{"title":"Photography","description":"","products":[{"product_id":"pre-order-zoe-croggon-arc","title":"Zoë Croggon - Arc","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eArc\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e is the debut book by Melbourne artist \u003c\/span\u003e\u003cb\u003eZoë Croggon\u003c\/b\u003e\u003cspan\u003e and the winner of the 2015 \u003c\/span\u003e\u003cb\u003eAsia-Pacific Photobook Prize\u003c\/b\u003e\u003cspan\u003e, sponsored by \u003c\/span\u003e\u003cb\u003eGrenadier Press\u003c\/b\u003e\u003cspan\u003e, Singapore, and published by \u003c\/span\u003e\u003cb\u003ePerimeter Editions\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eAsia-Pacific Photobook Archive\u003c\/b\u003e\u003cspan\u003e, Melbourne. Croggon's practice revolves around collage in its most economical and decisive form. 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The outcome of a visual studies seminar by architect \u003cstrong\u003eAndrew Zago\u003c\/strong\u003e, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e528 pages, 14 x 20 cm, softcover, Art Paper Editions (Gent).\u003c\/span\u003e\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":41803813748807,"sku":null,"price":69.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_3611_07f9aefc-9193-46bc-9da4-b0d1d16c4fa2.jpg?v=1752044216"},{"product_id":"pre-order-bec-parsons-lone-dove","title":"Bec Parsons – Lone Dove","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eBec Parsons\u003c\/b\u003e\u003cspan\u003e has built an international career around her sensitive negotiations of the ever-elusive space between photographer and muse. 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Touting visions of impending doom and gloom, including overpopulation and social decline, they fan fears and peddle purportedly 'common sense' solutions and promises that breed exclusion and intolerance. All of Europe is witnessing the political ascent of right-wing populist parties: UKIP in the UK, Dansk Folkeparti (DF) in Denmark, FPÖ in Austria, AfD in Germany, Vox in Spain and SVP in Switzerland, to name just a few.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSwiss photographer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eChristian Lutz\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e has documented right-wing populist people, movements and hot spots all over Europe for his latest series, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCitizens\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. 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Flurries of hectic activity alternate with long periods of waiting around and killing time.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGiven their high protein content, they remain a promising source of food for the future, according to the UN Food and Agriculture Organization (FAO), which points out that if more people were to add edible insects to their diet, that could reduce world hunger and improve food security. However, deforestation has decimated migratory insect populations in recent years and some cricket species are now critically endangered. To make matters worse, the rains in Africa are becoming less and less predictable due to climate change, and cricket-harvesting depends entirely on timing.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eItalian photographer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMichele Sibiloni\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e has captured the Ugandan cricket-harvest, an activity that straddles the very fine line between past and future, tradition and modernisation, in his highly atmospheric visual idiom. His immediate cinematographic sequences speak volumes not only about the Ugandan situation, but also about the future prospects for our planet as a whole.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e144 pages, 23 x 31 cm, hardcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803910742087,"sku":null,"price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2130_f8607b64-dc9a-4cf5-aa04-44d5d824445e.jpg?v=1752049488"},{"product_id":"anna-studeli-primal","title":"Anna Stüdeli – Primal","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePrimal\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a series of over 1200 close-ups of advertising posters in Zürich photographed by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAnna Stüdeli\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Roughly 120 of them have been selected for this first glimpse into the artist’s copious archive.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePrimal\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Stüdeli reflects on the surfaces of Western advertising aesthetics through an exploration of the ways in which images are produced, reproduced and distributed. In rehashing the same visual tropes over and over again, the advertising industry reveals the dumbing down of our consumer society, a society steeped in clichés, sexual stereotypes, the objectification of the (usually female) body and the commodified sexualization of food. The artist’s macro shots expose details that undercut the conventions of commercial enticement and generate an interplay between the deconstruction and redefinition of normative patriarchal concepts. On closer scrutiny, however, the hyperrealism of the original posters gives rise to an unsuspected physicality —and an associated morbidity. In a manner similar to the empty claims of marketing, the high-resolution details seem to anticipate and document the incipient decay of the bodies portrayed. It’s as though we were watching the gradual demise of these bodies in the pixel depths and grid depths of their wrinkles, folds and bulges. Disgust and desire conflate in this field of tension.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAccording to the artist, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePrimal\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a 'tribute to desire' that seeks to articulate a holistic and open-ended conception of desire – stripped of classifications and hierarchies. This series thus becomes a photographic appropriation of advertising posters as an act of re-framing, over which looms a nagging question: What role should photography play now, amid the seemingly endless glut of images in the wake of ever-increasing digitisation?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e156 pages, 25 x 35.8 cm, softcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803910971463,"sku":null,"price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2111.jpg?v=1752049499"},{"product_id":"yana-wernicke-jonas-feige-zenker","title":"Yana Wernicke \u0026 Jonas Feige – Zenker","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1889, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGeorg August Zenker\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a gardener and botanist from Leipzig, took charge of the Jaunde (present-day Yaoundé) research station in the German colony of Kamerun. After six years’ tenure, Zenker was summarily relieved of his duties. He was said to be leading a polygamous life at the station with several African women, some of whom had borne him children. Zenker left the country, only to return soon afterwards as a private citizen. He settled with his family (a woman from Dahomé and five children) in Bipindi, deep in the Kamerun jungle, where he built Bipindihof, a German colonial-style house and vast cocoa, rubber and banana plantations. The mainstay of his livelihood, however, consisted in collecting copious botanical and zoological specimens as well as ethnographic objects for German museums.