{"title":"Periodicals","description":"","products":[{"product_id":"pre-order-real-review-11","title":"Real Review 11","description":"\u003cp\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003eReal Review\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a quarterly contemporary culture magazine with the strapline 'what it means to live today'. Their agenda focuses on the politics of space, and trying to understand how everyday conditions enforce and reinforce power relations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe pandemic is an ongoing tragedy at every scale. Yet this collective trauma has become an excuse for global capital to accelerate the total commodification of everyday life. Everything is for sale. There is more merchandise than love, more sponsored content than truth. All hobbies are side hustles. Our networks are our net worth. Friendships are commercial partnerships.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe public and domestic spheres have merged, muddling our personal and professional identities. And without face-to- face communication, society has become a panopticon strictly regulated by corporate platforms. No society in human history has demanded so many people be such active participants\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ein producing the contemporary. No contemporary has ever been so aggressively monetised.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs a coping mechanism, many amongst us have decided to check out from reality altogether; preferring to inhabit tailor- made fantasies and simulations. But only children believe that closing their eyes renders them invisible to monsters. When the monsters are real, closing our eyes rather increases the danger. This issue of Real Review is dedicated to 'what to believe'.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eContributors to issue 11 include \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCarlo Rovelli\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKris Kozlowski Moore\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBella Gladman\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJack Self\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEddie Blake\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eYuk Hui\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAndi Schmeid\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKeller Easterling\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMaisa Imamovic\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eChiara Di Leone\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLaura Lizondo\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDebora Domingo-Calabuig\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTimothy Morton\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHelen Marten\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e26 x 11.5 cm, softcover, Real Review (London).\u003c\/p\u003e","brand":"Real Review","offers":[{"title":"Default Title","offer_id":41803904188487,"sku":null,"price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1795_6e4c9448-241a-45ea-a0f2-0bcfbb7a59a9.jpg?v=1752049245"},{"product_id":"visions-by-3","title":"VISIONS BY #3","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eVISIONS BY\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis conceptually organised around a spiral, representing the distance that the featured content presents in relation to the human body. From 'deep' to 'under' we find Dr. Naomi’s surgical work and understandings. Going from 'under' to 'between' Sara Bastai explores the relationship between objects and bodies and all the way around. Arriving at 'on' we find Carlos Sáez and his Techno no aware hardware. Passing from 'on' towards the unknown '?', Luca Dobry presents a future sameness. From the '?' to the ununderstandable we have Riccardo Badano’s naturing borders and Toni Navarro’s proposals and challenges for a planetary politics, what a future to be alive in.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eVISIONS BY Issue No. 3\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e features an evolution from its previous format and structure, just as Issue No. 4 and upcoming and future issues will. They are meant to mutate, seeking the best way to explore their self-contained content. Again, there is no specific theme per issue, no specific profile, no specific reader. Our contributors are selected in order to help us understand the cultural implications of materials and their infinite meanings. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVISIONS BY\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e people, about Material Cultures.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e80 pages, 14.2 x 28.4 cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803940298823,"sku":null,"price":36.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1678_7745fa7f-a928-437e-bb75-4ffc07c96f87.jpg?v=1752050825"},{"product_id":"lovewant-issue-24","title":"LoveWant Issue 24","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLoveWant\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a quarterly contemporary art, photography and fashion magazine published in Sydney by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBart Celestino\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBec Parsons\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Issue 24 features Carolyn Murphy, Kerolyn Soares, Phoebe Tonkin, and Precious Lee. \u003cmeta charset=\"utf-8\"\u003eEach issue is published with multiple cover options.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e30 x 24 cm, softcover, LoveWant (Sydney)\u003c\/b\u003e","brand":"LoveWant","offers":[{"title":"Default Title","offer_id":41803944525895,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2260_6b44ef48-efe8-4fa4-a66f-f9673d99b4c3.jpg?v=1752051126"},{"product_id":"real-review-12","title":"Real Review 12","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eReal Review\u003c\/em\u003e is a quarterly contemporary culture magazine with the strapline 'what it means to live today'. Their agenda focuses on the politics of space, and trying to understand how everyday conditions enforce and reinforce power relations.