u003cb\u003eLauren Devaney\u003c\/b\u003e\u003cspan\u003e, Parsons joined Devaney and her family on their biannual pilgrimage from their home in Arizona to the Music Meadows ranch in Westcliffe, Colorado. Spanning summer and winter – fast-paced rodeo competition and lonely ranch work amidst the dramatic Colorado landscape – the series sidles both joy and tragedy, as Parsons’s soft gaze renders Devaney, her wider family, their horses and the uniquely American landscapes their lives occupy. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFlitting between the documentary and the personal, \u003cem\u003eLone Dove\u003c\/em\u003e offers an at once intimate and expansive reading of a group of anomalous lives amidst the iconographic American West. In the process, she gently challenges the archetypes of what it means to be a young woman, a model, a horsewoman, a sister and a daughter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e160 pages, 17 x 24 cm, section sewn hardcover with tip-in image, \u003cspan\u003ePerimeter Editions (Melbourne).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803826462791,"sku":null,"price":52.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/LONE_DOVE_0011_IMG_1102.jpg?v=1752044849"},{"product_id":"pre-order-paul-knight-jump-into-bed-with-me","title":"Paul Knight – jump into bed with me","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe seemingly conflicting qualities of intimacy and distance come to define the work of Australian-born, Berlin-based photographer and artist \u003c\/span\u003e\u003cb\u003ePaul Knight\u003c\/b\u003e\u003cspan\u003e. 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We’re left to consider both the spatial and the relational qualities of the sequence and the image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePaired with an edited transcript of the couple’s history of text messages to one another, \u003ci\u003ejump into bed with me\u003c\/i\u003e is at once a missive to a lover and an ode to photography’s intrinsic processes. The camera, when left to its own devices, can capture wonderful and beautiful things.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e88 pages, 18.3 x 13.7cm, staple bound brochure folded, Perimeter Editions (Melbourne)\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803827085383,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/PK_jibwm_00.jpg?v=1752044889"},{"product_id":"pre-order-sarah-walker-pelci-manor","title":"Sarah Walker - Pelči Manor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eShot over three days in the attic of \u003c\/span\u003e\u003cb\u003ePelči Manor\u003c\/b\u003e\u003cspan\u003e – a grand,19th-century, art nouveau structure in the small Latvian town of Kuldīga – the latest book by young Australian photographer \u003c\/span\u003e\u003cb\u003eSarah Walker \u003c\/b\u003e\u003cspan\u003eoffers an ominous, curious and claustrophobic vantage on this historically loaded building. The site where Latvia ceded independence to Nazi occupation during World War II, today the building is used as a school for disabled children. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBut amidst Walker’s dynamic, high-flash photographs – which were composed in the dark and reviewed after the fact – the cavernous interior of the building’s attic frees itself of historical shackles or signposts, morphing to assume the guise of an untethered, intensely psychological space. Here, endless geometrical forms stutter, shadow and repeat; Latvian graffiti, cigarette butts and dead critters litter surfaces; jagged objects and rusted tools gesture towards signs of violence; overlapping beams and joists form oblique visual puzzles. As such, Walker’s \u003c\/span\u003e\u003cb\u003e\u003ci\u003ePelči Manor\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e feels like an obsessive thought or cerebration, looping and rearranging itself toward any and every possibility, searching for a solution that may never present itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e36 pages, 30.5 x 20cm, unbound softcover with elastic cord, Perimeter Editions (Melbourne)\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803827478599,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Sarah2.jpg?v=1752044907"}],"url":"https:\/\/perimeterdistribution.com\/collections\/perimeter-editions.oembed?page=6","provider":"Perimeter Distribution","version":"1.0","type":"link"}