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZenker’s thought and actions were, to be sure, heavily influenced by the colonial mindset. But on a number of occasions he clearly opposed the colonialist and militaristic practices of his superiors and other German countrymen. He died in 1922 and was buried on the grounds of his Bipindihof. Zenker’s descendants live widely dispersed in Cameroon and Europe today, but most of them still regard the now crumbling Bipindihof as the cradle of the family.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eYana Wernicke\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJonas Feige\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e traveled to the present-day Republic of Cameroon several times for this photographic essay in order to retrace Zenker’s life there and portray his descendants.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e268 pages, 18.5 x 16.6cm, hardcover, Edition Patrick Frey (Zurich).","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803911397447,"sku":null,"price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2103_fba28cc5-f03c-4af7-a9d6-a7e17ae72609.jpg?v=1752049514"},{"product_id":"special-edition-pre-order-simone-gooch-derek-henderson-rosa","title":"Simone Gooch + Derek Henderson – Rosa","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe still life floral arrangements that populate florist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSimone Gooch\u003c\/b\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eand photographer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDerek Henderson\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s collaborative project \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eRosa\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e both expound and subvert the loaded historical and aesthetic potentials of its central subject matter. Having been commissioned by John Tebbs of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePleasure Garden\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e magazine to visit Matthews Nurseries Ltd. – a multigenerational family rose farm in Whanganui, New Zealand, known throughout the world for its unique rose breeding program – in 2018, Gooch (known for her work as Fjura) and Henderson were so taken by their experience that they returned of their own accord the following year, working with the Matthews family to source, select and cut the plethora of unique rose varieties that appear in the book. The results are quiet yet spectacular, poetic yet expressive, with Henderson capturing Gooch’s highly sculptural, unconventionally elegant floral signature with the kind of casual warmth and formalist precision that have come to define his photographic career. These works call to the classical and the contemporary in equal voice. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRosa\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e – which includes an extensive interview with the Matthews family and a detailed flower index – makes a compelling new case for the time-honoured queen of flowers.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e112 pages, 34 x 24 cm, coptic stitch Swiss-bind, softcover with flaps, Perimeter Editions (Melbourne).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eSPECIAL EDITION [NOW SOLD OUT]\u003cbr\u003ePerimeter Editions and the artists are producing a special edition of 50 copies, which include a signed and editioned chromogenic print (28 x 23.15 cm, shown in the last image).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Regular Edition","offer_id":41803911462983,"sku":null,"price":69.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/Rosa_cover_ccc79b5b-30a2-4ecc-b301-c32d19ca5f46.jpg?v=1752824215"},{"product_id":"matthias-hoch-ber","title":"Matthias Hoch – BER","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBER\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e 2017–2020: An airport with no planes, a terminal with no passengers. Berlin-Brandenburg Airport (code: BER) was for a long time a major project that never came to an end: half-finished, devoid of function, in a perpetual state of waiting. Over a period of three years \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMatthias Hoch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e studied this stasis, looking at the site through the lens of an analogue large-format camera, rather like an archaeologist: area by area, space by space – from the railway station to the boarding gate, from landside to airside – viewing it as a potential user might see it. The result is a series of images showing a mysterious construct – photographs of a place where the not-yet merely seems to have given way to a not-anymore: a picture puzzle of the time.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e112 pages, 29 × 25 cm, hardcover, Spector Books (Leipzig).\u003c\/span\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803922800711,"sku":null,"price":82.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2748_4106dc74-a04a-4b51-bdf9-6961b61de837.jpg?v=1752049712"},{"product_id":"fulvio-ventura-s-sagacity","title":"Fulvio Ventura’s SAGACITY","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNearly 50 years after its inception, Italian photographer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFulvio Ventura\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSagacity\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is finally seeing the light of day. Begun in 1975 and originally scheduled for publication in 1978 by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLuigi Ghirri\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s ill-fated Punto e Virgola imprint, Ventura continued to amass his photographic archive organically for the next four decades as an open-ended project called \u003cem\u003eSagacity, Sunstar and Salamandr\u003c\/em\u003ea (a title copied from a portentous inscription discovered by chance on a brass plate in the window of a typesetter). This was Ventura’s living body of work, inspired by an evolving passion for esoteric philosophies, the mysteries of happenstance, the sound of jazz, and the literature of surrealism and mythology.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesigned by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJason Fulford\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the current monograph was edited and sequenced by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGiulia Zorzi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e of Micamera Milan, who worked closely with Ventura on the selection until his death in 2020 (at his home in Ghiffa, Italy). The images in this volume, gathered over many years in various locations around Europe, are spontaneous yet full of intention, cryptic but playful, and often strikingly cinematic – an altogether cohesive and self-contained psychic world, bound by visible and invisible energies.