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe people and things we want feel very far away. Everything else is far too near. Daily life is incorrectly calibrated. 'Absolute proximity' is an intense feeling of claustrophobic isolation. The desire for more space is producing strange outcomes. Many people are questioning their purpose. Many people no longer want to take part in contemporary capitalism. They want to lie flat. This issue of \u003cem\u003eReal Review\u003c\/em\u003e is dedicated to the paradoxical sensation of 'Absolute Proximity'.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eContributors to issue 12 include Cao Fei, David Wengrow, Roisin Tapponi, Tacita Dean, Claire Marie Healey, Maddy Weavers, Ursula K. Le Guin, Vivian Amos, Secretary, Jacob Dreyer, Anna Ulrikka Andersen, Eliot Haworth, Magali Reus, Harry Woodlock, Sebastian Olma, Kristabel Chung, Metahaven, Timothy Morton and Slavoj Zizek.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e26 x 11.5 cm, softcover, Real Review (London).\u003c\/p\u003e","brand":"Real Review","offers":[{"title":"Default Title","offer_id":41803947343943,"sku":null,"price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2853_811013bc-3b99-4b34-9ad9-2c3b7c8d6287.jpg?v=1752051380"},{"product_id":"lovewant-issue-25","title":"LoveWant Issue 25","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLoveWant\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a quarterly contemporary art, photography and fashion magazine published in Sydney by Bart Celestino and Bec Parsons. \u003cmeta charset=\"utf-8\"\u003eEach issue is published with multiple cover options.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e30 x 24 cm, softcover, LoveWant (Sydney).","brand":"LoveWant","offers":[{"title":"Default Title","offer_id":41803960451143,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_3575_385b2fa8-16d4-44b8-9519-c03cb5e0fd8b.jpg?v=1752052263"},{"product_id":"nakako-hayashi-here-and-there-15","title":"Nakako Hayashi – Here and There 15","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ehere and there\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, celebrating its 20th anniversary in 2022, I have always wished to create a connection between individuals that begin with spontaneity. By conducting interviews consecutively, we have been able to weave networks, crossing borders between countries, based on connections between dialogues through many months and years.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIssue Number 15 was produced on the theme belonging (as a place, and with a sense of belonging). It has a dialogue with Susan Cianciolo, who also appeared in the first issue, and a friend of 25 years, as well as a collaboration between her daughter Lilac Sky Cianciolo. There is also a dialogue between Johanna Tagada Hoffbeck, whom I met during my 2 year residency in London from 2019. Like Susan Cianciolo and Mark Borthwick, there are artists that I’ve maintained a long lasting friendship with, but also new features such as our new graphic designer Shunsuke Onaka, who worked on this issue. This includes clients who have offered advertisement support by working hand in hand with the people who are saying, 'I wish to be here, now', hence a new issue was born. In difficult times like this, by picking up this issue, it would be my pleasure if people would feel as if they’ve met a friend they have not seen in a long while. They may even feel a flutter of excitement like finding a place they could belong to.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMay the issue be with you, with your days shining in brilliance\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e – Nakako Hayashi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e96 pages, 21 x 29.7 cm, softcover, Nieves (Zurich).","brand":"Nieves","offers":[{"title":"Default Title","offer_id":41803966709831,"sku":null,"price":48.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_4778_e572e378-fa11-4e67-8eb9-aeb61bf4fe2a.jpg?v=1752053001"},{"product_id":"pre-order-aperture-248-70th-anniversary-issue","title":"Aperture 248: 70th Anniversary Issue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture 248: 70th Anniversary Issue \u003c\/i\u003ecelebrates seventy years with an issue that explores the magazine’s past while charting its future. Reflecting on the founding editors’ original mission and drawing on Aperture’s global community of photographers, writers, and thinkers, this issue features original commissions by seven artists and essays by seven of the most incisive writers working today—each engaging with their chosen decade from the magazine’s history.\u003c\/p\u003e\n\u003cp\u003e144 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803967103047,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5120_60da86e5-b1bc-44c8-b9e5-099872c056c0.jpg?v=1752053029"},{"product_id":"lovewant-issue-26","title":"LoveWant Issue 26","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLoveWant\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a quarterly contemporary art, photography and fashion magazine published in Sydney by Bart Celestino and Bec Parsons. \u003cmeta charset=\"utf-8\"\u003eEach issue is published with multiple cover options.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e30 x 24 cm, softcover, LoveWant (Sydney).","brand":"LoveWant","offers":[{"title":"Default Title","offer_id":41803967201351,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_4865_a7e453ca-5f40-4187-9289-cd941bda3248.jpg?v=1752053054"},{"product_id":"forthcoming-aperture-223-vision-justice","title":"Aperture 223: Vision \u0026 Justice","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eGuest edited by Sarah Elizabeth Lewis,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVision \u0026amp; Justice\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eaddresses the role of photography in the African American experience.