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e64 pages, 26 x 18 cm, hardcover, The Ice Plant (Los Angeles).","brand":"The Ice Plant","offers":[{"title":"Default Title","offer_id":41803926896711,"sku":null,"price":82.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2842_713a625a-5a87-4c4b-8a2c-4701748dddb8.jpg?v=1752049916"},{"product_id":"nick-haymes-the-last-survivor-is-the-first-suspect","title":"Nick Haymes – The Last Survivor is the First Suspect","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eI was always aware that I liked people. That I loved people. School was about cliques, but I bounced between them all. Everyone, anyone, was fascinating to me. Each person nuanced in their own way, with something special to share — and for some reason, they all shared with me. I had low-grade Williams syndrome, and I liked school, my art teacher, and girls. Every day, for six of my teenage years, I obsessively walked to school with one girl, while she slept with everyone but me. Despite being someone who was friends with everyone, I lacked confidence. So I took drugs. Stopped writing. Stopped walking to school with her. Stopped going to school. And found friends who really mattered to me. Three years later, when I realised I was adopted, my brain imploded — and while I sweated it out in rehab and dealt with paranoid psychosis, no one came to visit. The will to write and draw had been sucked out of me, and I couldn’t overcome a newfound shyness, an awkwardness, that continues to live with me today. So I picked up a camera and hid, discovering I could once again be near people, intimate with them, without having to engage. It was a new way to be social yet silent, to love and be distant. A barrier that gave me access to others, while I dealt with my own emotional trauma. It worked — and still works.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI met Josh and Mikey just off Canal Street, at a dim sum spot. It was February and freezing cold; they were visiting from California and weren’t dressed right, so we ate soup dumplings while Mikey stole sodas. Mikey loved Coca-Cola as much as Disneyland. It was the one day I didn’t have my camera. I was using a Pentax that year, and the winter was so cold it broke the winder and internal light meter. I was partially mute, making communication stilted. But Californians have an openness unlike anyone else, and that day conversation happened — or at least, I listened while they spoke — and a friendship, one that still exists, formed. I asked if I could join them back in California.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat summer, and for four more years, I traveled, tripped, couch-surfed, and found a family in Pan’s lost boys, wrestling with the end of youth, adulthood looming. When the sun shines daily, the days, seasons, and years merge, creating a temporal displacement that makes any narrative of truth near-impossible. But time and nostalgia also affect clarity: it’s taken me over twelve years to piece this story together. Now, my children are the same age as the characters in this publication, and I reside permanently in Los Angeles. My work is always about others, their lives and their experiences, but I don’t consider myself a documentarian. The camera is a tool and a vehicle: to engage, create, connect, contact. Something that’s now done by anyone with a smartphone and social feed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLooking back, this was likely the last generation of teens who didn’t photograph their every waking move, but were at the gateway of tech communication. No one had a cell phone, but we all spoke on Myspace. 2005 was a very naive time\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e … Nick Haymes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e480 pages, 17× 24 cm, softcover, Kodoji Press (Baden).","brand":"Kodoji Press","offers":[{"title":"Default Title","offer_id":41803928830023,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_2851_6e62e84b-5542-4fd6-8955-38c1d4e0ff10.jpg?v=1752049939"},{"product_id":"jacob-haupt-did-i-scare-you","title":"Jacob Haupt – Did I Scare You?","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom Jacob: \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThis is a book of pictures I took in my haunted apartment.\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e112 pages, 19 x 27cm, hardcover, Actual Source (Provo).\u003cb data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/b\u003e","brand":"Actual Source","offers":[{"title":"Default Title","offer_id":41803929354311,"sku":null,"price":77.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0031_840a6653-b0e6-425e-b899-bf7f208e749f.jpg?v=1752049972"},{"product_id":"pre-order-danielle-mericle-the-dark-wood-1","title":"Danielle Mericle – The Dark Wood","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDanielle Mericle\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Dark Wood\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e explores broad questions of history and our collective ability to document and learn from the past. Through intertwined images of abandoned Greco-Roman casts, an ancient Sequoia forest and the artist’s own texts, Mericle invites us to consider history as a fluid process rather than a static truth.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe once highly valued casts – which appear in the book as original and archival photographs – were rejected as worthless copies during the early part of the 20th century, under the belief that they lacked the artistry and aura of the originals, despite the fact that many of the 'originals' were in fact Roman copies of Greek artefacts. During the two World Wars, many of these 'originals' were damaged or destroyed, and the casts are now considered some of the most authoritative versions available. A Sequoia forest in Northern California offers two important counterpoints. Ancient Sequoia tree rings chart the rise and fall of civilisations over the last 3000 years, including those that created the Greco-Roman artefacts. The tree rings position human history within a broader geological timeframe, lending an adjusted perspective to the human enterprise. The rings also reveal the complex history and shifting perspectives on the significance of fire in the region, with the dissonant histories of expansive logging practices, the conservation movement, Indigenous knowledge, and climate change playing out against the troubled fate of the ancient Sequoias.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThough we attempt to understand and preserve our past, the endeavour is subject to inevitable shifts in knowledge, the whims of ideology, and the vagaries of historical truth. With an epilogue that grounds the complex sequence of images in personal elegy, \u003ci\u003eThe Dark Wood\u003c\/i\u003e re-calibrates our sense of scale by allowing us to locate a sense of mourning, loss and the specifics of our own narratives within the broad and unfixed framework of history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e88 pages + foldout, 30 x 20.4cm, OTA-bind, softcover with front flap, Perimeter Editions (Melbourne) x The Ice Plant (Los Angeles).