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis award-winning issue of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine was released in summer 2016, in a political moment defined by the close of the Obama era and the steady rise of #BlackLivesMatter activism. As a racial reckoning continues in the United States, this powerful issue remains an essential resource for understanding the role of art in the movement for equity and social justice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRooted in the prescient thinking of Frederick Douglass, and his argument that social progress requires pictures, 'Vision \u0026amp; Justice' includes a wide span of photographic projects by such luminaries as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLyle Ashton Harris\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSally Mann\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJamel Shabazz\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLorna Simpson\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCarrie Mae Weems\u003c\/b\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeborah Willis\u003c\/b\u003e, as well as the brilliant voices of a younger generation – \u003cb data-mce-fragment=\"1\"\u003eDevin Allen\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAwol Erizku\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLaToya Ruby Frazier\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeana Lawson\u003c\/b\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHank Willis Thomas\u003c\/b\u003e, among many others. Their portfolios are complemented by essays from some of the most influential voices in American culture, including contributions by celebrated writers, historians, and artists such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eVince Aletti\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTeju Cole\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAva DuVernay\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHenry Louis Gates Jr.\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMargo Jefferson\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWynton Marsalis\u003c\/b\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eClaudia Rankine\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e128 pages, 23.5 x 30.5 cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803968512071,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5086_a46bc8dc-b2e8-4f06-b8ab-e3710c0ac25a.jpg?v=1752053296"},{"product_id":"forthcoming-aperture-238-house-home","title":"Aperture 238: House \u0026 Home","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eHow do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? 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Several contributors revisit or reconfigure photographic archives – from writer Rebecca Bengal’s look at the works of Richard Throssel and Horace Poolaw, to artist Duane Linklater’s intervention in a 1995 issue of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e, 'Strong Hearts', the magazine’s first volume devoted to Native American photographers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'I was thinking about young Native artists,' says Red Star, 'and what would be inspirational and important for them as a road map.'\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThat map spans a diverse array of intergenerational image-making, counting as lodestars the meditative assemblages of Kimowan Metchewais and installation works of Alan Michelson, the stylish self-portraits of Martine Gutierrez, and the speculative mythologies of Karen Miranda Rivadeneira and Guadalupe Maravilla. 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Guest edited by Rahaab Allana, the Alkazi Foundation’s lead curator, the issue explores multiple incarnations of the city’s photographic culture, from O. P. Sharma’s experimental works from the 1960s to Aditi Jain’s intimate tableaux of Delhi’s trans community today. Interviews with revered writer Arundhati Roy and with Bangladesh’s best-known photojournalist, Shahidul Alam, illuminate sites of protest in the city and throughout South Asia. Skye Arundhati Thomas revisits Sheba Chhachhi’s feminist staged portraits from the 1980s and ’90s. 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Guest edited by Pilar Tompkins Rivas, chief curator at the Lucas Museum of Narrative Art in Los Angeles, 'Latinx' spans a century of image making, connecting historical and contemporary photography, and covering the themes of political resistance, family and community, fashion and culture, and the complexity of identity in American life.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 'Latinx', Carribean Fragoza traces Laura Aguilar’s influence on queer artmaking. Joiri Minaya remixes postcards from the Dominican Republic to unveil the fantasy of tourism. Christina Catherine Martinez profiles Reynaldo Rivera, who chronicled 1990s-era Los Angeles nightlife. Yxta Maya Murry considers three Latina curators and writers influencing how photography canons are made today.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'Collectively, their images cast a greater net for the multiple ways of seeing Latinx people,' Tompkins Rivas notes of the issue’s photographers, 'creating a visual archive whose edges are yet to be defined.'\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e136 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803969396807,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5054_7de5d2e4-af0b-4514-9c65-106922ac9b52.jpg?v=1752053360"},{"product_id":"forthcoming-aperture-246-celebrations","title":"Aperture 246: Celebrations","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFind all available issues of \u003c\/i\u003eAperture\u003ci data-mce-fragment=\"1\"\u003e \u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\" title=\"Aperture Magazine\"\u003ehere\u003c\/a\u003e.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine presents 'Celebrations', an issue that considers how photographs envision ceremonies, festivities‚ and allow us to discover euphoria in the everyday.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout the issue, photographers portray exuberance against a backdrop of political strife in Beirut, pursue the thrill of wanderlust, excavate family histories, and respond to the powerful, constant urge to gather. Whether in Kinshasa’s vibrant nightlife of the 1950s and ’60s or London’s sweaty dance floors of our era, jubilation carries on, despite an ongoing, and unpredictable, pandemic.