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Regular Edition","offer_id":41803929452615,"sku":null,"price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/thedarkwood_cover_31f69c64-db8d-4ba8-8ae2-7867b96d0032.jpg?v=1752824096"},{"product_id":"helga-paris-kunstlerportraits","title":"Helga Paris – Künstlerportraits","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith an eye trained by modernist painting and early Soviet, Italian, and French cinema and influenced by theatre and poetry, self-taught photographer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHelga Paris\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e developed an extensive oeuvre of gently nuanced black-and-white images over a period of four and a half decades. The great trust and confidence that people had in her as an artist and as a person are a hallmark of all her portraits. Her subjects open themselves up to her and let her into their lives. The photographs show figures like Christa Wolf, Elke Erb, and Charlotte E. Pauly in private moments as well as the literary counter-public of Prenzlauer Berg and its protagonists. The book is accompanied by texts penned by publisher \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGerhard Wolf\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and curator and art historian \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEugen Blume\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Paris’s portraits of artists and writers in the GDR are being published for the first time in book form in conjunction with an exhibition at the Leonhardi Museum in Dresden.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e152 pages, 18.5 x 24 cm, hardcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803929747527,"sku":null,"price":82.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0079_094b042f-89de-49d1-b972-ad2c99dadc66.jpg?v=1752050008"},{"product_id":"tobias-zielony-the-fall-apollo-alles-vol-1","title":"Tobias Zielony – The Fall \/ Apollo \/ Alles [Vol. 1]","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn summer 2021, the Museum Folkwang in Essen will be showing the work of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTobias Zielony\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionised the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpector Books has consistently supported Zielony's work from the start of his career. In 2008 they published \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTrona\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, now in its third edition, followed by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eManitoba\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2011), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJenny Jenny\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013), and\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eVele\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It is to be published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eVolume 1, \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Fall \/ Apollo \/ Alles\u003c\/i\u003e\u003c\/b\u003e features text by \u003cb data-mce-fragment=\"1\"\u003eJoshua Gross\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e112 pages, 12 x 17.6 cm, softcover, Spector Books (Leipzig).\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803930665031,"sku":null,"price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0104_a2764a58-44a2-44a9-be2f-2b37bd264838.jpg?v=1752050030"},{"product_id":"tobias-zielony-maskirovka-golden-vol-2","title":"Tobias Zielony – Maskirovka \/ Golden [Vol. 2]","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn summer 2021, the Museum Folkwang in Essen will be showing the work of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTobias Zielony\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionised the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpector Books has consistently supported Zielony's work from the start of his career. In 2008 they published \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTrona\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, now in its third edition, followed by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eManitoba\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2011), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJenny Jenny\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013), and\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eVele\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It is to be published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eVolume 2, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMaskirovka \/ Golden\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, features text by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDora Koderhold\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e128 pages, 12 x 17.6 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803931058247,"sku":null,"price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0111_fa58e70f-f3c9-4f73-a44c-1767922d7394.jpg?v=1752050042"},{"product_id":"tobias-zielony-ha-neu-vele-hansha-vol-3","title":"Tobias Zielony – Ha Neu \/ Vele \/ Hansha [Vol. 3]","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn summer 2021, the Museum Folkwang in Essen will be showing the work of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTobias Zielony\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionised the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpector Books has consistently supported Zielony's work from the start of his career. In 2008 they published \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTrona\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, now in its third edition, followed by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eManitoba\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2011), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJenny Jenny\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013), and\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eVele\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It is to be published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eVolume 3, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHa Neu \/ Vele \/ Hansha\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, features text by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSophia Eisenhut\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e136 pages, 12 x 17.6 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803931516999,"sku":null,"price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0119_f4ab61c3-b022-4fd1-a085-94c02a9c7eca.jpg?v=1752050057"},{"product_id":"tobias-zielony-the-citizen-hurds-bank-vol-4","title":"Tobias Zielony – The Citizen \/ Hurd's Bank [Vol. 4]","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn summer 2021, the Museum Folkwang in Essen will be showing the work of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTobias Zielony\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionised the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpector Books has consistently supported Zielony's work from the start of his career. In 2008 they published \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTrona\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, now