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 'Celebrations', Lynne Tillman contributes a survey of landmark images of celebration through the years, by artists from Malick Sidibé and Peter Hujar to LaToya Ruby Frazier. Several profiles and essays – including Alistair O’Neill on Jamie Hawkesworth, Moeko Fuiji on Rinko Kawauchi, Tiana Reid on Shikeith, Mona El Tahawy on Miriam Boulos, and Anakwa Dwamena on Marilyn Nance’s views of Lagos, Nigeria during FESTAC ’77 – reveal the celebratory gestures embedded in vibrant portraiture, serene slants of light, unbound queer desire, and joyous cross-cultural exchange.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e140 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803969462343,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5046_9ee5955d-e997-440d-8e28-05d4489d8953.jpg?v=1752053370"},{"product_id":"forthcoming-aperture-247-sleepwalking","title":"Aperture 247: Sleepwalking","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFind all available issues of\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eAperture\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"Aperture Magazine\" href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\" data-mce-href=\"https:\/\/www.perimeterbooks.com\/collections\/aperture\"\u003ehere\u003c\/a\u003e.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGuest edited by the acclaimed photographer Alec Soth, \u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e’s summer issue explores the dimensions and possibilities of dreams, journeys, and chance in photography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'Sleepwalking' covers a surprising array of images and stories from the Soviet-era Czech artist Emila Medová to Sophie Calle’s discovery of an abandoned Parisian hotel to Soth’s own photographs from his travels in the United States. In this issue, Jesse Dorris interviews Duane Michals about luck and fate, Marina Warner explores the enduring resonance of the figure of the sleepwalker, and artists including Etienne Courtois, Maja Daniels, and Elliott Jerome Brown Jr. present surreal and imaginative new series. The Summer 2022 issue also introduces The PhotoBook Review, a new section for lively engagement with photobooks, featuring reviews of recent titles by Nona Faustine, Samuel Fosso, Óscar Monzón, and others.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e148 pages, \u003cmeta charset=\"utf-8\"\u003e23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803969495111,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5094_b19f36d4-9f64-492e-928e-2cbe315d650a.jpg?v=1752053378"},{"product_id":"lovewant-issue-27","title":"LoveWant Issue 27","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLoveWant\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a quarterly contemporary art, photography and fashion magazine published in Sydney by Bart Celestino and Bec Parsons. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEach issue is published with multiple cover options.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e30 x 24 cm, softcover, LoveWant (Sydney).\u003c\/span\u003e\u003c\/p\u003e","brand":"LoveWant","offers":[{"title":"Default Title","offer_id":41803976998983,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5801.jpg?v=1752053844"},{"product_id":"real-review-13","title":"Real Review 13","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMINING THE PAST\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll times appear equally and at once. The past no longer recedes in an orderly way, but threatens to resurface at any moment in the guise of the contemporary. Nostalgia cycles are getting faster. Old material artefacts return as integral components of current trends. The future is no longer desirable or unforeseen. Simultaneously, the chaos of our epoch masks a vast project of algorithmic derisking to make tomorrow identical to today: who controls the past controls the future; who controls the present controls the past.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eINSIDE REAL REVIEW 13\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWho owns the past? We interview columnist ROBIN GIVHAN on pluralist history. Artist GERHARD RICHTER reproduces a reproduction of an overpainted photograph. Author PHILIPPA SNOW reviews leather jackets. Balenciaga CCO MARTINA TIEFENTHALER and JACK SELF discuss fashion's cyclical relationship with the past, while philosopher CHRISTOPHER SCHABERG reviews airline travel chaos. Director DARCY THOMAS reviews climate reparations and the history of slavery. SOPHIA ALAMI reviews conscious parties and LEON BATCHELOR reviews the Carboniferous Period.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHistorian MINA POLO was born in 2001 and reviews the 20th century. Designer MARTIN SIGLER reviews Black Being, HEIDEGGER and NEGRITUDE; Artist JORDAN\/MARTIN HELL reviews the blasphemy of asking. JACK SELF reviews deferred fulfilment and the housing crisis, while PATRICK MCGRAW and LIAM DENHAMER review a two-room apartment. HALIMA ALI reviews domestic (non)functionalism. EMILY SANDSTROM reviews MODEM's vision of the smart city. DIANE POLHEMUS reviews Trussonomics. TANYA ANAND reviews keywords and generative art; CHRISTINE SMITH reviews the dreams of spiders.\u003c\/span\u003e\u003c\/p\u003e\n26 x 11.5 cm, softcover, Real Review (London).","brand":"Real Review","offers":[{"title":"Default Title","offer_id":41803982209095,"sku":null,"price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_5850_063d8ce2-a5b8-4825-920f-db45f95adf9e.jpg?v=1752053914"},{"product_id":"aperture-249-reference","title":"Aperture 249: Reference","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e magazine presents \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e'Reference'\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an issue that considers the role images play in the creation of something else.