in its third edition, followed by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eManitoba\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2011), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJenny Jenny\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013), and\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eVele\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It is to be published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eVolume 4, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Citizen \/ Hurd's Bank\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, features text by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEnis Maci\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e128 pages, 12 x 17.6 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803931549767,"sku":null,"price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0142_4ef7e20f-9fad-4ad1-a780-4216e70c79e2.jpg?v=1752050068"},{"product_id":"tobias-zielony-the-street-big-sexyland-al-akrab-zgora-vol-5","title":"Tobias Zielony – The Street \/ Big Sexyland \/ Al-Akrab \/ Zgora [Vol. 5]","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn summer 2021, the Museum Folkwang in Essen will be showing the work of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTobias Zielony\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionised the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpector Books has consistently supported Zielony's work from the start of his career. In 2008 they published \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTrona\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, now in its third edition, followed by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eManitoba\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2011), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJenny Jenny\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013), and\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eVele\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It is to be published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eVolume 5, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Street \/ Big Sexyland \/ Al-Akrab\/ Zgora\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, features text by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMazlum Nergiz\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e128 pages, 12 x 17.6 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803931680839,"sku":null,"price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0149_24d9336d-963e-4e20-865e-96f8403b48ce.jpg?v=1752050078"},{"product_id":"tobias-zielony-curfew-the-cast-trona-the-deboard-vol-6","title":"Tobias Zielony – Curfew \/ The Cast \/ Trona \/ The Deboard [Vol. 6]","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn summer 2021, the Museum Folkwang in Essen will be showing the work of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTobias Zielony\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionised the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpector Books has consistently supported Zielony's work from the start of his career. In 2008 they published \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTrona\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, now in its third edition, followed by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eManitoba\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2011), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJenny Jenny\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013), and\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eVele\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It is to be published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eVolume 6, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCurfew \/ The Cast \/ Trona \/ The Deboard\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, features text by Jakob Nolte.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e108 pages, 12 x 17.6 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803931713607,"sku":null,"price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0156_0f207cad-25a0-4638-8817-9c75f3c46a01.jpg?v=1752050090"},{"product_id":"tobias-zielony-the-fall-full-set","title":"Tobias Zielony – The Fall [Full Set]","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn summer 2021, the Museum Folkwang in Essen will be showing the work of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTobias Zielony\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionised the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpector Books has consistently supported Zielony's work from the start of his career. In 2008 they published \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTrona\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, now in its third edition, followed by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eManitoba\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2011), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJenny Jenny\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013), and\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eVele\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It is to be published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSix volume set, each \u003c\/span\u003e12 x 17.6 cm, softcover, Spector Books (Leipzig).\u003c\/p\u003e\n\u003cp\u003eAvailable as the full set here or as individual titles below.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/all-titles\/products\/tobias-zielony-the-fall-apollo-alles-vol-1\" title=\"Tobias Zielony – The Fall \/ Apollo \/ Alles [Vol. 1]\"\u003eTobias Zielony – The Fall \/ Apollo \/ Alles [Vol. 1]\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/all-titles\/products\/tobias-zielony-maskirovka-golden-vol-2\" title=\"Tobias Zielony – Maskirovka \/ Golden [Vol. 2]\"\u003eTobias Zielony – Maskirovka \/ Golden [Vol. 2]\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/all-titles\/products\/tobias-zielony-ha-neu-vele-hansha-vol-3\" title=\"Tobias Zielony – Ha Neu \/ Vele \/ Hansha [Vol. 3]\"\u003eTobias Zielony – Ha Neu \/ Vele \/ Hansha [Vol. 3]\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/all-titles\/products\/tobias-zielony-the-citizen-hurds-bank-vol-4\" title=\"Tobias Zielony – The Citizen \/ Hurd's Bank [Vol. 4]\"\u003eTobias Zielony – The Citizen \/ Hurd's Bank [Vol. 4]\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/all-titles\/products\/tobias-zielony-the-street-big-sexyland-al-akrab-zgora-vol-5\" title=\"Tobias Zielony – The Street \/ Big Sexyland \/ Al-Akrab \/ Zgora [Vol. 5]\"\u003eTobias Zielony – The Street \/ Big Sexyland \/ Al-Akrab \/ Zgora [Vol. 5]\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/all-titles\/products\/tobias-zielony-curfew-the-cast-trona-the-deboard-vol-6\" title=\"Tobias Zielony – Curfew \/ The Cast \/ Trona \/ The Deboard [Vol. 6]\"\u003eTobias Zielony – Curfew \/ The Cast \/ Trona \/ The Deboard [Vol. 6]\u003c\/a\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803931942983,"sku":null,"price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0099_b40fdd87-aba4-49a8-a676-e9f5fb661b06.jpg?v=1752050106"},{"product_id":"lovewant-issue-23","title":"LoveWant Issue 23","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLoveWant\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a quarterly contemporary art, photography and fashion magazine published in Sydney by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBart Celestino\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBec Parsons\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Issue 23, the 'Here \u0026amp; Now' Issue, features Pooja Mor, Lindsey Wixson, Lara Worthington, Gabriella Brooks, Nyaueth Riam, Suzi Leenaars, and Bruna Lapinskas. Each issue is published with multiple cover options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e30 x 24 cm, softcover, LoveWant (Sydney).