­ Spanning fashion design, architecture, film, and print, 'Reference' includes a conversation between renowned British author and curator \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEkow Eshun\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and rising fashion designer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGrace Wales Bonner\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e; an interview with South African artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWilliam Kentridge\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the images that undergird his sprawling output; critic \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMimi Zeiger\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the work of Los Angeles–based architectural studio \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJohnston Marklee\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e; an essay by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJesse Dorris\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the potential of handmade zines; and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDavid Campany\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on the function and purpose of photographs today.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFurther, works by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJames Welling\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJojo Gronostay\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeborah Turbeville\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSheida Soleimani\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKatrien de Blauwer\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStephanie Syjuco\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e highlight each artist’s unique use of source material.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Photobook Review for this issue opens with a sweeping interview with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRamón Reverté\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e – the editor in chief and creative director at Editorial RM – and includes reviews of recent photobooks by Vince Aletti, Phyllis Christopher, Moe Suzuki, Nancy Holt, Richard Misrach, and N.V. Parekh.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e136 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/b\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41803982536775,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/aperture249_1000px_cd4577d9-d36a-4ad6-8edc-d55e103da532.png?v=1753877757"},{"product_id":"too-much-magazine-issue-9","title":"TOO MUCH Magazine Issue 9","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTOO MUCH\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a magazine about romantic geography. Its purpose is to document our collective experience of cities and look at the ways people and landscapes make and remake one another. Issue 9 began with a question that arose from events that occurred underneath our own city of Tokyo 27 years ago – the Tokyo subway sarin attacks of March 20, 1995. Revisiting this devastating event – largely through Haruki Murakami’s seminal nonfiction, 'Underground' – pushed us to examine the power of human narratives, particularly those pertaining to the divine. It has also led us to understand how our own experiences have been shaped by a belief in the power of other, more positive narratives of a world in flux.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis volume of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTOO MUCH\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Magazine asks: Who is to say what is sacred?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe begin on the shores of the Okinawan islands, where we meet the Yuta shaman, who see people as characters play- ing roles in a larger narrative arc of life. We venture to the beguinages of medieval Europe to learn how women have related to the divine in ways that ensure their own earthly survival and independence. We visit mosques in contemporary Japan and elaborate festivals for ancestor worship in China. We look at the work of Jae-Eun Choi and Camille Henrot, which shows us how plants and trees can grow tall in desolate landscapes and emotional wastelands. We travel to the slopes of Osore-zan and hear the cries of crows and the bereaved before peering into the living room of Tadanori Yokoo and beholding the reclining Budhha and the Odalisque.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIssue 9 of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTOO MUCH\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Magazine ultimately explores the nature of the sacred in an increasingly profane world, taking us into our own belief structures – both old and new – and questioning what will remain and what may evolve as we move forward into the unknown.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e284 pages, 18.2 x 25.7 cm, softcover, Editions OK Fred (Tokyo).\u003c\/b\u003e","brand":"TOO MUCH","offers":[{"title":"Default Title","offer_id":41803982995527,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/toomuch9_1000px.png?v=1753960767"},{"product_id":"steve-lawrence-peter-hujar-andrew-ullrick-eds-newspaper-1","title":"Steve Lawrence, Peter Hujar, Andrew Ullrick (eds.) – Newspaper","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSteve Lawrence\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and edited with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePeter Hujar\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAndrew Ullrick\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eNewspaper\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e was published in New York City between 1968 and 1971.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eNewspaper\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a wordless, picture-only periodical that ran for fourteen issues and featured the disparate practices of over forty artists. With an editorial focus on placing appropriated material alongside new works, the periodical sought to codify a visual language of high and low culture that represented contemporary society in the late 1960s. While largely overlooked in art-historical discourse, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNewspaper\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e showcased many of the most revered artists working in the United States at the time, as well as an emerging coterie of queer artists.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe mid to late sixties was a flourishing period for artists experimenting with new media formats such as books, records, and magazines to create or distribute their work. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNewspaper\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was one of the first artist-published tabloids of its era, preceding Andy Warhol’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eInterview\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and Les Levine’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCulture Hero\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, both of which debuted in 1969. However, in contrast to other tabloids, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNewspaper\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e focused strictly on images.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt a time when photography was not being exhibited regularly in galleries, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNewspaper\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e provided an alternative exhibition space for the medium and some of the era’s greatest photographers. The publication’s large size and unbound format encouraged readers to take it apart and hang its pages, which was how \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNewspaper\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was installed at the Museum of Modern Art’s influential Information show in 1970.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is not to say that \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNewspaper\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e only existed within the narrow confines of the art world, far from it. It lived within (and shared contributors with) a robust network of underground and queer periodicals like \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe New York Review of Sex\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRags\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGay Power,\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e among others. Yet, unlike many of these tabloids, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNewspaper\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e has largely disappeared from the discourse around underground magazines, queer publishing, and artists’ periodicals.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll fourteen issues of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNewspaper\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e are compiled in this volume for the first time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e416 pages, 24.7 x 34 cm, softcover, Primary Information (New York).\u003c\/b\u003e\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41803983913031,"sku":null,"price":94.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/newspaper_1000px_69029fd8-2007-4c8c-926b-aff3fb319ed9.png?v=1753960531"},{"product_id":"lovewant-issue-28","title":"LoveWant Issue 28","description":"\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eLoveWant\u003c\/i\u003e is a quarterly contemporary art, photography and fashion magazine published in Sydney by Bart Celestino and Bec Parsons. Each issue is published with multiple cover options.\u003c\/p\u003e\n\u003cp\u003e30 x 24 cm, softcover, LoveWant (Sydney).\u003c\/p\u003e","brand":"LoveWant","offers":[{"title":"Default Title","offer_id":41803984601159,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_6816_1cad6c50-0651-414a-94be-42b83d6434ec.jpg?v=1752054424"},{"product_id":"lovewant-29","title":"LoveWant Issue 29","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eLoveWant\u003c\/i\u003e is a quarterly contemporary art, photography and fashion magazine published in Sydney by Bart Celestino and Bec Parsons. Each issue is published with multiple cover options.\u003c\/p\u003e\n\u003cp\u003e30 x 24 cm, softcover, LoveWant (Sydney).\u003c\/p\u003e","brand":"LoveWant","offers":[{"title":"Default Title","offer_id":41804045779015,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_7770.jpg?v=1752055110"},{"product_id":"aperture-250-we-make-pictures-in-order-to-live","title":"Aperture 250: We Make Pictures in Order to Live","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis spring, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAperture\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e magazine presents issue #250, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWe Make Pictures in Order to Live\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which explores the relationship between photography and storytelling across generations and geographies. Featuring visual stories that excite, surprise, and illuminate daily life, this issue’s title is a nod to the late, celebrated writer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJoan Didion\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who declared, 'We tell ourselves stories in order to live'. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e contributors explore the quiet poetry – or clamorous disorder – of the everyday, and attest that making photographs is a way of being alive\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a sweeping introductory essay, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBrian Dillon\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e asks how we might view Didion through photography, and what images come to mind when we think of her writing. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThessaly La Force\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e profiles \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBieke Depoorter\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who sees documentary photography both as a listening exercise and a form of investigation, blurring the lines between authorship, fiction, and truth. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlistair O’Neill\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e takes stock of ,b\u0026gt;Nick Waplington’s vibrant records of subcultures on both sides of the Atlantic. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLena Fritsch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e writes about the 'exquisite world-making' of photographer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEikoh Hosoe\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s collaborative practice. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTiana Reid\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reconsiders \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCharles 'Teenie' Harris\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s vivid, midcentury portraits of Black life in Pittsburgh, several of which are published for the first time in this issue.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmong the portfolios, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCasey Gerald\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e discusses \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAdraint Bereal\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s images depicting the agony and ecstasy of being a Black college student in the US today. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eYvonne Venegas\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e searches for family ghosts in the Mexican landscape, which poet and novelist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDaniel Saldaña París\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e describes as 'an exercise in freedom and intelligence'. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKamayani Sharma\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e looks at \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGauri Gill\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s images of a community masquerade in the Indian state of Maharashtra, and its potential to reverse power dynamics inherent in seeing and being seen.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDurga Chew-Bose\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e meditates on the photographs of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMary Manning\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e – also featured on the cover – and their poetic sensitivity toward story and the everyday. For Endnote, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e poses six questions for the painter \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJordan Casteel\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn The PhotoBook Review – included within every issue of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBruno Ceschel\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e speaks with photographer, bookmaker, and publisher \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlejandro Cartagena\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e about his work. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLou Stoppard\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews a trio of photobooks about domestic spaces, and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s editors review a range of recent publications.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e136 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/b\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41804056166471,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_7912_742a077e-bde3-4e6f-a7da-b0893023d330.jpg?v=1752055189"},{"product_id":"aperture-251-being-becoming-asian-in-america","title":"Aperture 251: Being \u0026 Becoming: Asian in America","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis summer, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e magazine presents \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBeing \u0026amp; Becoming: Asian in America\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a landmark issue that considers how artists use the medium of photography to grapple with questions of visibility, belonging, and what it means to be Asian American. Spanning photography from the nineteenth century to the present, and featuring the work of acclaimed figures such as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAn-My Lê\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eReagan Louie\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 'Being \u0026amp; Becoming' is guest edited by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStephanie Hueon Tung\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, curator of photography at the Peabody Essex Museum in Massachusetts.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'I hope this publication provides an opportunity to discover generative ways of seeing that are rooted in connection and empathy'” says Tung, who contributes a powerful essay to the magazine about the importance of envisioning Asian American lives. 'It is through the work of artists that we can change our perceptions of the past and heal generational wounds.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 'Being \u0026amp; Becoming', \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRyan Lee Wong\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e interviews An-My Lê and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePao Houa Her\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e about photography, fiction, and truth in the aftermath of war. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBakirathi Mani\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003elooks at artists engaging with collections and public archives shaped by colonial histories, while \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eXueli Wang\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e writes about those making work in domestic spaces as a way to push back against assimilation. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKen Chen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e discusses \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eToyo Miyatake\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s striking record of life inside the Manzanar prison camp in the central Californian desert. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSimon Wu\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reflects on performative conceptual photographer and documentarian of East Village life \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTseng Kwong Chi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and his downtown New York era. And \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAleesa Pitchamarn Alexander\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003espeaks with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eReagan Louie\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who has spent more than fifty years addressing issues of migration, cultural transformation, and intergenerational dialogue through photography.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmong the artist portfolios in 'Being \u0026amp; Becoming', \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGina Osterloh\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e – whose work is featured on the cover – experiments with the legibility and illegibility of identity. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLeonard Suryajaya\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e constructs exuberant scenes of life in Indonesia and Chicago. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eArthur Ou\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e considers the act of seeing the world as a precursor to understanding his place in it. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGuanyu Xu\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e layers images of domestic spaces, filled with symbols of home, history, and affection. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePriya Suresh Kambli\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e mines family photographs to produce collages about migration and memory, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJarod Lew\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e composes 'deliberately uncluttered' images of his family in Detroit. This issue also features essays from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePhoebe Chen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTausif Noor\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMimi Wong\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAmy Sadao\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eXuan Juliana Wang\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAmitava Kumar\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSimon Han\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn The PhotoBook Review – included within every issue of Aperture as of summer 2022 – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTaous Dahmani\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e speaks with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCécile Poimboeuf-Koizumi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, bookmaker and co-founder of the Marseille-based independent publisher Chose Commune. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLena Fritsch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e reviews an expansive new book that charts Japan’s unparalleled history of photography in print publications. In addition, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAperture\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s editors review new and notable photobooks.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e144 pages, 23.5 x 30.5cm, softcover, Aperture (New York).\u003c\/b\u003e\u003cbr\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":41804057378887,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_7921_7af1c820-d0d5-4743-b036-5cf6505a5b4e.jpg?v=1752055201"},{"product_id":"arch-open-for-maintenance","title":"ARCH+ Open for Maintenance","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOpen for Maintenance\u003c\/i\u003e is published in conjunction with the exhibition of the same name, which is curated by \u003ci data-mce-fragment=\"1\"\u003eARCH+\u003c\/i\u003e and the SUMMACUMFEMMER BÜRO JULIANE GREB collective and will feature in the German Pavilion at the 18th Venice Architecture Biennale. The project proceeds from the idea that sustainable practice can only be brought about by a major social shift. Architecture that seeks to overcome wastage, consumption, and the profligate use of resources must also prioritise the repair and upkeep of existing buildings, while acknowledging the work involved in this and according it greater value. It should be based on the principle of maintenance and give pride of place to the mundane task of caring for what is.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e208 pages, 23 x 29cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41804073893959,"sku":null,"price":67.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_8240.png?v=1752055330"},{"product_id":"arch-the-great-repair-politics-for-a-society-of-repair","title":"ARCH+ The Great Repair: Politics for a Society of Repair","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe modern capitalist era, with its emphasis on growth and progress and an economic system based on consumption, wastage, and resources being bled dry, has led to the ruthless exploitation of people and nature. 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'The Design Issue' also features three unique covers with images by David Hartt, Luigi Ghirri, and Dayanita Singh.\u003cbr\u003e\u003cbr\u003eIn 'The Design Issue', Olowu speaks with the editor Dan Thawley about how his deep knowledge of photography has informed his fashion line. Thessaly La Force visits Coreen Simpson, who made portraits of New York City’s artistic and nightlife scenes and later found success as a jewelry designer. Alice Rawsthorn speaks with Billie Muraben about how designers respond to evolving technology and politics. And Mimi Zeiger considers David Hartt’s interventions with the built environment and iconic buildings, including Philip Johnson’s Glass House.\u003cbr\u003e\u003cbr\u003eIn elegant, spare images, Dayanita Singh presents her long-term engagement with the architects Geoffrey Bawa and Bijoy Jain. Luigi Ghirri’s 1980s images from the Ferrari factory, in Italy, demonstrate the photographer’s fascination with industrial design. 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Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography’s relationship to reality, exposing how the idea of a 'real photo' has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States.\u003cbr\u003e\u003cbr\u003e'The field of photography continually shifts due to emergent technologies, and AI is a big one,' says Michael Famighetti, \u003ci\u003eAperture\u003c\/i\u003e’s editor in chief. 'It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.'\u003cbr\u003e\u003cbr\u003e\u003ci\u003eImage Worlds to Come\u003c\/i\u003e looks at the past as much as the future. 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