\u003c\/p\u003e","brand":"LoveWant","offers":[{"title":"Default Title","offer_id":41803933057095,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0242_62bdae85-1d91-4bc0-9551-152dacb52707.jpg?v=1752050128"},{"product_id":"taiyo-onorato-nico-krebs-future-memories","title":"Taiyo Onorato \u0026 Nico Krebs – Future Memories","description":"\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eFUTURE\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a series of five or six publications by Taiyo Onorato \u0026amp; Nico Krebs to be published by Edition Patrick Frey over the next few years. The various chapters in the series will be published on an ongoing basis, though not according to any content-based planning or timetable. The idea is to react promptly to current events and sensibilities and publish the results swiftly too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe first installment of the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFUTURE\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e series, entitled \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFUTURE MEMORIES\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, explores how our conceptions of the future have changed over the past few decades, how that affects our take on the present and our reactions to changes that lie ahead. Re-created by Taiyo Onorato \u0026amp; Nico Krebs for the most part out of archival material, the pictures in this book constitute a material exploration of the fact that every vision or illustration of the future is bound to be a collage of images drawn from the past.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing a combination of large-format analog photography and various digitally controlled laser technologies, the artists have created a visual world that makes sci-fi allusions and takes an associative approach to an emotional world that swings back and forth between the optimism of the artists’ childhood and the dystopianism of the present day and age.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e80 pages, 21 × 27.5 cm, softcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":41803933843527,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0591_487888aa-1501-4ebe-8686-676e1923cb7b.jpg?v=1752050257"},{"product_id":"matt-johnston-photobooks-a-critical-companion-to-the-contemporary-medium","title":"Matt Johnston – Photobooks \u0026: a critical companion to the contemporary medium","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePhotobooks \u0026amp;\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e presents and interrogates key themes of the contemporary photobook — from the medium’s post-digital and post-photographic situation, to the purposes of publishing, issues of accessibility and the act of reading. Informed by extensive research, interviews with key individuals from the photobook ecology and his experience with The Photobook Club project, Johnston examines current trends and practices, emphasising connections (made and missed) between makers and readers. Ultimately, this book proposes a critical framework for considering our uses and encounters with the photobook, calling for a recalibration of a maker-centric discourse to address the communicative potential of the medium: aligning making, with making public.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMatt Johnston\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a visual practitioner, educator and researcher currently based in the School of Media and Performing Arts at Coventry University, where he is an Assistant Professor in photography. For the last decade, his research and visual practice has been concerned with the post-millennium situation of the contemporary photobook, how the medium has become central to a small but dedicated ecology, and how it may become better equipped to engage new readerships.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e210 pages, 17 x 24cm, softcover, Onomatopee (Eindhoven).","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41803933974599,"sku":null,"price":54.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0698_0a65a6ea-a728-4298-a366-441b0bb4b448.jpg?v=1752050303"},{"product_id":"10-concerning-the-image-archive-of-a-nuclear-research-center","title":"10%: Concerning the Image Archive of a Nuclear Research Center","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnknown lady in the radiation department, puddle, dancing couple in costume, damage to a waste drum, retiree send-off, lead shielding, burnt-out glovebox, 'scorpion' with microchip – these are all captions to pictures of Germany’s first major nuclear research facility. In 1956, professional photographers began making an on-site record of procedures at the Nuclear Research Center Karlsruhe (KfK). In 2017, the decision was made to digitise 10 percent of this visual archive. Using current concerns about the whereabouts of contaminated nuclear waste as a springboard, the publication brings together over thirty viewpoints from the realms of art, sociology, politics, and science as well as the accounts of people directly involved with the facility. \u003cem\u003e10%\u003c\/em\u003e sets out to delineate and visualise nuclear research.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e520 pages, 19.5 × 27 cm, softcover, Spector Books (Leipzig).","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41803934695495,"sku":null,"price":84.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0902_8f5fe106-c77e-4619-8d63-0a931c88751e.jpg?v=1752050384"},{"product_id":"gus-powell-family-car-trouble","title":"Gus Powell – Family Car Trouble","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFamily Car Trouble\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGus Powell\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e plays with the form of the novel, both as material object and as narrative vehicle for expressing interior life. The work records and reckons with the arrival of children, the departure of a father, and the maintenance of a difficult 1992 Volvo 940 station wagon. A new classic of the Automotive Bereavement Parenting genre.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e128 pages, 15 x 23 cm, softcover, TBW Books (Oakland).","brand":"TBW Books","offers":[{"title":"Default Title","offer_id":41803934957639,"sku":null,"price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0990_c725dff5-cceb-4d53-84d4-f17e86ac1481.jpg?v=1752050410"},{"product_id":"ken-graves-and-eva-lipman-derby","title":"Ken Graves and Eva Lipman – Derby","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDemolition derbies are spectacular celebrations of car culture, carnival culture, and a maximalist desire to be loud and destructive, all because… well, why not? They’re chaotic, a ritualised nihilism of automotive destruction, metal and mud everywhere, but in \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKen Graves\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEva Lipman\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDerby\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an understated poetry emerges from the scene. There is not a collision to be found; instead the couple focuses on the nuanced moments that surround the event, crafting images that are equally anthropological and expressive, yet surprisingly quiet and kind, revealing the inexplicable beauty of a community in complete control of its own entertainment.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs viewers, we become privy to an endless cycle of wreckage and repair. Before an event, amateur mechanics make ad hoc repairs with full knowledge that their hard work will be undone in half the time. Sisyphean to a T. Chicken wire replaces windshields and gangly teenagers gut the interior of someone’s former dream car, which they likely bought the day before for the price of an old lawn mower. The cars are merely something to use and abuse, and possibly provide some laughs along the way. Hell, you might even break a rib or two.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor more than three decades Ken Graves and Eva Lipman were partners in both life and art. Always shooting as a singular entity, they blurred the lines of authorship and shared equal artistic credit for their images.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e60 pages, 23.5 x 26.7cm, hardcover with dust jacket, TBW Books (Oakland).","brand":"TBW Books","offers":[{"title":"Default Title","offer_id":41803934990407,"sku":null,"price":95.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_0999_bf2febc9-773c-4b29-babe-d8fee4fee496.jpg?v=1752050420"},{"product_id":"ken-graves-and-eva-lipman-restraint-and-desire","title":"Ken Graves and Eva Lipman – Restraint and Desire","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eRestraint and Desire\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the culmination of a lifelong creative partnership between husband and wife \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKen Graves\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEva Lipman\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, whose visionary life together was defined by the unique and selfless act of claiming artistic credit as a singular entity.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor decades they acutely surveyed high school dances, military ceremonies, football games, boxing matches, and other American social rituals, seeking to capture the complex intensity between humans often overlooked in these commonplace settings. These mostly prosaic happenings often revealed sexual tensions that Ken and Eva saw not only in the world around them, but in their own relationship. As Eva says, 'our work reflected back to us, like a mirror, the intensities and power dynamics of our shared life together.' Acts of generosity and humility, domination and submission, passions, both violent and tender, straight and homoerotic, are all beautifully enhanced through the intimacy of the photographs.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith a profound visual sensitivity, Graves and Lipman collect human gestures that betray the complex interiority of their subjects. Hands often act here as the protagonist – grabbing, touching, reaching – entering and exiting the photographs like a visual metronome. Lust, fear, boredom, exhaustion and a myriad of feelings beyond the realm of language are all on display through the discerning glare of their camera and its flash.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e90 pages, 23.5 x 26.7 cm, hardcover, TBW Books (Oakland).","brand":"TBW Books","offers":[{"title":"Default Title","offer_id":41803935055943,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1009_eaeabe5d-5cc7-4fd8-a7ec-a4ae59ed5ac6.jpg?v=1752050431"},{"product_id":"mimi-plumb-landfall","title":"Mimi Plumb – Landfall","description":"\u003cp\u003e\u003cem\u003eFirst edition, second printing\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCreated from images taken during the early 1980s, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMimi Plumb\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLandfall\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e encapsulates the anxieties of a world spinning out of balance, a mirror-land eerily reminiscent of our own time.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe burnt out remains of a house fire open out onto equally decimated alpine landscapes, group shots of humans in lackadaisical embrace with high tech weapons of war...Plumb’s photographs of manmade scars and refuse mingle in seductive rhythm with portraits of friends and strangers in disquieting poses, revelling in the underlying unease the artist saw in herself, her community, and the world at large.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Years later the burnt lamp reminded me of when I was 9 years old, during the Cuban missile crisis in 1963, my mother told me there might be a nuclear war. For a period of time I would wake up in the middle of the night to repeatedly look at the hallway clock, and worried about not sleeping. At school, my classmates and I practiced getting under our desks.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlumb's jarring yet delicate approach to image-making comes together in \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLandfall\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e to fuel a narrative as foreboding as it is beautiful.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e120 pages, 29.8 x 24 cm, \u003cmeta charset=\"utf-8\"\u003ehardcover, TBW Books (Oakland).\u003c\/p\u003e","brand":"TBW Books","offers":[{"title":"Default Title","offer_id":41803935514695,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1040_98e29cdb-7ef5-44cf-b4a0-cce0aebe071f.jpg?v=1752050447"},{"product_id":"cherine-fahd-a-story","title":"Cherine Fahd – A Story","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Story\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e plays with the intimate and voyeuristic looking of social media within the pages of a photobook. The artist made an Instagram story every night for a year. The stories were made up of images she had taken on her phone and screen grabs from pictures found on the internet. Search terms such as ‘wet bodies’, ‘big eyes’ or ‘woman sweeping’ provided a starting point for directing the day’s story. The pictures are suggestive, showing bits and pieces of the body; bodies pushing together, touching, eyes looking, hands holding, grabbing, tongues kissing, and necks. There are words and numbers too. Some from books and the screen, others tattooed on the artist’s body. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eA Story\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e will appeal to those who like to look in a slowed-down zoomed-in way to details, words and things. It will also interest those who don’t always want to know what the story means and how it ends.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e94 pages, 21 x 15 cm, softcover, M.33 (Melbourne).","brand":"M.33","offers":[{"title":"Default Title","offer_id":41803935940679,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1111_e4c3500a-3105-4417-ae98-de24c2697bd2.jpg?v=1752050497"},{"product_id":"luke-le-what-are-you-looking-for-second-edition","title":"Luke Le – What are you looking for? [Second Edition]","description":"\u003cp\u003e\u003cb\u003eSecond Edition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTo follow the first edition of Luke Le's \u003cem\u003eWhat are you looking for?, \u003c\/em\u003ewhich was shortlisted for the Paris Photo \/ Aperture 2021 Photobook Awards in the First Book category, the second edition features an updated poster dust jacket. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhere does the meaning of a photograph lie? Where do the limits of its authorship, spectatorship and democracy cross paths? These are questions at the heart of untrained Sydney-based artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLuke Le\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s photographic practice. In his first major artist book – \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhat are you looking for?\u003c\/i\u003e\u003c\/b\u003e – Le reroutes notions of diarism and the impromptu to broach new aesthetic and philosophical terrains. A kind of open letter to a former life in Melbourne, the book forms both an intensely personal gesture and a wider provocation toward the subjectivities and assumptions that underpin photography itself. These raw, intuitive images – created from scans of degraded Risograph prints – are at once rooted in and free of place. Their dynamic gaze veers toward specificity, but never quite lands. Amidst the noise of their gritty, fine grain, Le’s images leave as many questions as answers.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e170 pages, 25.5 x 17 cm, perfect bind, softcover with poster dust jacket, Perimeter Editions (Melbourne).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Special Edition of \u003cem\u003eWhat are you looking for? \u003c\/em\u003eis still available \u003ca href=\"https:\/\/www.perimeterbooks.com\/collections\/perimeter-editions\/products\/pre-order-luke-le-what-are-you-looking-for?variant=39369653190852\" title=\"Luke Le – What are you looking for? [Special Edition]\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":41803936333895,"sku":null,"price":48.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/WAYLF_2ndEd_cover_0000_IMG_1176.JPG_19558ba4-3f3d-4667-8bae-48fccaac38fe.jpg?v=1752050512"},{"product_id":"sybren-vanoverberghe-sandcastles-and-rubbish","title":"Sybren Vanoverberghe – Sandcastles And Rubbish","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSandcastles And Rubbish\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the fourth publication by Sybren Vanoverberghe with APE and is a continuation of his visual research on artefacts and non ordinary sites. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSandcastles And Rubbish\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e puts its focus on the site of the port and the industrial landscape around it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn previous projects Vanoverberghe shows statues and pillars made out of stone, ruins in desolated landscapes or nature in a constant state of transformation. For \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSandcastles And Rubbish\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e a change in materiality took place, a change wherein Vanoverberghe investigates ‘new’ artefacts of our time. Rusted and bend steel, gravel pits, sturdy and raw structures flirt with composition and elegancy. Photographic works are presented alongside artefacts or ‘objets trouvées’.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuestions are raised about the value of an object and how value changes as time passes by. Vanoverberghe's work is characterised by a constant flux of place and time.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e352 pages, 24 × 29.5 cm, softcover, Art Paper Editions (Ghent).","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":41803936366663,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1137_929c5669-72fd-4eba-a921-167f31030ad0.jpg?v=1752050525"},{"product_id":"rita-lino-replica","title":"Rita Lino – Replica","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eReplica\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e suggests a new reading of the body and the model as a pure image, a pure tool, without referring to any representative identity, hereby ignoring today’s contemporary society of what the self should be.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLino refers strongly to American mid-century photographer William Mortensen, who states that a body is simply considered to be 'a machine that needs adjustments.” According to Mortensen the body must be the basis, “representation of personality and emotion […] are irrelevant and misleading'. There is a certain dehumanisation in Mortensen’s approach to the model, a return of the body to an object without meaning, in front of the camera. Mortensen saw models as clay that form the image, a body was articulated only by the operator’s intention. He wanted to strip the figure from its emotion and personality, so that we, as an audience, could consider the body as a formed prop and stare at the image as the essence, and not the subject.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn Lino’s case she is the model, the operator \/ photographer, the subject and the image at the same time. She is in complete control. She found a way to remove herself from representation and reduced her own body to a pure object and image, almost like a machine. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eReplica\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a manifestation of the artist’s understanding of her role in front of and behind the camera.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eReplica\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a prescient of an approaching future in which identity will surrender to the carefree machine of image magnification.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eRita Lino\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a Berlin-based Portuguese photographer whose work explores ideas of self and persona, using the body '\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eas primer matter to be re-created and beautifully exorcised'\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e Includes a text by Brad Feuerhelm.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e120 pages, 21.5 × 29 cm, hardcover, Art Paper Editions (Ghent).","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":41803936563271,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/9091\/4631\/files\/IMG_1128_355d8fbe-ee1c-40b7-8968-558fa4af3e8e.jpg?v=1752050536"}],"url":"https:\/\/perimeterdistribution.com\/collections\/photography.oembed?page=18","provider":"Perimeter Distribution","version":"1.0","type":"link"}